GITNUXSOFTWARE ADVICE
Music And AudioTop 10 Best Vision Mixing Software of 2026
Top 10 vision mixing software ranked for live production, comparing vMix, Resolume Arena, and encoder workflows with Streamlabs and Ecamm Live.
How we ranked these tools
Core product claims cross-referenced against official documentation, changelogs, and independent technical reviews.
Analyzed video reviews and hundreds of written evaluations to capture real-world user experiences with each tool.
AI persona simulations modeled how different user types would experience each tool across common use cases and workflows.
Final rankings reviewed and approved by our editorial team with authority to override AI-generated scores based on domain expertise.
Score: Features 40% · Ease 30% · Value 30%
Gitnux may earn a commission through links on this page — this does not influence rankings. Editorial policy
Streamlabs Desktop is the best choice for a single operator who needs dependable scene automation for streaming shows, while Switcher Studio fits small teams that want quick iOS-based switching for live sessions with overlays, and if budget is tight OBS Studio is the free entry that still delivers fast scene switching for streaming and recording.
Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
Streamlabs Desktop
Overlay and transition authoring centered on Streamlabs scenes, with alert-driven streaming polish.
Built for fits when a single operator needs reliable scene automation for streaming shows..
Ecamm Live
Editor pickMacro-driven show automation that triggers scene-linked actions across graphics and playback without scripting.
Built for fits when a single operator needs show automation and fast scene control during live streams..
Switcher Studio
Editor pickMobile-first control paired with scene recall lets operators change program quickly during scripted segments.
Built for fits when a small team needs fast scene switching for live streams with overlays..
Comparison Table
Streamlabs Desktop
SMBDesktop live streaming software with scene switching, overlays, alerts, and multistream-focused workflows.
Overlay and transition authoring centered on Streamlabs scenes, with alert-driven streaming polish.
Streamlabs Desktop treats scenes as the primary control unit and supports layered overlays, keying, and transitions for quick cut-to-cut production. The software also includes tools for multiview-style monitoring, plus audio mixing with routing, so program and preview adjustments can happen without separate mixer hardware. Integration is strongest around streaming-oriented workflows like encoder setup and overlay-driven stream states, while deeper automation hooks for synchronized multi-device control are limited.
A key tradeoff is that Streamlabs Desktop focuses on streaming production ergonomics rather than the multi-layer M/E stack style of pro vision mixers. It works well for single-operator shows with recurring graphics and light keying, such as podcast-style streams or small esports events that rely on scenes, not chained bus routing. It can struggle in productions that require deterministic, scriptable scene state changes driven by external systems across many control points.
- +Scene-first editor with layered overlays and fast transitions
- +Built-in chroma key and luma-style keying for overlay compositing
- +Audio mixer routing tailored to streaming workflows
- +Supports simultaneous streaming output and local recording
- –Limited extensibility for complex external control of mixer states
- –Vision-mixing routing is less granular than pro multi-bus systems
- –Network ingestion options can be workflow dependent and less unified
- –More advanced broadcast stacks often need add-on tooling
Live-stream creators
Scene-driven show with recurring graphics
Less switching friction
Small esports teams
Capture gameplay and add keyed overlays
Faster production cadence
Show 2 more scenarios
Podcast stream operators
Multi-source talk show routing
Cleaner on-air audio
Scenes support camera, microphones, and lower-third-style text layouts in one workflow.
Event content teams
Stream plus local recording
Reduced reshoot risk
The same production session can generate streaming output and capture for later edits.
Best for: Fits when a single operator needs reliable scene automation for streaming shows.
Ecamm Live
SMBMac live streaming and production software with scene switching, overlays, guests, and recording.
Macro-driven show automation that triggers scene-linked actions across graphics and playback without scripting.
Ecamm Live is a practical choice when a single operator needs to manage sources, lower-thirds, and transitions while also handling streaming destinations without switching tools. The workflow centers on scenes, overlays, and a control surface that can drive media playback and live camera inputs. For teams producing consistent shows, macros let recurring actions run from one gesture during a session.
A key tradeoff is that Ecamm Live is less suited for large multi-station master control with distributed redundancy and deep hardware routing. It fits situations like webinar hosts and small production teams that need fast scene changes, call handling, and repeatable stinger transitions during live broadcasts.
- +Scene-centric workflow with quick switching and layered overlays
- +Macro automation for repeatable transitions and graphics triggers
- +Call and collaboration integrations designed for live hosts
- +Preview controls for timing overlays before going live
- –Scaling to large multi-user control rooms is limited
- –Advanced hardware routing and device matrix depth are constrained
- –Some multi-cam studio workflows need extra external tools
- –Complex show logic can become macro-heavy for large runbooks
Independent creators
Weekly livestream with consistent segments
Fewer manual errors during shows
Webinar hosts
Guest call plus on-screen graphics
Cleaner guest transitions
Show 2 more scenarios
Small production teams
Multi-source show on one workstation
Faster re-takes and edits
Operators manage cameras, media playback, and preview timing in a single interface during broadcasts.
Training teams
Recorded sessions with controlled overlays
More uniform training videos
Repeatable scene setups keep instructors aligned while overlays and playback run consistently.
Best for: Fits when a single operator needs show automation and fast scene control during live streams.
Switcher Studio
vertical specialistiOS-based multi-camera video production platform that syncs multiple iPhones and iPads as live video sources.
