01 Industry overview
The art and design industry at a glance
The global art market returned to growth in 2025, reaching an estimated $59.6 billion, while the broader U.S. arts and design workforce numbered 645,970 and median pay was $70,300.
- $59.6B[8]
- Global art sales, 2025
- 4%[11]
- Global sales growth, 2025
- 645,970[21]
- U.S. art and design workers, 2025
- 44%[8]
- U.S. share of global art sales, 2025
- Market size
- The global art market generated an estimated $59.6 billion in sales in 2025, up 4% year on year. Dealer sales totaled $34.8 billion, public auction sales reached $20.7 billion, and reported private auction sales were just under $4.2 billion.[8][11]
- Forecast & CAGR
- The U.S. Bureau of Labor Statistics projects arts and design employment to grow more slowly than the average for all occupations from 2025 to 2035, while estimating about 76,400 openings per year over the period, mainly from replacement needs. A comparable, reliable global art-and-design CAGR was not identified.[21]
- Market share & regions
- The United States accounted for 44% of global art sales in 2025, followed by the United Kingdom at 18% and China at 14%; together, the three markets represented 76% of global sales. U.S. sales were $26.0 billion, while U.K. sales reached $10.5 billion.[8]
- Segmentation
- The 2025 market comprised dealer sales of $34.8 billion and auction sales of $24.8 billion, including public and private transactions. Within fine-art auctions, Postwar art held the largest share at 31% by value, followed by Modern art at 24%, Impressionist and Post-Impressionist art at 19%, and Contemporary art at 14%.[11]
- Key players & concentration
- The market is concentrated geographically rather than through a single global operator: the U.S., U.K., and China together accounted for 76% of 2025 sales. Among dealer businesses, 42% reported higher sales in 2025, while 33% reported declines and 25% were stable; the report does not provide a consolidated global market share for individual galleries or auction houses.[8][11]
- Pricing
- Pricing remains highly uneven, with the 2025 recovery led partly by high-value transactions: the combined value of U.S. fine-art auction lots priced above $10 million increased by nearly 40%. At the same time, dealer operating costs rose 5% on average, with packing, shipping and logistics costs up 10%, art-fair costs up 9%, and travel and accommodation costs up 6%.[8]
- Trends, drivers & challenges
- The market returned to growth in 2025 as public auction sales rose 9% and buyer confidence improved later in the year. Growth remained uneven because geopolitical uncertainty, tariffs, cross-border barriers, inflation and rising operating costs continued to pressure margins; 38% of dealers reported lower profitability.[8]
- Consumer behavior & competition
- High-net-worth collectors continued to favor established channels: 83% bought through a gallery, online channel, social media or art fair in 2024 or 2025, and 51% made purchases through Instagram in the survey period. Art-fair sales represented 35% of dealer turnover in 2025, while online-only sales fell to 15% of the total market as higher-value transactions moved back to in-person channels.[8][11]
- Regulation
- In the United Kingdom, art-market participants must register with HM Revenue & Customs for anti-money-laundering supervision when trading or intermediating in art transactions of €10,000 or more, including linked transactions. From May 14, 2025, U.K. art-market participants were also added to the firms subject to financial-sanctions reporting requirements.[52]
02 Ranking
Top 10 Companies in the Art And Design Industry
The leading companies in the art and design industry, ranked on market impact, performance, momentum, innovation and brand popularity.
Updated November 11, 2026 · Next review December 11, 2026
Haworth stands out for workplace and lifestyle furniture because its designs and manufacture reach more than 150 countries, while Crayola is the pick for creative materials since it manufactures crayons, markers, paints and modeling compounds for creative expression.
Ranked by Overall score · How we score ↓
Editor's top 3 picks
Where to start, by need.
#1 Overall · Leader in workplace & lifestyle furniture
Haworth
US
Ranked #1 · 9.3 · Workplace & lifestyle furniture
Why we picked it: It builds workplace and lifestyle furniture at global scale, spanning more than 150 countries.
Leader in creative education materials
Crayola
US
Ranked #2 · 9.0 · Creative education materials
Why we picked it: Its product set covers core creative materials, from crayons and markers to paints and modeling compounds.
Leader in fine-art materials
Colart
GB
Ranked #3 · 9.0 · Fine-art materials brands
Why we picked it: Its brands span fine-art paints and drawing and creative materials, including Winsor & Newton and Liquitex.
Pick 1 is the #1 company overall. Picks 2 and 3 are the highest-ranked companies in the top 5 that add a new segment.
