Commissioned Research
Top 10 Best Album Distribution Services of 2026

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Top 10 Best Album Distribution Services of 2026

Compare album distribution services for rights, pricing, and release setup, with entries covering ONErpm, CD Baby, and DistroKid for labels and artists.

21 min readUpdated Editorially scoped research
How we ranked these tools
01Editorial Scope

Vendors set the topic, but our editors set the inclusion criteria and the evaluation framework before research starts.

02Source Research

AI search agents find sources, extract figures with provenance, and aggregate written reviews. They also transcribe video reviews and podcasts.

Read our full methodology →

Framework: Features 40% · Ease 30% · Value 30%

Gitnux may earn a commission through links on this page — this does not influence rankings. Editorial policy

Album distribution services control how masters get ingested into digital storefronts, how metadata follows a data model, and how release delivery is scheduled through provider workflows. This comparison helps independent artists and labels weigh cost structures, catalog controls, and publishing add-ons by focusing on the mechanics behind provisioning, integrations, and support for multi-release operations.

ONErpm is the best pick for labels or rights holders who need reliable release workflows and status-based reporting because release and monetization insights track delivery outcomes, while Virgin Music Group is a strong alternative for label teams that want coordinated digital and physical release provisioning since the assets and timing requirements stay aligned.

Editor’s top 3 picks

Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.

Editor pick
1

ONErpm

Release and monetization reporting tied to distribution status helps album teams monitor delivery outcomes.

Best for: Fits when labels or rights holders need release workflows, metadata handling, and delivery reporting.

2

CD Baby

Editor pick

Release submission supports a single album package that can drive coordinated digital delivery and physical distribution.

Best for: Fits when album teams need one coordinated workflow for digital delivery and physical availability.

3

DistroKid

Editor pick

Track-level release metadata plus variant handling in one submission workflow reduces rework.

Best for: Fits when small teams need repeatable album distribution submissions across identities.

Comparison Table

1
ONErpmBest overall
specialist
9.5/10
Overall
2
specialist
8.7/10
Overall
3
specialist
8.6/10
Overall
4
specialist
8.4/10
Overall
5
specialist
8.3/10
Overall
6
enterprise_vendor
7.9/10
Overall
7
specialist
7.5/10
Overall
8
specialist
7.3/10
Overall
9
enterprise_vendor
6.8/10
Overall
10
specialist
6.6/10
Overall
#1

ONErpm

specialist

Music distribution and data analytics platform serving independent artists and labels.

9.5/10
Overall
Features9.5/10
Ease of Use9.5/10
Value9.5/10
Standout feature

Release and monetization reporting tied to distribution status helps album teams monitor delivery outcomes.

ONErpm is a strong fit when album distribution work needs consistent release delivery operations, because it centers around artwork and metadata readiness for streaming and download ingestion. It supports workflows for coordinated album release submissions, catalog onboarding after a distribution arrangement change, and recurring release operations for regular schedules. Delivery outcomes include coordinated submission for music distribution channels and operational reporting tied to releases.

A key tradeoff is that album teams relying on deep custom workflows for metadata fields often need to align their processes to ONErpm’s submission and delivery structure. Label and rights-holder teams usually see the most day-to-day value when migrating an existing catalog to continue distribution while preserving release handling continuity.

Pros
  • +Album workflows emphasize artwork and release metadata readiness before delivery
  • +Supports catalog moves for rights holders changing distribution arrangements
  • +Recurring release operations help small labels keep steady submission cadence
  • +Release and monetization reporting supports delivery and sales outcome tracking
Cons
  • –Teams with highly customized metadata processes may need process alignment
  • –Operational reporting depth can be less granular for teams expecting field-level analytics
Use scenarios
  • Label release operations teams

    Coordinating a new album rollout

    Coordinated submission for distribution

  • Catalog onboarding managers

    Transferring an existing catalog

    Continued distribution through new workflow

Show 2 more scenarios
  • Independent label teams

    Managing repeatable single releases

    More consistent delivery across releases

    Artists and small labels use repeatable release operations to keep preparation consistent across schedules.

  • Revenue operations analysts

    Reviewing release performance and delivery

    Operational and monetization visibility

    Teams review release and monetization reporting to follow distribution status and sales outcomes.

