
GITNUXSOFTWARE ADVICE
Art DesignTop 10 Best Color Separation Software of 2026
Compare color separation software options for print workflows, focusing on features and tradeoffs across UltraSeps and Photoshop for selection.
How we ranked these tools
Vendors set the topic, but our editors set the inclusion criteria and the evaluation framework before research starts.
AI search agents find sources, extract figures with provenance, and aggregate written reviews. They also transcribe video reviews and podcasts.
Framework: Features 40% · Ease 30% · Value 30%
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iProof PowerRIP is the best pick for prepress teams needing repeatable separation rendering from PostScript or DTP output, because its RIP-managed separation-to-raster pipeline enforces consistent behavior across runs, whereas Photoshop suits designers who want editable, channel-based separation refinements before RIP.
Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
iProof PowerRIP
RIP-managed separation-to-raster rendering that enforces consistent output behavior across production runs.
Best for: Fits when prepress teams need repeatable RIP separations from PostScript or DTP output.
Photoshop
Editor pickChannel-targeted adjustment layers keep separation refinements editable at the artwork level.
Best for: Fits when designers need interactive separation control before RIP output.
UltraSeps
Editor pickLayer-level separation editing paired with export-ready channel packaging for prepress handoff workflows.
Best for: Fits when print teams need consistent separation exports with manual refinement before RIP handoff.
Comparison Table
iProof PowerRIP
SMBRIP software with color separation and halftone screening for inkjet printing.
RIP-managed separation-to-raster rendering that enforces consistent output behavior across production runs.
PowerRIP is built around RIP processing of page description inputs, then emitting rasterized output suitable for downstream film positive output and other prepress delivery steps. Separation control is driven by RIP settings that affect how color channels are mapped and rendered into separation plates. Integration depth is strongest when PowerRIP is inserted into an existing prepress pipeline that already produces standardized DTP output.
A key tradeoff is that PowerRIP workflows tend to assume a defined prepress input format and operator control of separation parameters, which can reduce flexibility for ad hoc color conversion requests. It works best when the goal is repeatability for production separations, such as onboarding new jobs that share the same ink set and screen ruling assumptions.
- +PostScript-first RIP pipeline supports consistent separation rendering
- +Separation parameters are centralized in RIP output settings
- +Repeatable raster output behavior supports production re-runs
- +Fits workflows built around film positive and prepress handoff
- –Limited help for exploratory or late-stage color changes
- –Operator setup discipline is required for separation parameter consistency
- –UI does not target designer-style editing workflows
- –Automation surfaces are narrower than API-centric automation products
Commercial prepress operators
Production separations from PostScript masters
Fewer separation surprises
Print shops with film output
Film positive delivery from DTP output
Faster handoff to output
Show 1 more scenario
Prepress teams standardizing workflows
Parameter-controlled separation production
More repeatable plates
Centralized separation configuration reduces job-to-job variation during throughput.
Best for: Fits when prepress teams need repeatable RIP separations from PostScript or DTP output.
Photoshop
enterpriseAdobe Photoshop provides advanced color separation tools for print and screen printing workflows.
Channel-targeted adjustment layers keep separation refinements editable at the artwork level.
Photoshop handles CMYK separation through built-in color management, channel previews, and adjustment layers that can be clipped to specific elements. The layer stack supports production techniques like underbase generation by duplicating and modifying tonal shapes while keeping edits reversible. It also supports vector-to-raster conversion when needed for DTP output, which helps when separation must be driven from mixed artwork. For print-ready outputs, designers can export separation-ready files for downstream processing and verification in a separate RIP or workflow.
A key tradeoff is throughput when working on many pages or large image sets, since Photoshop is typically operated as an editor per job rather than an automated separation pipeline. It fits situations where color correction and separations must be tuned manually with high visual feedback, such as complex spot color artwork or nuanced underbase control for garments. It also fits teams that want one tool to manage both design iteration and separation shaping before the RIP stage.