Full ranking
| # | Company | Overall ↓ | Impact | Performance | Momentum | Innovation | Company snapshot |
|---|---|---|---|---|---|---|---|
| 1 | Haworth Workplace & lifestyle furniture · US | 9.3 | 9.6 | 9.2 | 9.6 | 8.9 | |
Company snapshot · Haworth · Data as of November 11, 2026 Haworth designs and manufactures workplace, lifestyle and luxury furniture in more than 150 countries.[59]
| |||||||
| 2 | Crayola Creative education materials · US | 9.0 | 9.7 | 9.9 | 8.9 | 7.0 | |
Company snapshot · Crayola · Data as of November 11, 2026 Crayola manufactures crayons, markers, paints and modeling compounds for creative expression.[60]
| |||||||
| 3 | Colart Fine-art materials brands · GB | 9.0 | 9.2 | 9.9 | 8.9 | 8.0 | |
Company snapshot · Colart · Data as of November 11, 2026 Colart makes artist brands including Winsor & Newton, Liquitex, Lefranc Bourgeois and Snazaroo.[61]
| |||||||
| 4 | HNI Corporation Residential & workplace furnishings · US | 8.9 | 9.6 | 8.7 | 9.9 | 7.0 | |
Company snapshot · HNI Corporation · Data as of November 11, 2026 HNI manufactures workplace furnishings and residential building products, and acquired Steelcase in 2025.[62]
| |||||||
| 5 | Vitra Furniture & environmental design · CH | 8.9 | 8.3 | 9.9 | 8.9 | 8.9 | |
Company snapshot · Vitra · Data as of November 11, 2026 Vitra is a third-generation family-run company focused on furniture and environmental design.[63]
| |||||||
| 6 | Inter IKEA Group Furniture and home design products, global · NL | 8.8 | 9.9 | 7.0 | 8.2 | 9.9 | |
Company snapshot · Inter IKEA Group · Data as of November 11, 2026 IKEA retail sales reached EUR 43.8 billion across 64 markets in FY26.[64]
| |||||||
| 7 | MillerKnoll Furniture and furnishings for workplaces and homes · US | 8.7 | 9.6 | 7.8 | 9.0 | 7.1 | |
Company snapshot · MillerKnoll · Data as of November 11, 2026 MillerKnoll combines Herman Miller, Knoll and other global design brands.[65]
| |||||||
| 8 | STAEDTLER Drawing, writing and modeling materials, global · DE | 8.2 | 8.3 | 9.1 | 7.6 | 7.0 | |
Company snapshot · STAEDTLER · Data as of November 11, 2026 STAEDTLER operates six manufacturing plants and sells in 150 countries.[66]
| |||||||
| 9 | Kartell Industrial furniture and design objects, global · IT | 8.0 | 7.0 | 7.8 | 8.4 | 8.9 | |
Company snapshot · Kartell · Data as of November 11, 2026 Kartell is known for industrial production of design objects made in Italy.[67]
| |||||||
| 10 | Artemide Architectural and decorative lighting design · IT | 7.8 | 7.3 | 7.8 | 7.0 | 8.9 | |
Company snapshot · Artemide · Data as of November 11, 2026 Artemide designs and manufactures lighting products distributed in more than 100 countries.[68]
| |||||||
How we score
- Impact (30%): scale and weight in the market (revenue, market share, employees, market position).
- Performance (20%): recent revenue growth and operating margin; an analyst assessment where a company does not publish them.
- Momentum (20%): growth trajectory and future potential.
- Innovation (15%): R&D intensity and how technologically advanced the company is.
Popularity (brand search demand, 15%) counts toward Overall but is not published as a column. Overall leaves out what is not known.
Scale Scores are shown on a 7–10 scale with one decimal; bars start at 7.0.
Cadence Recalculated when new figures are published; next review December 11, 2026.
Independence. Rankings are editorially independent. Scores, ranks, picks and the verdict follow the method above; no company can pay to change them.
Cite this ranking
APA
Samuel Norberg. (2026, November 11). Top 10 companies in the art and design industry. In Art And Design Industry Statistics. Gitnux. https://gitnux.org/art-and-design-industry-statistics/#top-companies
U.S. design services gross output, inflation-adjusted
U.S. design services gross output, inflation-adjusted grew from $416.9B in 2018 to $590.7B in 2023.
03 Trends & forecasts
Top 10 Art And Design Industry Trends & Forecasts 2027
What is changing in the art and design industry, with the evidence behind each trend and a forecast for 2027.
Forecasts were generated by an AI model from the cited evidence. They are estimates, not guarantees.
01Global sales resume moderate growth
High confidenceThe global art market grew 4% in 2025 to an estimated $59.6 billion. Dealer sales increased 2%, while public auction sales rose 9%, indicating a broad but uneven recovery.[11]
Forecast 2027: Global sales should continue growing in 2027, but likely at a moderate single-digit rate rather than returning to the rapid expansion seen during the post-pandemic rebound. Growth will depend on interest rates, geopolitical stability and the availability of high-value works.
02High-end transactions drive price recovery
High confidenceThe 2025 recovery was partly led by expensive works: the combined value of U.S. fine-art auction lots priced above $10 million increased by nearly 40%. Postwar art remained the largest auction sector at 31% of value, ahead of Modern art at 24%.[11][8]
Forecast 2027: In 2027, headline auction prices are likely to remain supported by a small number of trophy works, while the broader market experiences more restrained price growth. The gap between established artists and less proven names should remain wide.
03Art fairs regain commercial importance
High confidenceArt-fair sales rose to 35% of dealer turnover in 2025, up 4 percentage points year on year and the highest share since 2022. Overseas fairs generated 63% of total fair sales, compared with 37% for local fairs.[11]
Forecast 2027: Fairs should remain a central sales and client-acquisition channel in 2027, particularly for mid-sized galleries. Growth will be constrained by participation costs and travel expenses, encouraging more selective attendance and stronger regional programming.
04Online sales settle into a hybrid role
High confidenceOnline art sales fell to $9.2 billion in 2025 and represented 15% of the total market, down for a third consecutive year as high-value transactions returned to in-person settings. Nevertheless, online sales remained above the 2019 level and continued to attract new buyers.[11][8]
Forecast 2027: Online channels will probably stabilize rather than disappear in 2027. Digital discovery, qualification and lower- to mid-priced purchases should expand, while major transactions will continue to use online tools alongside gallery visits, fairs and private communication.
