Commissioned Research
Top 10 Best Audio Visual Software of 2026

GITNUXSOFTWARE ADVICE

Technology Digital Media

Top 10 Best Audio Visual Software of 2026

Compare audio visual software options with tradeoffs for teams, featuring software like vMix and Crestron for different AV workflows and setups.

20 min readUpdated Editorially scoped research
How we ranked these tools
01Editorial Scope

Vendors set the topic, but our editors set the inclusion criteria and the evaluation framework before research starts.

02Source Research

AI search agents find sources, extract figures with provenance, and aggregate written reviews. They also transcribe video reviews and podcasts.

Read our full methodology →

Framework: Features 40% · Ease 30% · Value 30%

Gitnux may earn a commission through links on this page — this does not influence rankings. Editorial policy

Audio visual software tools matter because live shows depend on deterministic control paths for video mixing, audio processing, and media transport under tight latency and uptime constraints. This comparison helps AV and live video teams choose between media server workflows, broadcast-style video production, and IP-based automation so integrations, extensibility, and operational control match each venue or studio environment.

Resolume is the best pick for live teams building repeatable multi-display video looks because its Arena stage workflow helps operators layer media and effect stacks during cue playback, while Crestron is the go-to alternative for AV control teams since its event-driven room logic coordinates codec, matrix, and touchpanel states across many rooms.

Editor’s top 3 picks

Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.

Editor pick
1

Resolume

Resolume’s Arena stage workflow lets operators layer media and effects across multiple outputs during live cue playback.

Best for: Fits when live teams need repeatable video wall looks with operator-first control.

2

Crestron

Editor pick

Room control logic that links device feedback to touchpanel states and repeatable show flows across many rooms.

Best for: Fits when AV teams need deterministic room automation that coordinates codecs, matrices, and touchpanels.

3

vMix

Editor pick

Scene-based mixing with layered input handling gives real-time control of program, overlays, and audio routing in one workflow.

Best for: Fits when one production operator needs integrated routing, switching, and multiview monitoring.

Comparison Table

1
ResolumeBest overall
professional
9.0/10
Overall
2
enterprise
8.9/10
Overall
3
prosumer
8.8/10
Overall
4
8.5/10
Overall
5
open-source
8.0/10
Overall
6
vertical specialist
7.9/10
Overall
7
enterprise
7.5/10
Overall
8
enterprise
7.3/10
Overall
9
professional
6.9/10
Overall
10
professional
6.6/10
Overall
#1

Resolume

professional

Real-time video mixing and effects software for live visual performance.

9.0/10
Overall
Features9.0/10
Ease of Use9.0/10
Value9.0/10
Standout feature

Resolume’s Arena stage workflow lets operators layer media and effects across multiple outputs during live cue playback.

Resolume targets live AV shows that need real-time video playback, layering, and output routing under show-control cues. It uses a stage-centric timeline for clips, media inputs, and effects so operators can build repeatable looks for concerts, DJ sets, and branded installations.

The software also supports multi-display and video wall workflows with flexible source blending, transitions, and mapping, plus common live streaming and capture paths for show-to-network distribution. For audio visual integration, Resolume pairs with external control systems via network workflows and operator-facing patching rather than requiring a full in-app DSP or mixing surface.

Pros
  • +Stage-based workflow with layers, clips, and real-time effect stacks
  • +Strong multi-display and video wall tooling for live composition
  • +Built for timeline-driven show operation with cue-like playback control
  • +Flexible input and output routing for common live show pipelines
Cons
  • –Audio production and routing are limited compared with dedicated mixing tools
  • –Advanced automation depends heavily on external show-control setups
  • –Large installations can require careful performance tuning on each machine
  • –Hardware and driver compatibility can constrain capture and output paths
Use scenarios
  • audiovisual performers

    Audio-driven visuals for live sets

    Visuals respond to routed audio

  • show operators

    Cue-based scenes for rehearsed shows

    Consistent cue execution

Show 2 more scenarios
  • VJ performers

    Interactive mixing of timed media

    Responsive visuals during sets

    Clips, layers, transitions, and effects can be mixed in time with the show.

  • installation artists

    Coordinated playback across multiple outputs

    Aligned multi-display output

    Compositions are routed and synchronized across projectors and LED display surfaces.