- +Channel-based edits let separation tuning stay linked to artwork layers
- +Color management previews reduce surprise during downstream CMYK separation
- +Spot-style workflows map cleanly to selective ink-channel outputs
- +Clip masks and adjustment layers support targeted underbase shaping
- –High-volume batch separations require external automation or scripts
- –Halftone behavior depends on output settings rather than a built-in engine
- –Stochastic screening workflows are limited compared with dedicated prepress tools
- –Large teams need shared conventions to avoid inconsistent channel results
Graphic designers
Iterate CMYK separations from layered comps
Fewer reprints from channel mismatches
Prepress operators
Build underbase shapes from masked elements
Cleaner garment contrast and less show-through
Show 1 more scenario
Small print shops
Prepare files for PostScript workflow outputs
More consistent DTP output handoff
Exports from a raster-first document workflow support downstream separation and proofing steps.
Best for: Fits when designers need interactive separation control before RIP output.
UltraSeps
vertical specialistPhotoshop-based separation software for simulated process, index separations, underbases, and choking.
Layer-level separation editing paired with export-ready channel packaging for prepress handoff workflows.
UltraSeps converts layered print artwork into separation files for prepress workflows that need predictable color channel output. It emphasizes controllable separation generation with options for spot and process-like outputs, plus utilities for editing separation layers before export.
File handling centers on importing common raster and vector sources, then producing separation-ready outputs for downstream RIP or prepress tools. The strongest value is workflow control for print shops that need repeatable channel generation across multiple jobs.
- +Repeatable channel generation with explicit per-output control
- +Separation layer edits are practical before final export
- +Exports designed for downstream RIP or prepress tooling
- +Works with mixed raster and vector source material
- –Automation depth is limited compared with API-first separation tools
- –Preset management can feel thin for multi-ink production standards
Screen-print separators
Map artwork into spot ink channels
Consistent ink-channel files
Prepress production managers
Verify channel assignments in previews
Earlier separation issue detection
Show 2 more scenarios
Apparel decoration teams
Create process-like separations for garments
Screen-ready process-style files
Convert detailed artwork into simulated process separations with controlled halftone behavior.
RIP workflow print shops
Export separations to downstream RIP steps
Defined separation stage
Produce separation-ready outputs that fit established RIP workflows for film or screen output.
Best for: Fits when print teams need consistent separation exports with manual refinement before RIP handoff.
Caldera RIP
enterpriseWide-format RIP and color separation software for production printing.
Production parameter sets that keep separation output behavior consistent across runs, even when file sources vary.
Caldera RIP is built for prepress pipelines that generate consistent separation results from incoming RGB, vector, and raster assets. It provides workflow controls that map well to day-to-day output tasks like proofing, press-ready generation, and job repeatability. The software supports automation through scripted job processing concepts and repeatable configuration sets for controlled throughput.
- +Prepress-focused job processing with strong separation output control
- +Repeatable production parameter sets for consistent press runs
- +Workflow alignment with plate and film positive output needs
- +Automation-friendly operations for high job volume batches
- –Deep tuning increases setup time for new workflows
- –Advanced separation behavior requires operator attention
- –Color pipeline configuration can be difficult to audit quickly
- –Integration effort rises when environments vary between printers
Prepress operators
Generate consistent press-ready output
Fewer reprints and delays
Color-managed print houses
Manage mixed RGB and spot jobs
More stable color reproduction
Show 1 more scenario
Production workflow coordinators
Automate recurring output batches
Higher throughput with less manual work
Batch-style processing supports repeatable job execution for recurring clients and templates.
Best for: Fits when prepress teams need consistent separation output control across repeatable production jobs.
CorelDRAW
SMBCorelDRAW offers vector-based color separation capabilities for screen printing and apparel decoration.
Spot color management stays tied to native vector objects, so separation-ready edits remain object-level instead of flattened.
CorelDRAW is a vector-first design tool used in prepress pipelines where color separations must stay editable through DTP output and production artwork. Its strengths for separation work come from tight vector object control, predictable spot-color handling, and repeatable export paths for print production.
- +Keeps spot-color objects editable inside the native vector workspace
- +Exports layered artwork in a way that supports downstream separation workflows
- +Advanced typography and vector precision reduce manual redraw time for print-ready art
- +Handles mixed vector and raster layouts with controlled color management steps
- –Native separation editing is limited for advanced RIP-centric halftone tuning
- –Requires deliberate workflow discipline to keep color intent consistent across exports
- –Complex spot mixes and effects can expand into harder-to-manage objects after conversion
- –Not a dedicated separation studio for film positive style output tasks
Apparel designers
Produce vector garment graphics for colorways
Consistent vector apparel artwork
Illustrators and visual designers
Combine vector artwork with raster elements
Editable vector illustrations
Show 2 more scenarios
Pattern and repeat designers
Update repeat motifs across color variations
Revisable repeat motifs
Develop scalable repeat artwork and revise color variations for textile or surface production.