Best for: Fits when labels or rights holders need release workflows, metadata handling, and delivery reporting.

#2

CD Baby

specialist

Music distribution and publishing administration owned by Downtown Music Holdings.

8.7/10
Overall
Features8.7/10
Ease of Use8.7/10
Value8.7/10
Standout feature

Release submission supports a single album package that can drive coordinated digital delivery and physical distribution.

CD Baby supports delivering a packaged release that includes mastered audio, artwork, and release metadata for streaming platform delivery and download-store delivery. Distribution progress monitoring helps artists and release administrators track submission stages and address delays, corrections, and redelivery needs. The addition of a physical distribution option lets album teams coordinate physical and digital release activities around one album workflow.

A practical tradeoff is that coordinated releases across multiple artists require careful credit and identifier prep before submission. CD Baby fits best when a release manager wants one operational workflow for album artwork and audio master delivery, plus ongoing tracking for common post-release actions.

Pros
  • +Package-based submissions bundle audio, artwork, and release metadata
  • +Physical distribution option complements streaming and download storefront delivery
  • +Submission stage monitoring supports follow-up on delays and takedowns
  • +Workflow helps organize credits and identifiers across multiple artists
Cons
  • –Multi-artist coordination demands tighter internal metadata preparation discipline
  • –Physical distribution adds extra logistics steps beyond digital-only releases
Use scenarios
  • Independent artists releasing albums

    Submit a complete album package

    Packaged release reaches storefronts

  • Release administrators tracking ingestion

    Follow submission stages and delays

    Faster post-submit remediation

Show 2 more scenarios
  • Small labels with multi-artist rosters

    Coordinate releases for several artists

    Catalog work stays organized

    Managers organize album packages, credits, and identifiers across multiple ongoing distribution projects.

  • Independent teams planning physical releases

    Coordinate physical and digital activities

    One release plan covers both formats

    Teams coordinate a single album workflow that covers digital delivery and physical distribution availability.

Best for: Fits when album teams need one coordinated workflow for digital delivery and physical availability.

#3

DistroKid

specialist

Flat-fee digital music distribution to streaming platforms for independent artists.

8.6/10
Overall
Features8.6/10
Ease of Use8.6/10
Value8.6/10
Standout feature

Track-level release metadata plus variant handling in one submission workflow reduces rework.

DistroKid works well when album distribution operations depend on repeatable submissions that bundle audio assets and metadata into one release workflow. Artists and small teams can package a multi-track album with artwork and track-level details for streaming platform delivery in a single intake motion. The workflow also fits situations where audio delivery needs to align with separate music video promotion coordination. Managers who oversee multiple identities can apply the same distribution process across several catalog streams without changing the core operational steps.

A key tradeoff is that governance depth is oriented toward release throughput, not toward granular studio approvals or audit-heavy RBAC design. The workflow works best when the team can enforce consistent naming, artwork readiness, and release metadata quality before submission. It is also a fit when hip hop artists need consistent handling of explicit variants, mixed versions, and sequel-style followups.

Pros
  • +Album submission workflow keeps audio and metadata intake in one operation
  • +Supports consistent handling of multiple artist identities with shared steps
  • +Variant-focused release organization helps manage mixes and explicit versions
  • +Works smoothly for audio-led campaigns where video promotion runs separately
Cons
  • –Limited governance depth for organizations needing complex approval workflows
  • –Release quality depends heavily on disciplined pre-submission metadata preparation
  • –Does not target heavy label operations that require deep internal control layers
  • –Variant management still requires careful configuration per release
Use scenarios
  • Independent recording artists

    Submit multi-track album in one workflow

    Album gets prepared for digital delivery

  • Small music marketing teams

    Coordinate audio delivery with video rollout

    Audio release stays aligned with campaigns

Show 2 more scenarios
  • Managers and curators

    Run multiple artist projects consistently

    Several release streams stay organized

    Curators apply the same distribution workflow to several artist identities with repeatable submission steps.

  • Hip hop artists and producers

    Manage explicit and mixed variants

    Catalog versions maintain consistent details

    Producers submit sequels and multiple mixes with consistent release information across variants.

Best for: Fits when small teams need repeatable album distribution submissions across identities.

#4

LANDR

specialist

Audio mastering and music distribution service for independent creators.