Best for: Fits when live teams need repeatable video wall looks with operator-first control.

#2

Crestron

enterprise

AV automation and control platform for enterprise and residential spaces.

8.9/10
Overall
Features8.9/10
Ease of Use8.9/10
Value8.9/10
Standout feature

Room control logic that links device feedback to touchpanel states and repeatable show flows across many rooms.

Crestron targets AV integrators who need deterministic room control with hardware-based control processors and driver-oriented device management. Control programs can coordinate video matrix routing, audio routing, codec endpoint selection, and display power states using event-driven logic. Device discovery and control feedback are used to drive UI states on Crestron touchpanels and to enforce consistent room workflows.

A key tradeoff is that the control software workflow is built around Crestron control logic and SIMPL-style programming concepts, which slows down teams that want a media-first editor. Crestron fits situations where room control must coordinate many signal paths, display states, and codec endpoints with repeatable automation across multiple rooms.

Pros
  • +Event-driven room control coordinates devices from codec to displays
  • +Driver-based integrations cover common serial control and networked endpoints
  • +Scales to multi-room deployments with consistent automation logic
  • +Built around hardware control processors for deterministic execution
Cons
  • –Control logic programming requires integration discipline and time
  • –Media-centric authoring workflows are weaker than event playback tools
  • –AV routing details often depend on endpoint-specific drivers
Use scenarios
  • Pro AV integrators

    Deliver turnkey conference room automation

    Fewer manual handoffs during events

  • Enterprise venues

    Standardize show behavior across rooms

    Uniform room operation at scale

Show 1 more scenario
  • Lecture capture operations

    Control capture readiness per room

    More reliable capture start

    Crestron automates endpoint states so recording and display modes align with workflows.

Best for: Fits when AV teams need deterministic room automation that coordinates codecs, matrices, and touchpanels.

#3

vMix

prosumer

Live video production software with mixing, recording, and streaming.

8.8/10
Overall
Features8.8/10
Ease of Use8.8/10
Value8.8/10
Standout feature

Scene-based mixing with layered input handling gives real-time control of program, overlays, and audio routing in one workflow.

vMix supports a wide capture and output surface using common live video inputs plus audio routing that stays inside the same runtime. The workflow centers on scenes and layers, so switching and layout changes happen in a show timeline style rather than as separate external apps. Multiview output helps operators validate sources, audio levels, and overlays while the main program continues running.

Tradeoffs show up in deployment and governance. Reliable remote control and automation require disciplined configuration of devices, sources, and network endpoints before shows. vMix fits best when one operator needs tight control over video switching, audio mixing, and operator monitoring without building a custom pipeline around multiple tools.

Pros
  • +Scenes and overlays make live layout changes predictable
  • +Built-in multiview monitoring speeds operator source verification
  • +Integrated video switching plus audio routing reduces handoff errors
  • +RTSP streaming support enables distributed viewing workflows
Cons
  • –Remote control requires careful setup to avoid show-time mistakes
  • –Advanced integration depends on add-ons and external device drivers
Use scenarios
  • Broadcast and streaming producers

    Multi-source live stream with multiview

    Fewer switching mistakes during live shows

  • AV control room operators

    Integrate vMix into show control

    Repeatable cues across events

Show 2 more scenarios
  • Lecture capture teams

    BYOD presentation plus capture

    Lower editing time after sessions

    Ingest presentation sources and output a consistent recording program with layered graphics.

  • Regional live event teams

    Deliver RTSP outputs to viewers

    Consistent playback across remote sites

    Stream a program output over RTSP while switching sources and graphics in real time.

Best for: Fits when one production operator needs integrated routing, switching, and multiview monitoring.

#4

Audinate Dante

API-first

Dante audio and video networking platform for AV signal transport over IP.

8.5/10
Overall
Features8.5/10
Ease of Use8.5/10
Value8.5/10
Standout feature

Dante routing turns endpoint channel selection into explicit, network-wide audio flow mapping without per-path patching.

Audinate Dante targets audio transport and routing for AV-over-IP workflows using its Dante networked audio layer. Audinate Dante supports large scale device discovery, flow routing, and channel-to-channel signal mapping across endpoints that speak Dante audio.

