GITNUXSOFTWARE ADVICE
Technology Digital MediaTop 9 Best Deinterlacing Software of 2026
Ranked Deinterlacing Software picks for smoother playback, with technical comparisons of FFmpeg, VLC, HandBrake and other tools for video editors.
How we ranked these tools
Core product claims cross-referenced against official documentation, changelogs, and independent technical reviews.
Analyzed video reviews and hundreds of written evaluations to capture real-world user experiences with each tool.
AI persona simulations modeled how different user types would experience each tool across common use cases and workflows.
Final rankings reviewed and approved by our editorial team with authority to override AI-generated scores based on domain expertise.
Score: Features 40% · Ease 30% · Value 30%
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Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
FFmpeg
yadif deinterlacing filter with controllable mode and parity handling
Built for production pipelines needing automated deinterlacing inside scripted transcodes.
VLC Media Player
Editor pickDeinterlacing via VLC video filters during transcode using ffmpeg-style filter configuration
Built for teams needing quick deinterlacing in playback and batch transcode workflows.
HandBrake
Editor pickDeinterlace filter selection with per-title encode integration
Built for video editors batch-processing interlaced footage into modern progressive formats.
Related reading
Comparison Table
This comparison table evaluates deinterlacing tools across integration depth, focusing on how each tool fits into media pipelines and what data model it exposes for filters, frames, and field order. It also compares automation and the API surface for batch processing, configuration, and extensibility, plus admin and governance controls like RBAC and audit logging where available. Selected entries include command-line toolkits and media workstations such as FFmpeg, VLC, HandBrake, and Adobe Media Encoder to show concrete tradeoffs in throughput and configuration management.
FFmpeg
open-sourceFFmpeg applies deinterlacing via video filters like yadif and bwdif for frame interpolation and progressive output generation.
yadif deinterlacing filter with controllable mode and parity handling
FFmpeg stands out for its single-command pipeline that combines deinterlacing with the rest of the transcode and filter graph. It supports multiple deinterlacing modes through the yadif filter, plus interlacing-aware handling via fields and frame rate transformations.
The tool also enables batch processing through scripted invocation and deterministic processing graphs for repeatable results. High control over codec, pixel format, and scaling makes it suitable for production workflows that must fix interlaced sources before encoding.
- +Yadif provides configurable deinterlacing with filter-level control
- +Deinterlacing integrates directly into complex filtergraphs and transcodes
- +Batch scripting supports repeatable processing across large media libraries
- +Field and framerate handling helps preserve timing with interlaced sources
- +Wide codec and pixel-format support reduces reprocessing steps
- –Correct setup requires understanding field order, frame rate, and container metadata
- –Quality tuning can be time-consuming compared with dedicated GUI tools
- –No single-click visual verification of interlacing artifacts
- –Performance varies based on filter settings and hardware capabilities
Broadcast engineering teams
Fix interlaced feeds during transcode
Reduced interlace artifacts
Video production pipelines
Batch deinterlace archived footage reliably
Deterministic batch results
Show 2 more scenarios
Quality assurance reviewers
Validate frame rate and motion behavior
Fewer QA rework cycles
Use deinterlacing mode selection and frame rate transforms to confirm motion handling across outputs.
Media encoding engineers
Deinterlace while controlling pixel format
Ingest-compatible outputs
Combine yadif with scaling and pixel format controls to match decoder and downstream ingest constraints.
Best for: Production pipelines needing automated deinterlacing inside scripted transcodes
More related reading
VLC Media Player
playerVLC can deinterlace interlaced video during playback using built-in video deinterlacing options.
Deinterlacing via VLC video filters during transcode using ffmpeg-style filter configuration
VLC Media Player stands out by offering deinterlacing during playback and transcoding with a mature, widely used media pipeline. It supports multiple deinterlacing methods through its video filter options, including common algorithms suited for interlaced sources.
VLC also integrates deinterlacing into playback controls, so visual quality can be judged immediately while scrubbing and seeking. For automation and batch workflows, it can apply the same processing when used in command-line transcoding.