Production designers
Create SVG assets for design review cycles
Reusable vector assets
Export structured path-based SVG files so print teams can review and reuse vector assets.
Best for: Fits when designers need editable vector separations for production layouts and rely on RIP integration later.
GIMP
SMBGIMP provides CMYK separation functionality through plugins for print production.
Script-Fu plus channel-based editing enables repeatable separation revisions without specialized prepress software.
GIMP can perform pixel-level separations by converting artwork into individual color channels and exporting channel images for print production. It offers CMYK-oriented workflows through channel splitting, per-channel curves and levels, and batch processing with Script-Fu.
- +Channel splitting produces reusable separation images from a single source file
- +Script-Fu automates repeatable edits and batch exports for consistent outputs
- +Non-destructive layer workflows help refine separations without rebuilding artwork
- +Color management tools support ICC workflows for more predictable conversions
- –No built-in RIP pipeline for PostScript or DTP output handoff control
- –Spot color libraries and Pantone matching are limited compared with prepress tools
- –Underbase generation and trap logic require manual or scripted work
- –Halftone dot gain compensation automation is not integrated as a separation step
Photographers
Prepare channel-separated image files
Exported channel images
Print designers
Clean raster artwork before channel prep
Export-ready raster graphics
Show 2 more scenarios
Photo retouchers
Fix defects before separation exports
Cleaned-up images
Use clone, heal, and mask-based edits to refine images so channel exports reflect corrected artwork.
Collage and scrapbook designers
Compose layered pages from image assets
Custom collage pages
Build custom page compositions with layer control so each element is ready for export-based separation work.
Best for: Fits when designers need manual channel-based separations and batch exports for quick iteration.
Teesom
SMBScreen printing business management software with color separation features.
Repeatable batch separation runs driven by job settings for controlled channel outputs in production pipelines.
Teesom targets prepress color separation workflows that must output consistent print separations across repeated jobs. The tool focuses on creating production-ready separations from supplied artwork and controlling separation settings used for conversion to press-specific channels.
- +Batch-oriented separation runs for repeatable prepress throughput
- +Configurable separation settings for consistent CMYK-style channel outputs
- +Production-focused output generation for press-ready workflows
- +Workflow fit for teams that want controlled conversions over manual editing
- –Limited evidence of advanced separation editing for edge cases
- –Less suited to workflows that require heavy PostScript or RIP handoff control
- –Customization beyond core separation parameters may require external tooling
- –Feature coverage for specialized textile and garment separation steps is unclear
Prepress operators
Generate repeatable screen print separations
More consistent handoff
Customer service teams
Reuse decoration intent for remake orders
Fewer spec errors
Show 2 more scenarios
Estimators at apparel shops
Factor inputs into decoration quotes
More consistent quoting
Apply quantity breaks and placement charges as quote inputs connected to decoration job setup.
Operations managers
Compare quotes to production outcomes
Earlier profitability visibility
Use job-level comparisons between quoted work and results to evaluate decoration performance.
Best for: Fits when prepress teams need consistent, repeatable separations with batch automation and limited manual intervention.
Onyx RIPcentral
enterpriseWide-format RIP software with color separation and profiling tools.
Centralized administration that keeps Onyx RIP jobs and output settings aligned across multiple clients for consistent production behavior.
Onyx RIPcentral adds centralized management around the Onyx raster image processor workflow used in RIP-based prepress. It focuses on controlling RIP jobs, device behavior, and production consistency across multiple workstations.
- +Centralizes RIP job handling for consistent output across operators
- +Shared configuration reduces per-station mismatch in separation and output settings
- +Monitoring view helps track job status during batch production
- +Automation hooks support repeatable setup for multi-site operations
- –Setup requires disciplined configuration mapping between RIP clients and devices
- –Workflow coverage is strongest for Onyx-centric print paths, not mixed RIP stacks
- –Automation changes can be harder to troubleshoot than single-RIP local settings
- –Less direct support for interactive manual separation editing workflows
Prepress production supervisors
Standardize separation jobs across multiple operators
Fewer remakes, faster approvals
Print operations teams
Route RIP jobs to specific printers
Predictable output consistency
Show 2 more scenarios
Cross-site print workflows
Share print engine configuration systemwide
Uniform production results
Shared configurations help keep profiles and behavior aligned across workstations and locations.