05Social discovery converts into sales
High confidenceAmong high-net-worth collectors surveyed for 2024 and 2025, 51% of those who bought from dealers had made at least one purchase through Instagram without seeing the work in person. Overall, 83% bought through a gallery, online channel, social media or art fair.[8]
Forecast 2027: In 2027, galleries and artists will use social platforms increasingly for discovery, launch events and relationship management. The strongest conversion will likely come from curated content, direct messaging and limited releases rather than anonymous mass e-commerce.
06Cross-border trade shifts toward local buyers
High confidenceMore than half of dealers reported negative effects from tariffs in 2025. Among the smallest dealers, local collectors accounted for 71% of private-collector sales, up 9 percentage points, while the local share at dealers with turnover above $10 million rose to 29%.[8][11]
Forecast 2027: Local and regional collecting should remain more important in 2027 as tariffs, customs procedures, insurance costs and geopolitical risks complicate international transactions. Larger galleries will still depend on global buyers but may hold more inventory and events closer to clients.
07Operating costs continue squeezing margins
High confidenceDealer operating costs rose an estimated 5% in 2025, with packing, shipping and logistics costs up 10%, art-fair costs up 9%, and travel and accommodation costs up 6%. Thirty-eight percent of dealers reported lower profitability.[8]
Forecast 2027: Cost inflation should remain a structural challenge in 2027. Dealers are likely to prioritize fewer fairs, shared logistics, tighter inventory management and higher-margin services such as advisory, editions and private sales.
08Collectors become more selective
High confidenceIn Artsy’s 2025 survey, 30% of collectors said they had become more selective, while 73% identified high prices as a buying challenge and 78% had hesitated because an artwork exceeded their personal budget.[2]
Forecast 2027: Selective purchasing should continue in 2027, especially below the highest end of the market. Buyers will likely place greater weight on artist reputation, price transparency, condition, provenance and the perceived long-term value of a work.
09Emerging art sustains entry-level demand
Medium confidenceArtsy reported that 72% of surveyed collectors were drawn to emerging art. Its 2025 buyer-trends coverage also identified small-format works as a defining buying pattern, supporting accessibility and easier display.[2]
Forecast 2027: Emerging artists and smaller works should remain important routes into collecting in 2027. Galleries are likely to combine accessible price points with stronger education, content and installment or online purchasing options.
10Gender representation keeps improving slowly
High confidenceWomen represented 45% of artists across galleries in 2025, up from 35% in 2018, and accounted for 37% of dealer sales by value. Primary-market galleries reached gender parity in the artists they represented, although auction value remained concentrated among a small group of female artists.[8]
Forecast 2027: Representation should continue to improve in 2027, particularly among primary-market galleries and younger programs. Commercial parity will likely lag behind representation because auction liquidity and top prices remain concentrated among a limited number of established artists.
04 Statistics
Technology & Innovation
Technology shifts center on adoption gaps: 51.7% of U.S. arts and design alumni reported using generative AI professionally in 2025, while 28% of surveyed art galleries reported no formal definition of AI art in 2026.
AI in the art and design industry
- 51.7% of U.S. arts and design alumni reported using generative AI in a professional context in 2025.[1]
- 19% of surveyed art galleries used AI for installation renderings or virtual exhibition design in 2026.[2]
- 28% of surveyed art galleries reported having no formal definition of AI art in 2026.[2]
- 79.7% of 443 designers across 43 countries reported using AI in at least one Double Diamond design phase in 2026.[3]
Digital Transformation in the professional and business services sector (sector benchmark)
- 55% of business-services CEOs identified keeping pace with technology and AI transformation as their greatest concern in PwC’s 2025 global CEO survey.[4]
- 51% of U.S. technology executives reported no increase in performance or profitability from digital-transformation investments during the previous two years.[5]
- 35.51% of EU professional, scientific and technical enterprises using AI applied it to business-administration or management processes in 2025.[6]
- 40.4% of EU enterprises in professional, scientific and technical activities used at least one AI technology in 2025.[6]
Technology Adoption in the professional and business services sector (sector benchmark)
- 18.55% of EU professional, scientific and technical enterprises using AI applied it to ICT security in 2025.[6]
- 30.87% of EU professional, scientific and technical enterprises using AI applied it to accounting, controlling or finance management in 2025.[6]
- 27.33% of EU professional, scientific and technical enterprises using AI applied it to production processes in 2025.[6]
- 22.32% of EU professional, scientific and technical enterprises using AI applied it to research and development or innovation activities in 2025.[6]
Cloud Computing in the professional and business services sector (sector benchmark)
- 77.7% of Dutch professional, scientific and technical enterprises used cloud computing services in 2023.[7]
- 90.7% of Australian professional, scientific and technical enterprises used cloud computing services in 2022.[7]