- +Multiple deinterlacing methods available in the same playback workflow
- +Deinterlacing applies consistently during playback and transcoding jobs
- +Works with common container formats and typical interlaced broadcast footage
- +Immediate visual feedback through seeking and playback preview
- –Filter configuration relies on command-line knowledge for repeatable setups
- –Quality tuning can require trial and error across algorithms
- –Limited support for advanced, scene-adaptive deinterlacing workflows
Media archivists
Playback deinterlacing for damaged interlaced tapes
Faster quality assessment
Video editors
Deinterlace during transcoding for exports
Cleaner motion in exports
Show 2 more scenarios
Broadcast engineers
Apply deinterlacing in automated ingest jobs
Consistent ingest outputs
Run command-line processing to standardize interlaced source handling across files and devices.
Home media enthusiasts
Scrub and seek through interlaced movies
Reduced visual artifacts
Judge deinterlacing quality interactively while navigating recordings with VLC controls.
Best for: Teams needing quick deinterlacing in playback and batch transcode workflows
HandBrake
transcoderHandBrake includes deinterlacing options in its video encoder pipeline for exporting progressive video from interlaced sources.
Deinterlace filter selection with per-title encode integration
HandBrake stands out by integrating deinterlacing into a broader transcoding workflow, so deinterlacing happens during encode rather than as a separate step. Its deinterlace filters cover common workflows for interlaced sources and can be applied with precise control over output.
The app’s queue-based batch processing and preview feedback make it practical for repeated media conversions where deinterlacing quality matters. It also relies on encoding-centric settings, so deinterlacing choices are best evaluated alongside codec and scaling decisions.
- +Built-in deinterlacing filters integrated into the transcode pipeline
- +Batch queue supports repeated deinterlacing across many files
- +Preview and presets speed up finding a usable deinterlace setting
- –Deinterlacing tuning requires knowledge of interlacing artifacts and tradeoffs
- –Advanced control can be overwhelming compared with single-purpose tools
- –Best results depend on matching deinterlace choice to codec and scaling
Home media converters
Convert interlaced DVDs to progressive
Reduced combing artifacts
Video librarians
Standardize archival interlaced recordings
Consistent archive copies
Show 1 more scenario
Independent video editors
Prep broadcast delivery encodes
More stable playback
Filter selection and preview feedback help evaluate deinterlacing quality before final encoding.
Best for: Video editors batch-processing interlaced footage into modern progressive formats
Adobe Media Encoder
pro-encoderAdobe Media Encoder supports deinterlacing as part of its export settings for converting interlaced material to progressive formats.
Encoding preset workflow that applies deinterlacing to interlaced sources during transcoding
Adobe Media Encoder stands out for integrating deinterlacing into an established Adobe post workflow tied to encoding, presets, and batch jobs. It supports interlaced source handling during export so deliverables can be converted to progressive video without leaving the encoding pipeline.
It also pairs deinterlacing with broader transcode controls like codecs, frame sizing, and rate changes for consistent delivery. The interface and presets reduce manual steps, but fine control over deinterlacing algorithms is limited compared with dedicated deinterlacing tools.
- +Batch deinterlacing runs inside a production-ready encoding workflow
- +Works smoothly with Adobe Premiere and After Effects media export
- +Preset-driven setup reduces manual tuning for common interlaced footage
- –Algorithm-level deinterlacing controls are less granular than specialized tools
- –Visual artifacts can require trial-and-error across presets and exports
- –Not optimized for standalone deinterlacing evaluation outside encoding
Best for: Teams needing deinterlacing during export for Adobe-based video pipelines
Avid Media Composer
broadcast NLEAvid Media Composer provides deinterlacing workflows during import, processing, and export for interlaced delivery targets.
Field order and clip interpretation controls that drive timeline deinterlacing behavior
Avid Media Composer stands out as professional NLE software that handles interlaced sources inside an editorial workflow rather than as a standalone deinterlacer. It includes built-in field order control, timeline settings, and real-time playback options that affect how interlaced footage is processed during editing.
Deinterlacing quality is delivered through its timeline processing pipeline and monitor preview behavior, which can be tuned by project and clip interpretation choices. For teams that need editorial tools plus deinterlacing in one place, it covers the operational path from ingest to final render.