8.4/10
Overall
Features8.4/10
Ease of Use8.5/10
Value8.3/10
Standout feature

An end-to-end album handoff workflow links audio readiness to release packaging and delivery submission.

LANDR pairs album distribution with an integrated workflow for preparing masters, packaging release assets, and submitting release details for streaming platform delivery. It is distinct for bundling release handoff prep around audio finishing and release readiness, which reduces back-and-forth when moving from a finished master to DSP delivery.

Pros
  • +Release packaging workflow ties master readiness to DSP submission steps
  • +Strong support for album and multi-track release handoff preparation
  • +Update path supports correcting delivered release details
  • +Artwork and contributor-credit collection fits typical small-label operations
Cons
  • –Finishing and prep steps can add workflow time for users only distributing
  • –Audit-style governance controls for multi-user teams appear limited
Use scenarios
  • Independent artists

    Prepare a single album release

    Release package prepared for delivery

  • Producer teams

    Assemble multi-track album masters

    Masters packaged for release handoff

Show 2 more scenarios
  • Small labels

    Correct information after submission

    Updated release details submitted

    LANDR supports updating release metadata after an initial submission through its distribution workflow.

  • Artists and producers

    Compare mastering directions

    Selected master for release

    LANDR supports auditioning versions and selecting a final master that matches the intended sound.

Best for: Fits when independent teams need a guided album distribution package and correction workflow.

#5

TuneCore

specialist

Per-release and subscription-based music distribution to digital stores.

8.3/10
Overall
Features8.3/10
Ease of Use8.3/10
Value8.3/10
Standout feature

Managed catalog workflow lets back-catalog and new releases stay in one submission and status view.

TuneCore delivers album distribution by taking finished masters and release details and pushing them through digital service provider ingestion for streaming and download storefronts. Album artwork and release metadata handling support DSP delivery workflows, including submission status tracking through the process. TuneCore also supports catalog-style work by letting artists and labels bundle older recordings and newer releases in a managed submission flow.

Pros
  • +Clear release status tracking for delivery progression across DSP submission steps
  • +Catalog workflow supports organizing older recordings alongside new album releases
  • +Submission package expects masters, artwork, and release details in one workflow
  • +Scheduling tools help coordinate recurring release dates for frequent drops
Cons
  • –Governance and role control options are not described in a way that fits teams needing RBAC
  • –Complex multi-territory release planning can demand careful manual preparation of metadata
Use scenarios
  • Independent album artists

    Submit a finished album for DSP delivery

    Release delivery status is visible

  • Small labels managing catalogs

    Bring older recordings into distribution

    Catalog items share one workflow

Show 2 more scenarios
  • Artist teams running multiple releases

    Track submission delivery across services

    Clear delivery progression view

    Submission progress and catalog status remain visible as releases move through delivery.

  • Recurring release producers

    Plan scheduled album release rollouts

    More organized rollout planning

    Coordinated submission timing supports consistent release dates for regular album drops.

Best for: Fits when independent teams need delivery tracking and catalog organization across frequent album drops.

#6

Virgin Music Group

enterprise_vendor

Global independent music distribution and label services division of Universal Music Group.

7.9/10
Overall
Features7.9/10
Ease of Use7.9/10
Value7.9/10
Standout feature

Coordinated release provisioning that ties digital delivery assets to physical distribution timing and requirements.

Virgin Music Group supports album distribution with both digital and physical pathways, pairing release delivery with rights and catalog operations for artists and labels. The work centers on getting masters and release assets into distributor ingestion workflows while coordinating required metadata fields for stores and print partners.

Pros
  • +Handles both digital delivery and physical distribution workflows
  • +Release administration supports label-style ongoing catalog work
  • +Submission process aligns required assets and metadata for ingestion
  • +Clear governance around release setup and rollout controls
Cons
  • –Metadata preparation requires disciplined inputs for smooth ingestion
  • –Physical distribution adds lead time management overhead
  • –Automation surface is limited compared with API-first distributors
  • –Advanced routing and exceptions often depend on support coordination
Use scenarios
  • Independent label ops teams

    Manage quarterly album release batches

    Fewer missed submissions

  • Artist management teams

    Plan multi-format album rollouts

    On-time multi-format release

Show 1 more scenario
  • Rights and catalog coordinators

    Maintain ongoing catalog governance

    More consistent catalog handling

    Coordinators keep release setup consistent across updates and future album drops.