- 80.4% of Danish professional, scientific and technical enterprises used cloud computing services in 2023.[7]
- 91.2% of Finnish professional, scientific and technical enterprises used cloud computing services in 2023.[7]
Big Data in the professional and business services sector (sector benchmark)
- 47.5% of German professional, scientific and technical enterprises conducted big-data analysis in 2023.[7]
- 57.5% of Dutch professional, scientific and technical enterprises conducted big-data analysis in 2023.[7]
- 46.8% of Swedish professional, scientific and technical enterprises conducted big-data analysis in 2023.[7]
- 45.4% of Finnish professional, scientific and technical enterprises conducted big-data analysis in 2023.[7]
Blockchain in the art and design industry
- $2.9 billion in art-related NFT sales was recorded globally in 2021.[8]
- $20 million in art-related NFT sales was recorded globally in 2020.[8]
- 6% of the global NFT market by value, or $213 million, came from art-related NFTs in 2024.[9]
- 9% of the global NFT market by value, or $613 million, came from art-related NFTs in 2023.[9]
- $1.2 billion in art-related NFT sales was recorded globally in 2023, down 51% from 2022.[8]
IoT in the professional and business services sector (sector benchmark)
- 36.3% of Irish professional, scientific and technical enterprises used Internet-of-Things technologies in 2021.[7]
- 52.0% of South Korean professional, scientific and technical enterprises used Internet-of-Things technologies in 2022.[7]
- 35.6% of Swedish professional, scientific and technical enterprises used Internet-of-Things technologies in 2021.[7]
- 42.6% of Austrian professional, scientific and technical enterprises used Internet-of-Things technologies in 2021.[7]
Innovation in the art and design industry
- 9.4% of U.S. companies reported product innovation between 2019 and 2021.[10]
05 Statistics
Data & Analytics
Data and discovery move toward AI-assisted research: 67% of surveyed art collectors expected AI to improve discoverability in 2025 or the first half of 2026, while online art sales totaled $9.2 billion globally in 2025.
Business intelligence in the art and design industry
- 27% of art collectors identified art press and online platforms as their largest source of purchase research in 2025 or the first half of 2026.[11]
- 67% of surveyed art collectors expected artificial intelligence to have a positive impact on artist and artwork discoverability in 2025 or the first half of 2026.[11]
- 22% of art collectors used apps or artificial-intelligence tools to research what to buy in 2025 or the first half of 2026.[11]
- 32% of art collectors cited Instagram or X as sources of advice when researching art purchases in 2025 or the first half of 2026.[11]
Data analytics in the art and design industry
- Online art sales totaled $9.2 billion globally in 2025, the lowest level since 2019.[8]
- 83% of surveyed high-net-worth individuals bought art through a gallery, dealer, social media or art fair in 2024 or 2025.[8]
- 51% of high-net-worth individuals who bought from dealers made at least one purchase through Instagram without viewing the work in person in 2024 or 2025.[8]
- 15% of global art-market sales were online-only in 2025, down three percentage points from 2024.[8]
Data Quality in the professional and business services sector (sector benchmark)
- 49% of supply management organizations reported that their data quality was good or excellent in 2024, based on a survey of more than 121 respondents.[12]
- 95% of enterprise companies with at least $1 billion in revenue had experienced a data-quality issue directly affecting business outcomes in 2024.[13]
- 87% of enterprise data leaders said traditional rules-based approaches to data quality did not scale to current needs in 2024.[13]
- 50% of organizations identified data-quality issues as the biggest challenge affecting their data-integration projects in 2024.[14]
- 23% of supply management firms spent at least 21% of their time cleaning data in 2024.[12]
- 67% of supply management organizations said their data quality was better or significantly better than two years earlier in 2024.[12]
Data Governance in the professional and business services sector (sector benchmark)
- 32% of organizations in the 2024 governance study had a formal governance organization in place, while 68% had none.[15]
- 61% of organizations had a dedicated data-governance function in 2024, according to a survey of more than 121 supply management professionals.[12]
- 71% of global organizations reported having a data-governance program in 2024, up from 60% in 2023.[14]
- 33% of North American organizations had a formal data-governance organization in place in 2024.[15]
- 18.3% of organizations used a data-governance or catalog solution as part of their governance program in 2024.[15]
- 81% of supply management organizations found their data-governance program useful in 2024.[12]
KPIs in the art and design industry
- Only 27% of European fashion companies measured their own social-design impact, according to a 2024 sector report.[16]
- 52% of surveyed fashion-industry participants were measuring or reporting progress toward textile-to-textile recycling in 2024.[17]
- 75% of surveyed fashion-industry participants were working toward a textile-to-textile recycling target in 2024.[17]
- 71% of surveyed fashion-industry participants had set a target for textile-to-textile recycling by 2030 in 2024.[17]
06 Statistics
Strategy & Growth
Sales recovered unevenly in 2025, with the global art market up 4% year on year to $59.6 billion, while hiring demand is framed as about 76,400 arts-and-design openings per year in the U.S. from 2025 to 2035.