- +Timeline and project controls help manage interlaced field order during editing
- +Integrated media workflow reduces handoffs between deinterlacing and edit tools
- +Pro-grade color and effects pipeline supports deinterlaced previews and exports
- –Dedicated deinterlacing tools typically offer more granular motion-adaptive settings
- –Correct field interpretation often requires careful clip and timeline configuration
- –Real-time deinterlacing quality depends heavily on system performance and settings
Best for: Post-production teams editing interlaced footage with minimal workflow switching
StaxRip
GUI transcoderStaxRip automates FFmpeg-based transcoding workflows and exposes deinterlacing filter selection for interlaced sources.
Deinterlacing integrated into StaxRip’s render pipeline with fine field-order controls
StaxRip stands out by combining a full Windows encoding workflow with deinterlacing filters inside a single job system. It supports common deinterlacing engines and lets users control field order and preprocessing steps before encoding. The tool can run multi-pass and advanced video settings while staying centered on batch-friendly execution for repeatable conversions.
- +Flexible deinterlacing filter selection within a complete encoding workflow
- +Batch queue support enables consistent deinterlacing across many files
- +Detailed field and source handling options reduce interlace-related artifacts
- +Integrates stabilization of workflow with presets and scriptable jobs
- –Interface complexity makes deinterlacing tuning slower than simpler tools
- –Requires knowledge of field order and filter behavior for best results
- –Debugging visual issues needs iterative renders and parameter changes
Best for: Home media encoders needing controllable deinterlacing in automated batch workflows
Kdenlive
open-source NLEKdenlive can handle interlaced material and offers deinterlacing via effects and export pipeline controls.
Timeline video filters that apply deinterlacing modes before rendering
Kdenlive stands out as a full-featured non-linear editor that includes deinterlacing as part of its video filter workflow. It supports common deinterlacing methods like bob, weave, and motion-compensated options through its filter stack.
Deinterlacing can be applied during editing and also exported in the final render pipeline. This makes it practical for cleaning interlaced sources while iterating on cuts and effects in the same tool.
- +Built-in video filters let deinterlacing run inside an edit timeline
- +Supports multiple deinterlacing styles for different interlace artifacts
- +Integrates deinterlacing with trimming, color, and other effects
- +Export pipeline preserves the filter result in final renders
- –Deinterlacing quality depends heavily on correctly choosing the mode
- –Filter configuration can be slower than dedicated deinterlacing tools
- –Preview feedback may lag when applying complex filter chains
- –Advanced interlace cleanup often requires trial-and-error settings
Best for: Editors needing deinterlacing during timeline-based video cleanup and finishing
VirtualDub
processingVirtualDub can deinterlace using video filters in its processing graph to output progressive frames.
Filter-driven deinterlacing workflow with frame-accurate preview and export
VirtualDub is distinct because it provides a lightweight, manual, editor-style workflow for video processing rather than a dedicated, guided deinterlacing wizard. It can apply deinterlacing through specific video filters and can output processed frames with controllable settings inside a simple timeline and preview.
Core capabilities include frame-by-frame processing, format conversion during export, and chaining filters to address common interlacing artifacts. The main limitation is that accurate results depend on choosing the correct deinterlacing filter and parameters, which is less turnkey than specialized deinterlacing tools.
- +Flexible filter chaining supports multiple deinterlacing approaches in one workflow
- +Frame-accurate previews help validate deinterlacing choices on interlaced sources
- +Works well for exporting with controlled codecs and container settings
- –Deinterlacing quality strongly depends on selecting the right filter and settings
- –User interface lacks guided presets for common interlacing formats and artifacts
- –Advanced processing often requires external plugin knowledge and configuration
Best for: Editors needing manual control over deinterlacing inside a filter-based workflow
NVIDIA Video Codec SDK
hardware-acceleratedNVIDIA Video Codec SDK provides GPU-accelerated video processing components that can support deinterlacing pipelines in hardware workflows.
Hardware-assisted video processing API path that performs deinterlacing within NVIDIA decode/encode workflows
NVIDIA Video Codec SDK stands out by pairing NVDEC and NVENC building blocks with GPU-first video processing workflows that include deinterlacing. The SDK supports hardware-accelerated decode and encode paths, which matter for turning interlaced sources into progressive frames before downstream stages.
Deinterlacing behavior is accessed through NVIDIA’s video processing APIs and sample code that target real-time pipelines on NVIDIA GPUs. The solution is developer-oriented rather than a turnkey deinterlacing product with a dedicated visual UI.