Best for: Fits when label teams need consistent release ops across digital and physical catalogs.

#7

Amuse

specialist

Mobile-first music distribution service with data-driven artist development.

7.5/10
Overall
Features7.5/10
Ease of Use7.4/10
Value7.6/10
Standout feature

Release readiness and asset validation in the same guided flow as album submission.

Amuse is an album distribution service built around a guided, release-centric submission flow that reduces missing-field issues during setup. Its core capabilities focus on packaging album assets for DSP delivery, handling identifiers and track metadata needed for ingestion, and providing release-level monitoring for royalty activity. The workflow emphasizes centralized album details, artwork coordination, and scheduled release readiness so small teams can ship without stitching together multiple tools.

Pros
  • +Guided album submission keeps release details centralized
  • +Release-level monitoring surfaces royalty-linked activity in one place
  • +Workflow supports coordinated album packaging with track and artwork data
  • +Checks for release readiness reduce downstream ingestion friction
Cons
  • –Advanced label governance and RBAC controls are limited
  • –Complex catalog migrations can require extra manual preparation
Use scenarios
  • Solo artists and small release teams

    Submit a full album for DSP delivery

    Coordinated album submission packaging

  • Independent producers

    Deliver a single with guided release fields

    Fewer submission field gaps

Show 2 more scenarios
  • Label coordinators

    Validate masters, identifiers, and metadata before sending

    More reliable digital ingestion

    Teams review audio masters, artwork requirements, and ingestion-ready metadata in the pre-delivery step.

  • Artists and managers

    Track royalty-linked activity across releases

    Consolidated release-linked visibility

    Operators review earnings-related activity through account reporting tied to active releases.

Best for: Fits when solo artists and small teams need controlled album delivery without heavy operations overhead.

#8

Record Union

specialist

Stockholm-based music distribution platform for independent artists.

7.3/10
Overall
Features7.3/10
Ease of Use7.3/10
Value7.3/10
Standout feature

Release workflow that keeps asset submission, artwork intake, and delivery status in a single admin path.

Record Union delivers album distribution through a release workflow that ties audio delivery, artwork handling, and release metadata submission into one admin surface. The service is geared toward teams that need distributor network coordination, plus visibility into delivery status across digital storefronts and downstream ingestion.

Pros
  • +Release-centric workflow keeps audio, artwork, and metadata aligned
  • +Physical distribution support fits labels coordinating physical and digital together
  • +Delivery status tracking reduces uncertainty during DSP ingestion windows
  • +Admin processes work for multi-artist release schedules
Cons
  • –Governance and automation depth are limited for high-volume label ops
  • –Metadata handling can require careful pre-formatting to avoid delays
  • –Physical fulfillment timelines add project-management overhead
  • –Integration depth beyond the core admin workflow feels constrained
Use scenarios
  • Independent label A&R teams

    Schedule multi-artist album releases

    Fewer internal handoffs

  • Digital-first artist managers

    Track DSP ingestion readiness

    More predictable release timing

Show 2 more scenarios
  • Indie labels planning physical runs

    Pair physical and streaming fulfillment

    One project plan

    Labels manage physical execution with the same release process used for digital distribution.

  • Operations managers at labels

    Centralize release provisioning

    More controlled throughput

    Operations teams standardize asset intake and submission steps across multiple projects for consistency.

Best for: Fits when independent labels need coordinated digital plus physical delivery with structured release admin.

#9

Believe

enterprise_vendor

Publicly traded global digital music distribution and artist development company.

6.8/10
Overall
Features6.8/10
Ease of Use6.8/10
Value6.8/10
Standout feature

Hybrid album handling that pairs digital delivery workflows with physical distribution execution under one release plan.

Believe delivers album distribution to digital stores and streaming services while coordinating release delivery workflows for artists and labels. The service is distinct for combining worldwide distribution coverage with label-facing support around rights workflows and release readiness tasks.