Growth in the art and design industry
- $59.6 billion was the estimated global art-market sales value in 2025, up 4% year on year.[11]
- $34.8 billion was the estimated global dealer-sector sales value in 2025, up 2% year on year.[11]
- 6.09 million design registrations were estimated to be in force worldwide in 2024, up 0.2% from 2023.[18]
- 2.7% was the increase in design applications registered worldwide in 2024, reaching roughly 971,900 applications.[18]
- $24.8 billion was the value of combined public and private auction-house sales in 2025, up 6% year on year.[11]
Differentiation in the art and design industry
- 37% of art-dealer sales by value were generated by female artists in 2025, up from 28% in 2018.[11]
- 44% of primary-market gallery sales by value were generated by female artists in 2025.[11]
- 45% of artists represented by art dealers were women in 2025, up from 35% in 2018.[11]
- 6% of high-net-worth collectors’ spending went to design works in 2026.[11]
Mergers and acquisitions in the art and design industry
- 54% of commercial experiential-design M&A deal count from Q1 2022 through Q3 2024 involved financial acquirers.[19]
- $10 million was the mean transaction size for strategic acquisitions in commercial experiential design from Q1 2022 through Q3 2024.[19]
- 1 acquisition was R/GA’s first since becoming an independent, privately held creative company in 2025, when it acquired AI design studio Addition.[20]
- $18 million was the mean transaction size for financial acquisitions in commercial experiential design from Q1 2022 through Q3 2024.[19]
- 60% of capital invested in announced commercial experiential-design M&A transactions from Q1 2022 through Q3 2024 came from strategic acquisitions.[19]
07 Statistics
People & Workforce
Workforce counts highlight scale: the U.S. arts and design workforce numbered 645,970 in May 2025, with 49% of U.S. art museum workers actively looking for another job during 2025.
Hiring in the art and design industry
- 253,100 graphic designers were employed in the United States in 2025.[21]
- 16,000 graphic designer job openings are projected annually in the United States from 2025 to 2035.[21]
- 645,970 art and design workers were employed in the United States in May 2025.[21]
- 197,830 graphic designers were employed in the United States in May 2025.[21]
Employee retention in the art and design industry
- 49% of U.S. art museum workers had actively looked for another job during the previous year in 2025.[22]
- 56% of U.S. art museums reported conducting surveys or interviews with current employees to assess job satisfaction in 2025.[22]
- 13% of U.S. art museums reported implementing a diversity retention plan in 2025.[22]
Remote Work in the professional and business services sector (sector benchmark)
- 62.8% of U.S. professional and business-services employees who could work at home did so during 2024–2025, while 66.0% could work at home.[21]
- 54% of U.S. professional-services firms reported having at least one paid work-from-home employee in November 2024–January 2025.[23]
- About 45% of U.S. professional and business-services workers worked remotely during October 2023–September 2024, including hybrid and fully remote work.[24]
- 37.21% was the average share of paid workdays performed from home by U.S. professional and business-services employees in January 2025.[25]
Hybrid Work in the professional and business services sector (sector benchmark)
- 61% of U.S. employees with remote-capable jobs preferred hybrid work in November 2025, compared with 33% preferring fully remote work.[26]
- Across U.S. professional and business services, 39% of full-time employees worked fully onsite during January–April 2025.[27]
- Across U.S. professional and business services, 38% of full-time employees worked hybrid schedules during January–April 2025.[27]
- Across U.S. professional and business services, 22% of full-time employees worked fully from home during January–April 2025.[27]
- 54% of U.S. employees with remote-capable jobs worked in a hybrid arrangement in November 2025.[26]
Upskilling in the art and design industry
- 74% of freelance designers reported using YouTube tutorials to gain insights and skills in a global survey.[28]
- 41% of design and designer-fashion workers participated in job-related training in the 2025 Creative Industries Skills Audit.[29]
- 60% of freelance designers reported teaching themselves new skills in a global survey.[28]
Employee Engagement in the professional and business services sector (sector benchmark)
- 32% of U.S. employees were engaged at work in 2025, while 17% were actively disengaged.[26]
- 32% of U.S. employees were engaged at work in 2024, while 17% were actively disengaged.[26]
- 34% of U.S. employees were engaged at work in 2022, while 16% were actively disengaged.[26]
- 33% of U.S. employees were engaged at work in 2023, while 16% were actively disengaged.[26]
DEI in the art and design industry
- 69% of U.S. art museum workers believed diversity and difference were celebrated in their museums in 2025.[22]
- 77% of U.S. art museum survey respondents identified as white in 2025.[30]
- 67% of workers in U.S. art museums were white in 2025, compared with 51% in the nonprofit sector overall.[22]
- 24% of U.S. art museum workers reported having a disability in 2025.[22]
Change Management in the professional and business services sector (sector benchmark)
- 17% of transformation teams identified training and development programs as their primary change-management approach in 2024.[31]
- 75% of global business-services organizations considered change management critical in 2022.[32]
- Approximately one-third of global business-services organizations had no change-management capability in 2022.[32]
08 Statistics
Customer & Sales
Collectors keep established channels dominant: 83% bought through a gallery, online channel, social media or art fair in 2024 or 2025, with art-fair sales at 35% of dealer turnover in 2025.
Customer experience in the art and design industry
- 65% of global art collectors rated dealers highest for access to expertise and specialist advice in 2024.[9]
- 60% of global art collectors were moderately or very concerned about unlisted prices and undisclosed fees in 2024.[9]
- 68% of global art collectors rated dealers as the most convenient and low-stress place to buy art in 2024.[9]
- 71% of global art collectors said art fairs provided access to artists from diverse regions and backgrounds in 2024.[9]
Customer acquisition in the art and design industry
- 73% of Art Basel VIP collectors’ art spending went through dealers in 2023 and 2024.[8]
- 26% of Art Basel VIP collectors’ art spending went through art fairs in 2023 and 2024.[8]
- 10% of Art Basel VIP collectors’ dealer spending occurred through dealer websites, online platforms, Instagram or email without an in-person viewing in 2023 and 2024.[8]
- 12% of Art Basel VIP collectors’ art spending went through auctions in 2023 and 2024.[8]
09 Statistics
Marketing & Brand
Social discovery converts into purchases, with 51% of high-net-worth collectors who bought from a dealer purchasing through Instagram without viewing in person in 2024/2025.