Pros
  • +Device discovery and routing flows handle large endpoint counts reliably
  • +Stable audio routing model maps channels cleanly to named Dante flows
  • +Configuration supports repeatable system builds for multi-room installs
  • +Interoperates with many DSP and endpoint vendors without custom audio bridges
Cons
  • –Video transport and synchronization must be handled outside Dante
  • –Cross-network or segmented deployments need careful VLAN and multicast planning
  • –Advanced governance and role separation depend on the wider installation toolchain
  • –Latency behavior can vary across non-audio subsystems that integrate Dante
Use scenarios
  • AV systems integrators

    Connect Dante audio endpoints reliably

    Stable routed audio

  • installers of multi-room systems

    Map channels across many endpoints

    Correct signal placement

Show 1 more scenario
  • room automation developers

    Expose routing for external control

    Repeatable routing states

    Control integrations reference Dante routing behavior from external automation.

Best for: Fits when AV teams need deterministic, scalable audio routing over IP in installations or show control environments.

#5

OBS Studio

open-source

Open-source software for video recording and live streaming.

8.0/10
Overall
Features8.0/10
Ease of Use8.0/10
Value8.0/10
Standout feature

Virtual Camera output turns OBS compositing into a real-time webcam feed for other applications.

OBS Studio is distinct in its source-based scene graph that supports audio and video mixing in one working canvas. Core capabilities include capture of windows, displays, and video devices, plus audio mixing with compressors, limiters, filters, and VST plug-ins.

Pros
  • +Source-based scenes let audio and video routing stay consistent across layouts
  • +VST plug-in support enables custom DSP in the live audio path
  • +Scene collections and profiles simplify switching between recording and streaming modes
  • +Virtual Camera output improves workflow integration with conferencing tools
Cons
  • –Complex setups can require careful ordering of filters and audio monitoring
  • –Live AV-over-IP interoperability depends on external capture or plugin layers
  • –Automation through scripts can raise maintenance overhead during show changes
  • –Advanced synchronization workflows often need external timecode and genlock tooling
Use scenarios
  • VJ performers

    Layer media with scene switching

    Repeatable program control

  • streamers and podcasters

    Process microphones inside scenes

    More consistent mic levels

Show 2 more scenarios
  • independent live producers

    Switch camera and overlay scenes

    Controlled broadcast output

    Switching controls move between prepared scenes with coordinated video and audio.

  • press and event teams

    Run a unified event webcast

    Coordinated event feed

    A single workstation combines presentation, camera, microphone, and graphics sources.

Best for: Fits when teams need a flexible live mixer for broadcast-style streaming and recordings.

#6

MadMapper

vertical specialist

Projection mapping and video mapping software for spatial AV installations.

7.9/10
Overall
Features7.9/10
Ease of Use7.9/10
Value7.9/10
Standout feature

Real-time visual mapping with interactive warping and blending tailored for projection surface alignment.

MadMapper maps live visuals onto video surfaces by letting users warp, blend, and animate textures using a spatial input model. It supports outputting projection-ready content with real-time control over mapping parameters during shows.

Pros
  • +Warp and blend tools fit projection mapping rehearsals and live tuning
  • +Real-time scene parameters make show cues practical for operators
  • +Layering supports multi-source visual compositions per mapping surface
  • +Tight focus on spatial video mapping reduces workflow overhead
Cons
  • –Deep mapping setup takes time before consistent results are routine
  • –Automation and external control options are narrower than dedicated show control ecosystems
  • –Complex multi-device routing can require manual scene and source management
  • –High-refresh stage use can expose GPU limits on large mapped surfaces
Use scenarios
  • audiovisual performers

    Map effects to audio-driven scenes

    Music-synced mapped visuals

  • interactive media artists

    Trigger mapped layers from live inputs

    Responsive visuals to inputs

Show 2 more scenarios
  • stage designers

    Project onto scenic props and walls

    Calibrated projection output

    Videos and animated graphics are mapped onto stage elements for show playback.

  • AV installation teams

    Warp and blend across multiple projectors

    Continuous coverage across screens

    Several projectors are combined with warping, blending, and synchronized playback.

Best for: Fits when teams need live projection mapping with fast visual iteration during rehearsals and performances.

#7

disguise

enterprise

Production platform for designing, visualizing, and operating live AV shows.