Automation and workflow administrators
Automate onboarding and daily prepress steps
Reduced operator variability
Automation hooks standardize common setup and operational actions for separation runs.
Best for: Fits when print-production teams standardize RIP separations across multiple operator stations and need central control.
Separo
vertical specialistAutomatic color separation software for screen printing with support for process and spot workflows.
Parameter presets that persist across batches, reducing drift between manual interventions and repeat runs.
Separo targets print-ready color separation workflows with emphasis on automated raster processing and controlled output for prepress use. The tool focuses on producing separation plates that stay consistent across runs through repeatable configuration and batch execution.
- +Batch-driven separation runs with parameter reuse for predictable results
- +Strong control over separation behavior for spot, simulated, and process outputs
- +Exports separation assets that fit typical DTP and RIP handoff workflows
- +Good fit for repetitive production where manual edits are costly
- –Vector separation needs extra handling compared with raster-first workflows
- –Deep color-management tuning can require separation-specific setup discipline
Prepress teams
Batch-generate consistent separation plates
Consistent plates across runs
RIP workflow operators
Export separations for downstream processing
Separation exports ready
Show 1 more scenario
Design production specialists
Maintain separation settings as reusable presets
Repeatable separation parameters
Use configurable settings to manage separation behavior rather than relying on one-off manual edits.
Best for: Fits when production teams need repeatable automated separations for recurring artwork jobs.
PrintFab
SMBRIP software with color separation and profile management for inkjet printers.
Batch-driven separation profiles that standardize spot-to-process conversion and underbase handling across many assets.
PrintFab targets color separation workflows for print-ready output, with a focus on repeatable conversions between spot and process-oriented channels. The tool supports scripted separation settings that reduce manual rework for common jobs like simulated process and underbase prep.
- +Separation settings can be reused to keep spot and process workflows consistent
- +Automation supports batch conversion across large asset sets
- +Output is designed for downstream RIP and DTP handoff requirements
- +User-controlled ink channels support custom separation logic
- –Vector separation edits are limited compared with full design-tool separation workflows
- –Job-specific tuning still requires operator review for edge cases
- –Tooling around halftone dot behavior and calibration needs careful setup
- –Integration depth depends on how the prepress system passes raster and profiles
Screen-print shops
Map spot colors into halftone separations
Repeatable separation files
Wide-format print operators
Route repeated inkjet jobs with settings
Consistent printer-ready output
Show 2 more scenarios
Photo fulfillment teams
Assemble repeatable photo book page layouts
Faster repeatable layouts
Compose photo-book pages using templates, image placement controls, and print previews.
DTF production operators
Prepare DTF artwork with underbase and white ink
More controlled film-ready jobs
Generate raster and vector job output for DTF printing with white ink and underbase settings.
Best for: Fits when production teams need automated, repeatable color separations for prepress handoff at scale.
Conclusion
After evaluating 10 color separation software, iProof PowerRIP stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right Color Separation Software
Color separation software sits between design intent and print-ready separation output, and this guide covers Photoshop, Caldera RIP, iProof PowerRIP, Separo, UltraSeps, Onyx RIPcentral, PrintFab, CorelDRAW, GIMP, and Teesom. The lineup spans design-tool separation refinement, RIP-managed separation-to-raster rendering, and batch-driven separation automation for recurring prepress jobs.
Photoshop leads with channel-targeted adjustment layers that keep separation refinements editable at the artwork level. Caldera RIP and iProof PowerRIP focus on production parameter sets and RIP-managed separation rendering for consistent runs, while Onyx RIPcentral adds centralized administration for multi-operator workflows.
Color Separation Software for print-ready separations and RIP-ready prepress output
Color separation software converts artwork into output-ready channels for spot, simulated process, and CMYK-style separation workflows using configurable separation parameters. The category includes tools that keep edits tied to source artwork objects, like Photoshop channel-based refinement and CorelDRAW spot-color object workflows.
Other tools center on prepress execution control, including Caldera RIP production parameter sets that keep separation output behavior consistent across repeatable jobs. iProof PowerRIP adds RIP-managed separation-to-raster rendering that enforces consistent separation behavior from PostScript or DTP output through centralized RIP output settings.