- +Hardware-accelerated decode and encode reduce latency for deinterlacing pipelines
- +GPU-first architecture supports real-time throughput on compatible NVIDIA hardware
- +Sample projects and API structure make it practical to integrate into custom systems
- –Integration requires native development and knowledge of NVIDIA video APIs
- –Deinterlacing control is tied to the NVIDIA pipeline rather than a standalone module
- –Tuning quality versus speed depends on pipeline configuration and GPU capabilities
Best for: Teams building GPU video pipelines that need fast interlaced to progressive conversion
Conclusion
After evaluating 9 technology digital media, FFmpeg stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right Deinterlacing Software
This guide covers how to choose deinterlacing software for turning interlaced sources into progressive frames for smooth playback and clean exports. It compares FFmpeg, VLC Media Player, HandBrake, Adobe Media Encoder, Avid Media Composer, StaxRip, Kdenlive, VirtualDub, and the NVIDIA Video Codec SDK across integration depth, data model, automation and API surface, and admin and governance controls.
Each section focuses on concrete mechanisms like filter graphs, export pipeline integration, batch queue behavior, timeline interpretation settings, and hardware API integration. The goal is repeatable deinterlacing control, not just visual cleanup in a single session.
Deinterlacing pipelines that convert interlaced fields into progressive frames for playback and export
Deinterlacing software applies field-based processing that converts interlaced video into progressive frames using algorithm choices like yadif in FFmpeg or filter modes exposed in VLC Media Player. The output is used to reduce combing artifacts, stabilize motion cadence, and support downstream codecs, scaling, and playback devices.
These tools fit best where interlaced sources enter a pipeline, such as FFmpeg in scripted transcodes, HandBrake in batch exports, and NVIDIA Video Codec SDK in GPU-first real-time systems. Many teams also embed deinterlacing inside editorial or encode workflows, including Avid Media Composer timeline processing and Adobe Media Encoder export presets.
Evaluation criteria for deinterlacing control, integration depth, and automation surface
Evaluation should start with how the tool attaches to the bigger workflow. FFmpeg integrates deinterlacing inside complex filtergraphs during a single transcode command, while HandBrake and Adobe Media Encoder place deinterlacing inside the encode pipeline and queue.
The second focus is what control and configuration can be automated and governed. If batch repeatability and deterministic setups matter, the data model behind field order, parity handling, and filter mode selection has to be explicit, and automation and API surface must be available for the rest of the pipeline.
Filter-graph level deinterlacing controls with field and parity handling
FFmpeg exposes the yadif deinterlacing filter with controllable mode and parity handling, which helps keep timing consistent when interlaced field order metadata varies. VirtualDub and StaxRip also rely on filter selection and field handling controls, but FFmpeg offers the most direct route into a deterministic filter graph used for production pipelines.
Encode-pipeline integration for queue-based batch export
HandBrake applies deinterlace filters inside its video encoding pipeline with per-title encode integration, and it pairs that with preview and queue batch processing. Adobe Media Encoder similarly applies deinterlacing during export inside its preset-driven workflow, which reduces manual steps for common interlaced footage patterns.
Playback and transcode alignment with immediate visual verification
VLC Media Player applies deinterlacing during playback and can apply the same processing in its command-line transcoding workflow. The immediate playback preview and scrubbing feedback help teams pick a deinterlacing method before committing to larger batch renders.
Timeline and clip interpretation settings that drive deinterlacing behavior
Avid Media Composer manages deinterlacing quality through timeline processing pipeline behavior and monitor preview interaction, with built-in field order control and clip interpretation choices. Kdenlive achieves similar integration by applying deinterlacing through its filter stack inside the editing timeline and preserving results in final renders.
Automation surface for repeatable conversions across large media libraries
FFmpeg supports batch scripting and deterministic processing graphs, which enables repeatable deinterlacing across media libraries. StaxRip provides a Windows encoding workflow with a batch queue and integrated deinterlacing filter selection, which helps standardize batch jobs without requiring manual filtergraph authoring.