Pros
  • +Strong coverage for album releases across major streaming platforms
  • +Label-oriented release support that fits recurring catalog operations
  • +Physical distribution handling for releases that need physical formats
  • +Clear release asset intake for artwork and audio master preparation
Cons
  • –Automation and API depth are not as transparent as specialist aggregators
  • –Metadata requirements can add overhead for complex multi-territory plans
  • –Governance controls for large teams are less apparent than in enterprise systems
  • –Workflow changes sometimes require guidance to avoid ingestion issues
Use scenarios
  • Independent label managers

    Recurring catalog album drops

    More consistent release timing

  • Artist teams with physical goals

    Digital plus CD or vinyl rollout

    Unified album launch

Show 1 more scenario
  • Rights and operations coordinators

    Rights-aware release preparation

    Fewer readiness blockers

    Support processes align release readiness tasks with rights and catalog handling needs.

Best for: Fits when labels need reliable worldwide album delivery plus optional physical distribution support.

#10

RouteNote

specialist

Free and premium music distribution to digital streaming platforms.

6.6/10
Overall
Features6.6/10
Ease of Use6.7/10
Value6.5/10
Standout feature

Catalog onboarding that moves existing releases into an ongoing release management workflow.

RouteNote fits independent artists and labels that need album distribution with a repeatable release workflow for coordinated streaming and download delivery. The service supports planning album track lists and release timing, then routing the deliverables through a single submission flow that covers artwork, metadata, and release scheduling.

Pros
  • +Album campaign workflow ties artwork, metadata, and timing into one submission
  • +Catalog onboarding reduces repeat setup for existing releases
  • +Single process supports both singles and full albums deliveries
  • +Admin experience is usable for small release teams and managers
Cons
  • –Collaboration and governance controls are limited for complex label structures
  • –Release configuration requires careful metadata discipline to avoid rework
Use scenarios
  • Independent labels and artists

    Launch an album release campaign

    Album enters coordinated delivery process

  • Independent solo artists

    Distribute a new single quickly

    Single routes to streaming and downloads

Show 2 more scenarios
  • Catalog managers and labels

    Onboard an existing distributed catalog

    Existing releases tracked in one workflow

    Labels consolidate previously delivered releases into an ongoing release management process.

  • Small release teams

    Manage recurring catalog drops

    Less repeated manual coordination

    Teams repeat release preparation while maintaining multiple submissions within a single workflow.

Best for: Fits when small labels need repeatable album release delivery and catalog upkeep.

Conclusion

After evaluating 10 album distribution, ONErpm stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.

Our Top Pick
ONErpm

Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.

Frequently Asked Questions About Album Distribution

How do album distributors handle release-ready packaging for DSP delivery?
CD Baby packages mastered audio, album artwork, and release metadata into a single submission workflow for streaming and download storefront ingestion. LANDR ties the distribution handoff to an album preparation workflow, then routes the packaged release details into DSP delivery steps that support correction rounds after submission.
Which services support integrating album delivery workflows with existing catalog operations?
TuneCore and RouteNote both support ongoing catalog workflows so teams can keep older recordings and new releases in a consolidated submission process instead of rebuilding setup for each campaign. ONErpm also supports ongoing operations for existing catalogs alongside release packaging and delivery status tracking.
When does metadata quality become the bottleneck, and what breaks if track details are inconsistent?
DistroKid uses track-level release metadata in its submission workflow, so inconsistent track entries or contributor details can force rework before ingestion completes across stores. Record Union and Believe both center release-level asset and metadata submission workflows, so mismatches between album details and track-level fields tend to delay corrections until the distributor updates ingestion-ready packaging.
How do distributors manage artwork handling and cover-art requirements across a multi-store rollout?
Amuse uses a guided, release-centric submission flow that reduces missing-field issues when album artwork and album details must stay aligned before delivery submission. CD Baby and TuneCore both track submission stages, which helps teams follow up on corrections or re-submissions when artwork intake or store-facing artwork requirements do not match ingestion expectations.
Which providers support physical distribution execution alongside digital delivery?
Believe pairs worldwide digital distribution workflows with optional physical distribution execution for releases that include physical formats. CD Baby and Record Union also support physical distribution alongside coordinated digital delivery so the same album package can drive both storefront availability and manufacturing or shipping steps.
What onboarding workflow works best for small teams that need fewer admin handoffs?
Amuse and LANDR both focus on guided album submission flows that keep release details centralized from asset intake to delivery packaging, reducing the need for cross-tool stitching. DistroKid serves small teams with a repeatable digital submission workflow, but it leans more on operational discipline for managing multiple identities and variant releases.
How do distributors handle release date scheduling and territory restrictions in the delivery workflow?
RouteNote supports release timing planning and routing through a single submission flow that includes release scheduling as part of ongoing catalog management. Virgin Music Group focuses on coordinated release provisioning and governance, so territory rollout and format timing are handled through release setup that governs how digital and physical roll out across regions.
What security and admin controls exist for teams that manage multiple releases or identities?
DistroKid emphasizes admin controls around managing release streams and submission discipline across identities rather than enterprise-style approval flows. Record Union centers release-level provisioning and governance in a single admin surface so teams can manage multiple assets and schedules with visibility into delivery status across downstream storefronts.
How do services support data migration when moving an existing catalog into a new distribution workflow?
RouteNote and TuneCore both support catalog onboarding workflows so teams can consolidate existing releases into an ongoing release management process. ONErpm supports ongoing operations for existing catalogs with release delivery workflows and status or monetization reporting tied to distribution outcomes.