Color separation feature set for print-ready and RIP-ready output
Color separation software must control how artwork becomes channel outputs for spot, simulated process, and CMYK-style separation workflows using consistent separation parameters. The most consequential differentiators are whether separation refinements stay editable at the artwork level or get enforced inside a RIP rendering pipeline for repeatable prepress output.
Separation edits that remain linked to source artwork
Photoshop keeps refinements editable via channel-targeted adjustment layers, so separation tuning can stay attached to artwork-level layers. CorelDRAW preserves spot color management tied to native vector objects so edits remain object-level instead of flattened.
RIP-enforced separation-to-raster rendering consistency
iProof PowerRIP centralizes separation parameters in RIP output settings to enforce consistent separation rendering from PostScript or DTP output. Caldera RIP uses production parameter sets to keep separation output behavior consistent across repeatable production jobs.
Batch automation that reduces drift across runs
Separo uses parameter presets that persist across batches to reduce drift between manual interventions and repeat runs. PrintFab provides batch-driven separation profiles that standardize spot-to-process conversion and underbase handling across large asset sets.
Export-ready channel packaging for prepress handoff
UltraSeps combines layer-level separation editing with explicit export-ready channel packaging so prepress handoff stays consistent with manual refinement. Photoshop can generate practical channel outputs while keeping edits interactive until the final handoff stage.
Central administration for multi-operator RIP separation control
Onyx RIPcentral centralizes RIP job handling and output settings so multiple operators stay aligned on separation and output behavior. This category fit is weaker in tools that primarily operate per-user or per-session without centralized RIP configuration mapping.
Script-driven or tool-native repeatability without a full RIP pipeline
GIMP relies on Script-Fu plus channel-based editing to automate repeatable separation revisions and batch exports from a single source file. This approach trades RIP-managed PostScript or DTP handoff control for simpler iterative workflows and manual channel management.
How to choose based on workflow control depth and separation edit ownership
The decision hinges on where control lives in the workflow. Some tools keep separation refinements inside the design workspace until the last moment, while RIP-centric tools enforce separation-to-raster rendering in a production pipeline.
Pick the control boundary for separation changes
If separation refinements must stay editable at the artwork level, Photoshop and CorelDRAW keep channel or spot-color edits linked to layers or native vector objects. If separation behavior must be enforced during rendering for consistent results, iProof PowerRIP and Caldera RIP centralize separation parameters in RIP output settings or production parameter sets.
Choose between operator-managed tuning and repeatable batch parameter governance
If recurring assets need reduced run-to-run drift, Separo and PrintFab focus on batch runs with reusable presets and standardized conversion behaviors. If new workflows require deeper tuning effort upfront for consistent production parameter sets, Caldera RIP and iProof PowerRIP demand operator attention to maintain separation parameter consistency.
Validate separation editing depth for your artwork types
If projects rely heavily on vector separation edits, CorelDRAW’s object-level spot-color workflow is more directly aligned with editable separation intent. If projects are raster-first or rely on handoff packaging after refinement, UltraSeps offers layer-level separation editing paired with explicit export-ready channel packaging.
Confirm whether centralized administration fits the team layout
If multiple stations must produce aligned RIP separation output, Onyx RIPcentral is built to keep job handling and output settings aligned across operators. If the team runs separations in a per-designer or per-operator loop, Photoshop and GIMP workflows can avoid centralized mapping complexity.
Assess automation surface and extensibility expectations
If automation must plug into a larger prepress process with frequent batch throughput, tools like Separo and PrintFab emphasize batch-driven separation runs with reusable profiles. If the workflow must support quick manual iteration with scripting rather than RIP-managed enforcement, GIMP’s Script-Fu channel automation fits fast edit-export cycles.
Who needs Color Separation Software for print-ready separation workflows
Color separation software fits teams that turn design files into production-ready channel outputs for spot, simulated process, and CMYK-style separation workflows. The best fit depends on whether the team owns separation changes in the design tool layer or owns rendering consistency inside a RIP pipeline with standardized parameters.
Design teams refining separations before RIP output
Photoshop supports channel-targeted adjustment layers that keep separation refinements editable at the artwork level, which helps designers iterate without losing edit linkage. CorelDRAW ties spot color management to native vector objects so separation-ready edits remain object-level.