GPU-first API integration for real-time throughput
The NVIDIA Video Codec SDK targets NVDEC and NVENC building blocks with GPU-first video processing APIs, which matters when deinterlacing must fit into real-time pipelines on compatible NVIDIA GPUs. This path offers developer-oriented extensibility rather than a turnkey visual deinterlacing UI, which suits teams building custom playback and ingest systems.
Pick the deinterlacing tool by where it must run and how much control must be governable
The selection starts with integration depth because deinterlacing often needs to share settings with scaling, rate changes, and codec output. FFmpeg fits production automation when deinterlacing must live inside a single transcode and filter graph, while HandBrake and Adobe Media Encoder fit when deinterlacing must live inside an encode pipeline with queue-based exports.
Next, choose the automation and control surface based on governance needs like repeatable field order handling and deterministic configuration. Tools that expose algorithm and field controls in scriptable forms, like FFmpeg and StaxRip, are easier to govern than tools that require interactive trial-and-error across presets or filter chains, like Kdenlive or VirtualDub.
Place deinterlacing inside the same pipeline stage as scaling and codec decisions
If deinterlacing must be combined with scaling, rate transforms, and codec output in one deterministic run, FFmpeg is the most direct fit because yadif runs inside a single command filter graph. If deinterlacing must happen as part of export encode with per-title or preset-driven choices, HandBrake and Adobe Media Encoder place deinterlacing inside the encode pipeline.
Require repeatable configuration for field order and parity handling
Production pipelines that process interlaced sources at scale benefit from FFmpeg because yadif mode and parity handling are explicitly configurable and can be scripted. StaxRip also supports field order and preprocessing options inside its job system, which helps standardize batch deinterlacing behavior across many files.
Validate deinterlacing quality with preview in the same workflow where it will be used
If fast visual iteration and scrubbing are needed before batch runs, VLC Media Player provides playback deinterlacing with immediate feedback and can reuse equivalent filters in command-line transcoding. VirtualDub and Kdenlive provide frame-accurate previews and timeline filter previews, but more complex filter chains can increase iteration time.
Match tool behavior to the operational role: editorial, encoding, or developer GPU pipeline
Editorial teams that need interlaced interpretation during ingest, editing, and render should evaluate Avid Media Composer because field order and clip interpretation controls affect timeline processing and exports. Video cleanup and finishing inside a timeline filter stack points to Kdenlive, while lightweight filter chaining for manual processing points to VirtualDub.
Choose a hardware API path when real-time throughput on NVIDIA GPUs is a hard requirement
If deinterlacing must run inside a GPU-first decode and encode workflow, NVIDIA Video Codec SDK is designed for that via NVDEC and NVENC oriented APIs and sample code. This choice trades turnkey configuration and visual UI for developer control over pipeline tuning and throughput.
Plan for artifact-specific tuning time based on how much algorithm granularity the tool exposes
FFmpeg supports fine-grained filter mode control and integrates it directly into production transcodes, but setup depends on understanding field order and frame rate transformations. HandBrake, Adobe Media Encoder, and Kdenlive can require trial-and-error across filters or presets, so algorithm granularity and preview speed should guide the time budget.
Which teams need which deinterlacing workflow controls
Different organizations need deinterlacing at different points in the pipeline. Some teams need scriptable deterministic transforms for large libraries, while others need it inside an editorial timeline or an encode queue.
The best fit depends on integration depth and whether governance needs require explicit configuration for field order, parity, and output timing.
Production pipelines automating deinterlacing in scripted transcodes
FFmpeg is the most direct match because it integrates yadif deinterlacing into a single-command pipeline with deterministic filter graphs and batch scripting. StaxRip also fits teams that want a Windows batch queue with integrated deinterlacing filter selection and fine field order controls.
Teams needing quick deinterlacing feedback for playback and batch transcode jobs
VLC Media Player fits because it applies deinterlacing during playback for scrubbing validation and can apply consistent deinterlacing during command-line transcoding. This supports teams that want to select a method quickly and reuse it across batch runs.
Video editors converting interlaced footage into progressive deliverables via queues
HandBrake suits batch processing because it integrates deinterlace filter selection into its per-title encode pipeline with preview and presets. Adobe Media Encoder fits Adobe-centric pipelines because export presets apply deinterlacing during transcoding while keeping codec and output decisions together.