Marketing in the art and design industry
- 31% of global art-dealer sales came through art fairs in 2024, including 20% from overseas fairs and 11% from local fairs.[8]
- 83% of surveyed high-net-worth individuals bought art through a gallery, dealer, social media channel, online channel or art fair in 2024/2025.[8]
- 56% of dealers’ annual turnover came from their three highest-selling artists in 2024.[8]
- 44% of buyers were new to their dealer in 2024, while sales to new buyers represented 38% of dealer sales globally.[8]
Digital marketing in the art and design industry
- 35% of digital agencies offered social-media marketing services in 2025, according to a survey of agencies in the design and digital-services sector.[33]
- $10.5 billion was generated by online art sales globally in 2024, down 11% year over year but 76% above 2019.[11]
- 22% of global art-dealer sales were online in 2024, compared with 13% in 2019.[8]
- 46% of dealers’ online sales by value went to new buyers in 2024, up from 35% in 2023.[8]
Branding in the art and design industry
- 33% of digital agencies offered content-marketing services in 2025, compared with approximately 29% in 2023.[33]
- 27% of digital agencies offered email-marketing services in 2025, compared with approximately 23% in 2023.[33]
- 35% of digital agencies offered branding or identity-design services in 2025, up from approximately 31% in 2023.[33]
- 18% of surveyed U.S. design buyers planned rebranding work in 2026, according to a graphic-design industry survey.[34]
Influencer Marketing in the professional and business services sector (sector benchmark)
- 86% of B2B influencer-marketing practitioners and creators prefer co-creating content with brands rather than amplifying finished brand content, based on Q1 2026 research.[35]
- 78% of B2B influencer-marketing practitioners identify brand awareness and lead generation as their joint top challenges, based on Q1 2026 research.[35]
- 74% of B2B influencers use artificial-intelligence tools to enhance content creation, based on Q1 2026 research.[35]
- 44% of B2B influencer-marketing practitioners say finding the right talent is their single biggest collaboration obstacle, based on Q1 2026 research.[35]
10 Statistics
Operations & Execution
Operating cost pressure shows in reported changes: dealers’ packing, shipping and logistics costs rose by 10% on average in 2025 as external IT and third-party online costs were 6% of total costs.
Process optimization in the art and design industry
- Designers using AI engaged with an average of 2.89 of the four phases in the Double Diamond workflow in 2026.[3]
- 79.7% of surveyed designers reported confirmed AI use in at least one phase of the design workflow in 2026.[3]
- 73% of digital agencies offered web-development services in 2025, compared with approximately 78% in 2023.[33]
- 53% of digital agencies offered UX/UI services in 2025, down from approximately 64% in 2023.[33]
Operational efficiency in the art and design industry
- 6% was the average increase in dealers’ travel and accommodation costs in 2025.[8]
- 10% was the average increase in dealers’ packing, shipping and logistics costs in 2025.[8]
- 9% was the average increase in art-fair costs for dealers in 2025.[8]
- 5% was the average increase in art dealers’ operating costs in 2025, exceeding sales growth.[8]
Supply chain in the art and design industry
- 15% of dealers’ ancillary spending went to packing and shipping in 2024.[11]
- 10% was the average increase in art dealers’ packing, shipping and logistics costs in 2025, the largest reported operating-cost increase.[8]
- 6% of dealers’ total costs in 2025 were allocated to external IT services and third-party online costs, including platform fees and commissions.[8]
- 17% of dealers’ total costs in 2025 came from travel, packing, shipping and hospitality associated with art fairs.[8]
Outsourcing / Offshoring in the professional and business services sector (sector benchmark)
- 47.5% of EU enterprises sourcing abroad sourced administrative and management functions internationally during 2021–2023.[6]
- 28.8% of EU enterprises sourcing abroad sourced information and communication technology services internationally during 2021–2023.[6]
- 65% of U.S. CPA firms participating in the 2025 National MAP Survey that offshored used India, followed by 33% using the Philippines.[36]
- 29% of U.S. CPA firms responding to the 2025 National MAP Survey utilized offshoring, rising to 74% among firms with at least $10 million in net client fees.[36]
- 60% of EU business-services enterprises sourcing abroad were in the business-services sector, compared with 40% in industry and construction, during 2021–2023.[6]
11 Statistics
Finance & Pricing
Price recovery relies on high-end lots while costs rise: the combined value of U.S. fine-art auction lots priced above $10 million increased by nearly 40% in 2025.
Pricing strategy in the art and design industry
Cost reduction in the art and design industry
Profitability in the art and design industry
- 38% of art dealers reported lower profitability in 2025, while 33% reported higher profitability and 29% reported little change.[8]
- $34.1 billion was the estimated global art-dealer turnover in 2024, down 6% from 2023.[8]
- $34.8 billion was the estimated global art-dealer turnover in 2025, up 2% from 2024.[8]
- 43% of art dealers reported lower profitability in 2024, compared with 32% reporting higher profitability.[8]
Financial planning in the art and design industry
- 6% of primary-market-only galleries’ total costs supported artists’ production, framing and related activities in 2025.[8]
- 4% of dealers’ total costs supported artists’ production, framing and related activities in 2025.[8]
- 15% of dealers’ total spending went to art-fair booth and exhibiting costs in 2025.[8]
- $208.2 million was the National Endowment for the Arts’ net cost of operations in fiscal year 2023.[38]
12 Statistics
Product & Service
Transactions stayed active: the art market recorded 41.5 million transactions globally in 2025, up 2% year on year, while sustainability willingness was measured at 98% paying a 5% premium in 2022.