Prepress production teams standardizing separation output behavior
Caldera RIP uses production parameter sets to keep separation output behavior consistent across repeatable jobs even when file sources vary. iProof PowerRIP centralizes separation parameters in RIP output settings for consistent separation-to-raster rendering.
Print production teams running batch workflows at scale
PrintFab standardizes spot-to-process conversion and underbase handling using batch-driven separation profiles across many assets. Separo runs batch-driven separations with parameter presets that persist across batches to reduce drift.
Multi-operator print shops standardizing RIP separations across stations
Onyx RIPcentral centralizes administration so RIP jobs and output settings align across operator stations for consistent separation and output behavior. This reduces per-station mismatches that otherwise arise from distributed configuration.
Teams needing manual channel iteration with scripting rather than RIP enforcement
GIMP supports channel-based editing and Script-Fu automation for repeatable separation revisions and batch exports. This fits quick iteration loops when PostScript-first RIP handoff control is not the primary requirement.
Common mistakes when buying Color Separation Software
Buyers often overestimate how much separation behavior can be controlled after files reach the export stage. They also underestimate the operational discipline needed to keep separation parameters consistent when output enforcement happens in a RIP pipeline.
Assuming design-tool edits automatically translate into consistent RIP separations
Photoshop and CorelDRAW keep edits tied to layers or native objects, but RIP-managed behavior still depends on the rendering pipeline and output settings. Teams needing enforcement should validate iProof PowerRIP or Caldera RIP consistency expectations before committing to a mixed workflow.
Ignoring the setup time and operator discipline required for repeatable separation parameters
Caldera RIP’s deep tuning increases setup time for new workflows and requires attention to keep separation behavior consistent. iProof PowerRIP similarly depends on operator setup discipline to maintain separation parameter consistency.
Choosing batch automation without checking how well vectors and edge cases are handled
Separo and PrintFab excel at predictable batch runs, but vector separation editing can require extra handling compared with raster-first workflows. UltraSeps can cover export-ready channel packaging with manual refinement, but automation depth can be limited compared with API-first separation tools when edge cases demand extensive automation.
Failing to account for centralized administration needs in multi-operator environments
Onyx RIPcentral centralizes configuration mapping across RIP clients and devices, which helps when operators must align on separation and output settings. Without that centralized control, differences in per-station configuration can create run-to-run variation.
How We Selected and Ranked These Tools
We evaluated Photoshop, Caldera RIP, iProof PowerRIP, Separo, UltraSeps, Onyx RIPcentral, PrintFab, CorelDRAW, GIMP, and Teesom against separation control depth and repeatability for spot, simulated process, and CMYK-style channel outputs. Features contributed 40% to each score and ease and value contributed 30% each. Photoshop earned the highest overall ranking because channel-targeted adjustment layers keep separation refinements editable at the artwork level and its color management previews reduce surprise during downstream CMYK separation workflows.
Frequently Asked Questions About Color Separation Software
How does Photoshop handle spot-channel and CMYK separation control compared with RIP-driven tools like iProof PowerRIP?
Which tools support automation for repeatable separations across batches of files?
When does a centralized administration workflow in Onyx RIPcentral matter for separation consistency?
How do Caldera RIP and iProof PowerRIP differ in how they treat RIP output behavior for repeatable production?
What breaks if a workflow relies on vector editability for spot colors but the chosen tool is raster-centric like GIMP?
How does UltraSeps package separation outputs for downstream RIP or prepress handoff?
When are scripted separation settings more suitable in PrintFab than interactive designer edits in Photoshop?
What data migration questions should be asked before moving an existing prepress workflow into a new separation tool like Separo or Teesom?
Which tool best fits workflows that already run a PostScript pipeline and need dedicated separation and raster control?
How does extensibility differ between Onyx RIPcentral and Photoshop when integrating into an operational prepress environment?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
Funding and competing interests
This study was co-funded by several of the vendors assessed in it. No single vendor funded it. Funders could propose the market studied.
They had no role in selecting vendors, setting or weighting criteria, analysing data or drawing conclusions, and they received the same factual-accuracy check as every other vendor assessed.
Market definition, inclusion rules and criteria weights were fixed by an editor before research began and did not change afterwards. Editorial process →
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