Post-production teams editing interlaced content inside a full NLE workflow
Avid Media Composer supports timeline-level field order control and clip interpretation that drive deinterlacing quality in playback and render. Kdenlive covers similar workflow needs by applying deinterlacing through its filter stack inside the timeline and exporting that filter result.
Developer teams building GPU real-time interlaced-to-progressive conversion
The NVIDIA Video Codec SDK is built for GPU-first decode and encode paths and can embed deinterlacing into real-time pipelines on NVIDIA hardware. This segment uses developer-oriented APIs and sample code instead of a standalone deinterlacing UI.
Deinterlacing pitfalls that cause combing, timing drift, or slow iterations
Most deinterlacing failures come from misinterpreting field order, misunderstanding how frame rate and parity interact, or tuning algorithms without deterministic configuration. Several tools also make artifact tuning slower when filter granularity is hidden behind presets or complex filter chains.
Common mistakes also include relying on interactive visual results without capturing equivalent deterministic settings for batch work, which breaks repeatability across a media library.
Treating deinterlacing settings as universal across field order variants
FFmpeg requires correct setup around field order and framerate transformations for yadif to preserve timing when metadata differs. StaxRip and VirtualDub also depend on choosing the correct deinterlacing filter and field handling options, so mismatched field interpretation creates artifacts or cadence issues.
Choosing a deinterlacing method without validating in the same playback or export path
VLC Media Player supports immediate playback verification, so selecting an algorithm by preview reduces surprises when running command-line transcoding. Kdenlive and VirtualDub can show previews, but complex filter chains and parameter selection can still produce different artifacts after render if the same configuration is not reused.
Over-relying on presets or GUI workflow without enough algorithm granularity for motion artifacts
Adobe Media Encoder and HandBrake integrate deinterlacing into encode pipelines with preset-driven setup, but algorithm-level controls are less granular than dedicated filtergraph workflows. When artifacts require algorithm tuning beyond preset options, FFmpeg tends to be the safer choice because yadif exposes mode and parity handling for precise adjustments.
Building batch automation that cannot be governed or reproduced deterministically
FFmpeg batch scripting supports repeatable processing graphs, which helps enforce the same deinterlacing configuration across runs. Tools that center deinterlacing inside interactive edit timelines like Avid Media Composer and Kdenlive can be harder to govern unless project and clip interpretation settings are standardized.
Targeting the wrong tool role and ending up with iterative tuning cycles
NLE-focused tools like Avid Media Composer and Kdenlive prioritize editorial and render workflows, so deinterlacing tuning can depend on timeline performance and interpretation choices. For real-time GPU pipelines, NVIDIA Video Codec SDK is the correct role match, because forcing deinterlacing into a CPU-centric encode flow can break throughput targets.
How We Selected and Ranked These Tools
We evaluated FFmpeg, VLC Media Player, HandBrake, Adobe Media Encoder, Avid Media Composer, StaxRip, Kdenlive, VirtualDub, and NVIDIA Video Codec SDK on features control, ease of use, and value, then computed an overall rating as a weighted average where features carried the most weight at forty percent while ease of use and value each accounted for thirty percent. The scoring emphasizes how directly each tool exposes deinterlacing configuration inside its pipeline and how workable that control is for repeatable processing.
FFmpeg set the top position because yadif deinterlacing runs with controllable mode and parity handling inside deterministic filter graphs that can be scripted for batch processing. That integration depth pulled it upward on both features and ease of use for production automation, since the same configuration can be reused across a media library without manual re-tuning in a GUI.
Frequently Asked Questions About Deinterlacing Software
How does FFmpeg deinterlacing differ from using deinterlacing during playback in VLC?
Which tool is best for repeatable batch processing of interlaced sources with consistent output?
What is the main tradeoff between using HandBrake versus FFmpeg for deinterlacing control?
How do Avid Media Composer workflow settings affect deinterlacing quality compared with filter-based tools?
Which tool supports GPU-accelerated interlaced-to-progressive workflows for developers?
Can Deinterlacing be integrated with existing transcode automation and scripting?
How do field order and parity settings typically surface across the tools?
What is a common troubleshooting step when deinterlacing artifacts remain after conversion?
How do admin controls, audit trails, and RBAC matter for deinterlacing pipelines?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
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