Tools reviewed

Primary sources checked during evaluation.

Referenced in the comparison table and product reviews above.

How to Choose the Right Album Distribution

What separates album distribution options is how they handle catalog control and delivery reliability. In practice, we compare Integration depth, API and automation surface, and Admin and governance controls so you can distribute releases without surprises.

Integration depth with your release workflow

Why it matters

Integration depth matters when your team already runs tasks in other tools. If this support is shallow, album distribution work turns into manual copy-paste and rework.

How to check

On a demo, ask how the tool accepts release inputs and pushes status back to your workflow. If they support an import or template-based setup, request an example file and verify required fields are clear.

API and automation surface for updates

Why it matters

API and automation surface matters when you correct mistakes fast or handle frequent releases. With stronger automation, updates can flow without waiting on a dashboard-only process.

How to check

Ask to see API endpoints or a sandbox workflow, then describe what can be created, updated, and queried. Confirm whether automated status polling exists, and request sample requests or documentation screenshots.

Admin and governance controls for teams

Why it matters

Admin and governance controls matter once more than one person touches deliveries. Clear permissions and auditability reduce the risk of sending the wrong version of an album.

How to check

Request a role setup demo and ask what actions each role can perform, especially around release submission and changes. Check whether they show a visible history of key changes in the release record.

Delivery status visibility by release stage

Why it matters

Delivery status visibility by release stage matters because distribution is not one step. When visibility is detailed, you can troubleshoot delays instead of waiting blindly.

How to check

During evaluation, view a test release and confirm there are distinct, understandable stages. Ask how long each stage typically takes and whether the tool surfaces actionable messages when something fails.

Change management for late album edits

Why it matters

Change management for late album edits matters when masters or tracklists shift close to submission. The better the rules and versioning, the less likely you are to publish inconsistent information.

How to check

Ask what happens if you edit after submission: what changes are allowed and how the new version is tracked. In a demo, simulate a metadata change and confirm whether the tool shows what downstream services receive.

Preflight checks before distribution

Why it matters

Preflight checks help prevent avoidable failures in album distribution by catching missing or invalid inputs early. This protects release timelines when you have many assets to coordinate.

How to check

Try a sample submission flow and note the kinds of issues the system flags before final confirmation. Ask whether warnings can be reviewed as a checklist and whether the tool blocks submission on critical errors.

Red flags

  • Status pages that only say “processing” without stages
  • Late edits that get silently accepted without version clarity
  • A dashboard-only workflow with no real API or automation

Fit by situation

  • If our releases need frequent corrections after submission, prioritize Change management for late album edits.
  • If multiple people handle submissions, prioritize Admin and governance controls for teams.
  • If our team wants programmatic workflows, prioritize API and automation surface for updates.
Commissioned Research

Funding and competing interests

This study was co-funded by several of the vendors assessed in it. No single vendor funded it. Funders could propose the market studied.

They had no role in selecting vendors, setting or weighting criteria, analysing data or drawing conclusions, and they received the same factual-accuracy check as every other vendor assessed.

Market definition, inclusion rules and criteria weights were fixed by an editor before research began and did not change afterwards. Editorial process →

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