7.5/10
Overall
Features7.5/10
Ease of Use7.6/10
Value7.4/10
Standout feature

Disguise’s scene-to-device show orchestration ties timeline playback to run-time control for synchronized multi-output performance.

Disguise targets audio visual teams that need repeatable playback and show control with a real-time graphics and media pipeline. Its core workflow centers on scene-based show authoring and run-time device control for LED volumes and multi-display environments.

Pros
  • +Scene-based show authoring keeps complex playback changes traceable
  • +Device orchestration supports multi-display and LED volume run-time control
  • +Control workflows integrate with external event sources and cue timing
  • +Real-time media and graphics pipeline is designed for show playback reliability
Cons
  • –Setup time increases when environments require precise hardware and network alignment
  • –Advanced workflows depend on learning the product's show logic model
  • –Custom control integration can require engineering effort for edge cases
  • –Some smaller venue workflows may be overbuilt for simple playback needs
Use scenarios
  • projection designers

    Run cue-driven mapped projection scenes

    Repeatable scene changes

  • venue production teams

    Blend projector arrays into one image

    Continuous mapped imagery

Show 2 more scenarios
  • large-format event teams

    Synchronize visuals across many displays

    Aligned multi-output timing

    Multiple outputs are coordinated during live playback to maintain consistent timing.

  • broadcast virtual production teams

    Control real-time backgrounds for stages

    Live synchronized stage content

    Real-time visuals are rendered and controlled for extended-reality virtual production stages.

Best for: Fits when live events need dependable multi-display playback with programmable show logic and external cue control.

#8

Biamp

enterprise

AV systems including Tesira DSP software for audio processing and video conferencing.

7.3/10
Overall
Features7.3/10
Ease of Use7.3/10
Value7.3/10
Standout feature

Biamp room-audio commissioning uses reusable configuration assets that keep DSP presets aligned across multiple deployed rooms.

Biamp provides audio DSP and AV control software used in ProAV installations, not a show-control editor. It centers around device-based configuration for DSP audio processing and media routing, with room control integration through Biamp endpoints and control protocols.

Pros
  • +Tight pairing between DSP processing features and Biamp hardware configuration
  • +Commissioning workflows reduce drift between room presets across installs
  • +Room control integration supports predictable behavior for audio routing and level changes
  • +Device-centric management matches rack-based ProAV signal flow
Cons
  • –Show-control style scripting and timeline editing are not its primary workflow
  • –Deep automation depends on supported endpoints and control system drivers
  • –Heterogeneous AV-over-IP routing needs careful design across brands
  • –Large deployments require governance discipline to keep configuration consistent
Use scenarios
  • ProAV integrators

    Configure DSP audio routing for rooms

    Commissioned room audio behavior

  • site deployment teams

    Standardize presets across multiple locations

    Consistent multi-site setup

Show 1 more scenario
  • automation programmers

    Tie room control to Biamp drivers

    Automated control of DSP

    Configuration templates and control system drivers connect preset behavior to room controls.

Best for: Fits when facilities need repeatable DSP audio control and room-level behavior across many AV rooms.

#9

Arkaos

professional

VJ software and media server software for live visual performance.

6.9/10
Overall
Features6.9/10
Ease of Use6.9/10
Value6.9/10
Standout feature

Arkaos live mapping workflow that aligns moving content to tracked surfaces during performance.

Arkaos is commonly used for LED volume, projection mapping, and stage playback where surface alignment and content mapping are the primary tasks. The mapping workflow supports warping and geometry controls so a texture can follow irregular screens or projection blends. Real-time playback includes layer management for stacking looks, then routing the final render to video outputs without requiring a separate render engine.

Pros
  • +Strong geometry mapping for irregular LED and projection surfaces
  • +Layer-based playback supports stacked looks for stage scenes
  • +Real-time motion handling for camera-aligned visual playback
  • +Predictable output configuration for rehearsed show states
Cons
  • –More show-config effort than general video playback software
  • –Extensibility and API integration are limited versus dev-first control products
  • –Advanced automation needs external show control for cue logic
  • –Complex multi-surface shows require careful operator training
Use scenarios
  • Live AV show operators

    Projection mapping synchronized to show cues

    Consistent visuals across rehearsals

  • Venue technical staff

    LED wall scenes with repeatable layouts

    Faster load-in and show turnaround

Show 1 more scenario
  • Concert production designers

    Camera-aligned visuals for video playback

    Stable framing for moving audiences

    Maintains spatial correctness as the camera view and stage layout change.