Product development in the art and design industry
Product lifecycle in the art and design industry
- The second-hand apparel market was projected to reach $350 billion globally by 2028, growing three times faster than the overall apparel market.[17]
- Online resale of apparel grew 23% in 2023 and was expected to represent half of second-hand apparel spending by 2025.[17]
- The art market recorded 41.5 million transactions globally in 2025, up 2% year on year.[8]
After-sales in the art and design industry
- Repair had the highest customer participation among UK fashion circular-business models, with 25% of customers accessing repair initiatives.[40]
- The French repair bonus for clothing and shoes was introduced in November 2023 to extend product use and support repair services.[41]
- The second-hand apparel market was projected to exceed $40 billion in the United States by 2028, creating demand for collection, repair, cleaning and resale services.[17]
- Reverse Resources had tracked 5,251,651 kilograms of post-industrial textile waste through Bangladesh’s Circular Fashion Partnership since 2020.[17]
Value proposition in the art and design industry
- 98% of surveyed high-net-worth art collectors were willing to pay a 5% premium for sustainability in 2022.[11]
- 57% of surveyed high-net-worth art collectors were willing to pay up to 25% more for sustainable art in 2022.[11]
- 43% of high-net-worth collectors bought art directly from artists’ studios in 2024 or 2025, emphasizing provenance and creator relationships as value drivers.[8]
- 20% of high-net-worth collectors’ art spending went to artist-direct sales in 2024 or 2025.[8]
13 Statistics
Sustainability & Ethics
Sustainability expectations show up in collector behavior: 98% of surveyed high-net-worth art collectors were willing to pay a 5% premium for sustainability in 2022, while audience travel accounted for 42% of carbon footprint in a Julie’s Bicycle portfolio.
ESG in the art and design industry
- 86% of the world’s largest fashion brands had no public coal phase-out target in 2024.[42]
- 96% of the world’s largest fashion brands had not publicly committed to a just-transition strategy in 2024.[42]
- 92% of the world’s largest fashion brands had no public renewable-electricity target for their supply chains in 2024.[42]
- 94% of the world’s largest fashion brands had no public renewable-energy target for their supply chains in 2024.[42]
Ethics in the art and design industry
- 54% of high-net-worth individuals who bought from dealers purchased through a website or online viewing room without viewing the work in person beforehand in 2024 or 2025.[8]
- 60% of high-net-worth individuals who bought from dealers purchased at a gallery or dealer premises in 2024 or 2025.[8]
- Only 4% of the world’s largest fashion brands disclosed efforts to retain or reskill supply-chain workers whose jobs were at risk in 2024.[42]
- 20% of art collectors identified fraud, forgery and market manipulation as potential negative impacts of artificial intelligence in 2025 or the first half of 2026.[11]
CSR in the art and design industry
- The Julie’s Bicycle cultural portfolio reported total emissions of 144,584 tonnes of carbon dioxide equivalent when audience travel was included.[43]
- Only 16% of UK cultural audiences believed cultural organisations currently placed great importance on influencing society on the climate emergency in 2024.[44]
- Audience travel accounted for 42% of the reported carbon footprint across a Julie’s Bicycle cultural-organisation portfolio when included.[43]
- 72% of UK cultural audiences believed cultural organisations had a responsibility to influence society on the climate emergency in 2024.[44]
Circular economy in the art and design industry
- 31% of assessed textiles, apparel and luxury-goods companies had publicly committed to an aspect of the circular-fashion business model in 2022.[45]
- 91% of fashion-industry respondents supported collective industry action to reduce overproduction in 2024.[17]
- Almost half of assessed textiles, apparel and luxury-goods companies had at least one circular-fashion programme in 2022.[45]
- 58% of fashion-industry respondents had targets to reduce overproduction by 30% by 2040 in 2024.[17]
Carbon footprint in the art and design industry
- The Guggenheim Museum Bilbao reduced its carbon footprint by 17% in 2024 compared with 2023.[46]
- The Guggenheim Museum Bilbao reported a 2,137.88-tonne CO2 carbon footprint in 2024.[46]
- Commercial galleries, public and nonprofit arts institutions, artist studios and individuals were estimated to produce 4.3 million tonnes of CO2 equivalent annually from flights, air freight and building energy.[47]
14 Statistics
Risk, Compliance & Legal
Compliance in the art and design industry
- $65.1 billion in art and antiques sales were estimated in 2021, highlighting the scale of the market exposed to anti-money-laundering controls.[48]
- €10,000 is the transaction-value threshold above which UK art-market participants must register for anti-money-laundering supervision and maintain compliance procedures.[48]
Risk Management in the professional and business services sector (sector benchmark)
- Cybersecurity ranked as the top future risk for professional service firms in Aon’s 2025 global survey.[49]
- Seventy-seven percent of professional services firms said better analytics and monitoring were needed to improve fraud response in 2026, globally.[50]
- Fifty-four percent of professional services leaders reported integrated or enterprise-wide risk management in 2026, globally.[50]
- Thirty-nine percent of professional services leaders said their organizations’ risk and compliance programs were advanced or leading in 2026, globally.[50]
Cybersecurity in the professional and business services sector (sector benchmark)
- Thirty-four percent of professional services respondents reported that sensitive content had been breached seven or more times in 2024, globally.[51]
- Fifty-six percent of professional services leaders reported high or very high confidence in detecting advanced cyber threats in 2026, globally.[50]
- Forty-three percent of UK businesses experienced a cyber breach or attack during the 12 months covered by the 2025–2026 survey.[52]
- Fifty-five point nine percent of Asia-Pacific small businesses in professional, scientific and technical services reviewed their cybersecurity during the previous six months in 2024.[53]
Data Privacy in the professional and business services sector (sector benchmark)
- Fifty-eight percent of privacy professionals said their organizations always or frequently practiced privacy by design when building applications or services in 2026, globally.[54]
- Seventy-two percent of privacy professionals reported using data security as an organizational privacy control in 2026, globally.[54]
- Thirty-four percent of professional services firms identified the GDPR as a regulatory priority in 2024, globally surveyed respondents.[51]
- Forty-one percent of professional services firms identified new U.S. state data privacy laws as a regulatory priority in 2024, globally surveyed respondents.[51]
Crisis Management in the professional and business services sector (sector benchmark)
- Sixty-four percent of general counsel in North America reported greater involvement in business continuity and financial contingency planning in 2024.[55]
- Fifty percent of organizations reported limited or no formal critical-event management strategy in late 2025, globally.[56]
- Twenty-four percent of organizations never tested their business continuity or critical-event management plans in late 2025, globally.[56]
- Thirty-one percent of global leaders expressed extreme confidence in their organization’s ability to manage critical events in late 2025.[56]
- Nearly 40% of surveyed general counsel reported no contingency plan for a cyberattack or supply-chain failure in 2024, globally.[55]
Governance in the art and design industry
- 69% of U.S. art-museum board members were white in 2025, compared with 66% across nonprofit boards overall.[30]
- 81% of U.S. art-museum directors said their boards supported their museums’ diversity, equity, accessibility and inclusion efforts in 2025.[30]
- 302 museums in five U.S. states were analyzed for diversity, equity, accessibility and inclusion action-plan practices.[57]
- 75% of executive-committee members on U.S. art-museum boards were white in 2025.[30]
15 Statistics
Globalization & Expansion
Concentration remains regional: the U.S., U.K. and China together accounted for 76% of 2025 sales, while U.S. share of global art sales was 44% in 2025.
Globalization in the art and design industry
- $217 billion were China’s creative-goods exports in 2024, making it the largest national exporter.[58]
- 76% of global art-market sales by value came from the United States, United Kingdom and China combined in 2025.[11]
- 67% of global creative-goods exports came from the top ten exporting economies in 2024.[58]
- 36% of Italy’s furniture and design-sector revenue was generated through exports in 2025.[41]
- $1.7 trillion was the value of global creative-services exports in 2024, more than twice creative-goods exports of $709 billion.[58]
Cultural adaptation in the art and design industry
- 69% of U.S. art-museum workers said diversity and difference were celebrated in their organizations in 2025, up from 60% in 2023.[22]
- 13% of U.S. art-museum staff identified as Hispanic or Latine/x in 2025.[22]
- 31% of entry-level workers in U.S. art museums were people of color in 2025.[22]
- 28% of executive-level workers in U.S. art museums were people of color in 2025.[22]
Stakeholder management in the art and design industry
- 67% of U.S. art-museum workers were white in 2025, compared with 51% in the nonprofit sector overall.[22]
- 69% of U.S. art-museum workers believed diversity and difference were celebrated in their workplace in 2025.[22]
- 81% of U.S. art-museum directors reported that their boards supported diversity, equity, accessibility and inclusion efforts in 2025.[30]
Distribution channels in the art and design industry
- 35% of art dealers’ turnover came from art fairs in 2025.[11]
- 69% of high-net-worth individuals bought art directly from artists in 2025 or the first half of 2026.[11]
- 62% of high-net-worth individuals bought art at an art fair in 2025 or the first half of 2026.[11]
- 87% of high-net-worth individuals bought art from a dealer in 2025 or the first half of 2026.[11]
- 15% of global art-market sales were online-only in 2025, down from 25% in 2020.[11]
Key questions about the art and design industry
What was the global art market size in 2025?
How fast did the art market grow in 2025?
Which companies lead the art and design industry?
Where are technology changes showing up in art and design?
How is the market structured between dealers and auctions?
How do collectors research purchases in the 2025–2026 period?
Cite This Report
This report is designed to be cited. We maintain stable URLs and versioned verification dates. Copy the format appropriate for your publication below.
Samuel Norberg. (2026, November 11). Art And Design Industry Statistics. Gitnux. https://gitnux.org/art-and-design-industry-statistics
Samuel Norberg. "Art And Design Industry Statistics." Gitnux, 11 Nov 2026, https://gitnux.org/art-and-design-industry-statistics.
Samuel Norberg. 2026. "Art And Design Industry Statistics." Gitnux. https://gitnux.org/art-and-design-industry-statistics.
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