Best for: Fits when stage teams need real-time content mapping across fixed surfaces.

#10

Notch

professional

Real-time generative content tool for live AV productions and broadcast graphics.

6.6/10
Overall
Features6.6/10
Ease of Use6.7/10
Value6.5/10
Standout feature

Scene building with timeline-driven real-time rendering aimed at cue-based live performances.

Notch is an audio visual software tool focused on real-time 3D visuals for live production and show control workflows. It provides a timeline-based creation workflow with scene rendering geared for on-set playback and interactive graphics.

Pros
  • +Real-time 3D visuals designed for live show timelines
  • +Interactive control through external inputs and scene parameters
  • +Multiformat render output for common live video routing
  • +Fast iteration workflow for cues and scene transitions
Cons
  • –Deep 3D workflow requires training for repeatable results
  • –Live reliability depends on careful scene optimization
  • –Advanced automation can be limited compared with full show-control stacks
  • –Networked device discovery is not the primary workflow focus
Use scenarios
  • visual performers

    Procedural visuals driven by live audio

    Music-synced visuals

  • live-event production teams

    Cue-driven generative scenes for shows

    Repeatable show visuals

Show 2 more scenarios
  • broadcast graphics teams

    Reusable 3D branding and parameterized scenes

    Faster graphics updates

    Parameterized 3D scenes and responsive graphics support updates during playout.

  • projection designers

    Warp-aligned visuals for mapped surfaces

    Revised warp alignment

    Calibrated projection content is authored for facades and multi-projector venues.

Best for: Fits when live AV teams need real-time 3D graphics with timeline control for stage playback.

Conclusion

After evaluating 10 audio visual software, Resolume stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.

Our Top Pick
Resolume

Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.

Frequently Asked Questions About Audio Visual Software

How do vMix and Resolume handle show-ready routing for video and audio in live productions?
vMix keeps routing inside a single production app through project-based input handling, audio DSP routing, and multiview monitoring. Resolume focuses on timeline-driven video layering and output control, then relies on external control and operator patching for audio integration rather than a full in-app DSP routing surface.
When should Crestron be used instead of a media playback tool for room control and cue coordination?
Crestron fits when room behavior must be deterministic, tying touchpanel states to device feedback and show flows across many rooms. vMix, Resolume, or disguise can run playback and switching, but they do not replace room automation logic that coordinates codecs, matrices, and physical device states.
Which tools are better for LED and projection mapping workflows rather than generic video editing?
Arkaos centers on content-to-surface mapping with automatic scaling and tracked-surface alignment during performance. MadMapper uses a spatial input model for interactive warping and blending tuned for projection iteration, while Resolume and vMix start from live playback and switching workflows instead of spatial mapping as the core abstraction.
What breaks if AV-over-IP audio routing relies on endpoint patching instead of an explicit network flow model?
Audinate Dante routing reduces patching ambiguity by turning endpoint channel selection into explicit network-wide audio flow mapping. With patch-only approaches like per-device selection in Biamp or ad hoc switching workflows, changes can become harder to audit and reproduce across rooms, especially during commissioning and show rehearsals.
How does NDI-style discovery differ from Dante discovery when building repeatable installations?
Audinate Dante provides discovery and channel mapping designed around network-wide audio flow behavior across Dante-speaking endpoints. Crestron and Biamp deployments also rely on device feedback and drivers, but they typically coordinate with external room control patterns rather than treating audio transport discovery as the primary data model.
Where does OBS Studio fall short compared with disguise for cue-based multi-display stage playback?
OBS Studio uses a source-based scene graph for compositing and can stream or record, but it does not provide disguise-style show orchestration that ties scene timelines to run-time device control for synchronized multi-output performance. disguise treats timelines and device orchestration as the core workflow for LED volumes and multi-display environments.
How can Notch and Arkaos support rehearsal workflows with predictable output behavior during live performances?
Notch builds visuals as timeline-driven scenes for on-set playback, which helps teams reuse programmable assets instead of editing static files for each rehearsal. Arkaos provides show-specific output configuration so mapped surfaces behave predictably during rehearsals and performances.
Which tool should be selected for deterministic DSP commissioning across many rooms with configuration assets?
Biamp fits facilities that need standardized commissioning because it uses reusable configuration assets and templates tied to DSP device behavior. Crestron can coordinate room control logic with external device states, but Biamp is the center of gravity for DSP audio processing configuration across rooms.
What security and access control gaps appear when show automation lacks RBAC and audit visibility?
Crestron-style room automation logic depends on controlled provisioning and repeatable configuration patterns, so missing RBAC and audit log coverage creates risk when multiple operators can change device feedback mappings and show flows. Biamp commissioning and Dante routing also benefit from access controls that prevent unintended changes to presets and routing tables.
How should teams plan data migration when moving an existing show or room setup to a new workflow tool?
Biamp migration typically starts with transferring saved DSP presets and commissioning templates, then validating control driver mappings into deployed hardware. Crestron migrations usually require recreating room automation logic that links touchpanel states and device feedback, while disguise and vMix migrations focus on porting scene logic and routing configurations into their project structures.

Tools reviewed

Primary sources checked during evaluation.

Referenced in the comparison table and product reviews above.

How to Choose the Right Audio Visual Software

In audio visual software, the real separation shows up in how editing and playback behave under load. We focus on latency and switching reliability, plus control depth via the API surface and admin controls.

End-to-end latency control

Why it matters

End-to-end latency control matters when audio and video must feel synchronized during live cues. If latency shifts between scenes, audiences notice lip-sync drift and delayed response.

How to check

Run a short live test: play a synced clip and tap a visible on-screen trigger with a stopwatch or phone slow-motion. Then switch sources and recheck whether the delay changes in the new mode. Ask the demo team what controls adjust latency and show the before/after measurements for the same path.

Scene switching consistency

Why it matters

Scene switching consistency prevents glitches when you change sources mid-event. If transitions vary by input type, your show can drift from the run-of-show timeline.

How to check

Load at least two different sources and trigger rapid changes (e.g., 10–20 times) from the same UI workflow. Watch for black frames, audio dropouts, or timing shifts. Ask whether transitions use configurable transition rules and show how they behave on the exact mix you’ll use.

Automation via documented API

Why it matters

Automation via documented API helps your team bind show logic to internal tools and keep configurations repeatable. It reduces manual steps when you rehearse and then run with the same cue sets.

How to check

In the demo, request a sample workflow that creates or updates a cue from the API, then show how it logs the resulting configuration. Confirm what authentication method they support for API calls and whether requests can be replayed safely in a test sandbox.

RBAC and audit log coverage

Why it matters

RBAC and audit log coverage protects your cue data during multi-user operations. It also helps you review who changed routing or parameters before a show.

How to check

Ask to see role templates and whether they limit access to editing, playback control, and API operations differently. Then change a setting as a non-admin user and verify the system records the action in the audit log with a timestamp and identity.

Cue schema and import/export

Why it matters

Cue schema and import/export keep rehearsal artifacts consistent across events. When cue data is portable, teams can version and reuse show setups without re-creating everything from scratch.

How to check

Request an import/export of a cue set: show what fields are preserved (timing, bindings, labels) and what breaks. Then modify one parameter, export again, and confirm the diff matches expectations. Ask whether they provide validation feedback when a cue schema version changes.

Red flags

  • Latency changes meaningfully after a source switch, even in a short test.
  • Scene changes cause visible black frames or audio gaps with common input combinations.
  • API actions don’t reflect in an audit log or lack clear role-based permissions.

Fit by situation

  • If we run live events with strict lip-sync, prioritize end-to-end latency control.
  • If we rehearse often and need repeatable show setup across rooms, prioritize cue schema and import/export.
  • If our team uses internal tools to trigger cues, prioritize automation via documented API.
Commissioned Research

Funding and competing interests

This study was co-funded by several of the vendors assessed in it. No single vendor funded it. Funders could propose the market studied.

They had no role in selecting vendors, setting or weighting criteria, analysing data or drawing conclusions, and they received the same factual-accuracy check as every other vendor assessed.

Market definition, inclusion rules and criteria weights were fixed by an editor before research began and did not change afterwards. Editorial process →

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