Mobile-first control paired with scene recall lets operators change program quickly during scripted segments.
Switcher Studio centers on scene-based mixing where sources, transitions, and overlays are arranged into reusable layouts. Operations commonly use the software’s media library for lower-thirds and stingers, then apply automated transition timing during production. Live monitoring supports preview and program behavior, which reduces guesswork during camera and graphic changes.
A key tradeoff is that advanced multichannel studio control depends on how sources and switching control are integrated rather than a deep, granular M/E stack. Switcher Studio fits best when a lean team needs reliable program output with fast scene recall, such as livestreams with scripted segments and frequent graphic updates.
- +Scene-based workflow supports fast graphic and transition recall
- +Mobile-friendly control reduces operator bottlenecks during live switching
- +Chroma key and overlays work directly in the mixing workflow
- +Live monitoring separates preview and program changes cleanly
- –Advanced multirack M/E chaining is limited versus pro switching consoles
- –Source integration depends on compatible ingest and routing configuration
- –Encoder workflow flexibility can require extra setup for complex outputs
- –Automation depth for multi-operator roles is less granular than larger systems
Church livestream teams
Frequent lower-thirds and stinger transitions
Fewer mistakes during segment changes
Podcast video producers
Single-operator program switching
More consistent on-air delivery
Show 2 more scenarios
Event operations staff
Live streaming with scripted graphics
On-time graphics throughout the event
Operators run timed scene changes for sponsors and overlays while monitoring preview versus program.
Small broadcast crews
PTZ control from a compact workflow
Lower overhead than multi-seat studios
Crews coordinate camera switching and live overlays from a streamlined control setup.
Best for: Fits when a small team needs fast scene switching for live streams with overlays.
vMix Call
vertical specialistBrowser-based remote guest input system built for vMix live production workflows.
Call-linked guest streams can be routed into vMix program and preview for immediate mixing with standard effects.
vMix Call focuses on adding real-time remote guests into a vMix production workflow, using a built-in calling and AV ingest path tied to vMix scene control. It supports bringing remote audio and video into the program or preview bus so the live mix can apply downstream keying, transitions, and layout logic.
The product is also notable for treating remote participants as inputs that can be managed alongside local capture sources during live operation. Strong integration with vMix’s control surface and routing makes it practical for multi-source studios without separate video-conference switching.
- +Remote call audio and video enter the vMix routing flow
- +Scene control lets program and preview layouts include guests
- +Audio-follow-video style mixing works with standard vMix mixing
- +Supports live transitions and overlays on top of guest streams
- –Remote participant control depends on call setup rather than freeform automation
- –Advanced governance like RBAC and audit logs are not vMix-native concepts
- –Quality is sensitive to network conditions compared with local capture
- –Encoder and ingest tuning options can feel limited versus bespoke pipelines
Best for: Fits when live shows need remote guest ingest controlled inside vMix scenes and transitions.
OBS Studio
SMBFree open source video production software for scene switching, live streaming, and recording.
Replay Buffer keeps the last moments from the mixed output for instant retroactive recording without rebuilding scenes.
OBS Studio can function as a vision mixer by composing multiple video sources into a program output with transitions, overlays, and real-time audio routing. Its core engine supports scene and source graphs, built-in DSK-style overlay behavior, and flexible mixing via filters on inputs.
For live production, OBS also supports NDI transport, SRT ingress, and encoder workflows that send the mixed program to streaming destinations or local recording. Compared with dedicated playout-first vision mixers, OBS relies more on plugins and browser sources for advanced control surfaces and automation hooks.
- +Scene graph mixing supports per-source filters and timed transitions
- +NDI transport and SRT ingress cover common ingest and contribution paths
- +Browser Source enables UI overlays from external web tooling
- +Replay Buffer and ISO recording support quick save-and-recover workflows
- –State management across scenes can become complex at scale
- –PTZ control and tally management are limited without external integrations
- –Hardware-control workflows often need extra software or OBS plugins
- –High channel counts can stress GPU and memory in large layouts
Best for: Fits when a single operator needs fast scene switching for live streaming and recording.
YoloLiv Instream
vertical specialistWeb-based live studio software for multi-stream production, scene control, guest management, and branded layouts.
Remote production control that couples camera source state with show switching and streaming output control in one workflow.
YoloLiv Instream is designed for live vision mixing where control must stay consistent across camera sources and streaming output targets. The tool concentrates switching actions, scene selection, and transition behavior into one operational flow that supports remote operation. It is most effective when production depends on predictable show sequencing rather than deep, custom signal-routing experiments.
Capability depth aligns more with lightweight production control than with large M E stacking use cases. Teams that need granular keying chains, complex preview and program bus logic, or encoder workflow scripting will hit limits sooner than with desktop-first mixers. The best results come from standardized source setups that map cleanly into the Instream workflow model.
- +Control workflow matches common multi-camera live production operations
- +Remote operation support reduces on-site staffing pressure for production crews
- +Scene and transition control is practical for repeatable show formats
- +Output configuration is oriented toward streaming destination workflows
- –Advanced switching and bus routing options are limited versus pro M/E workflows
- –Complex pipelines can require setup discipline across camera and output states
- –Automation hooks for third-party systems are less extensive than encoder-centric toolchains
- –Extensibility for niche routing and custom overlays is narrower than desktop mixers
Best for: Fits when crews need remote, repeatable switching tied to YoloLiv camera and streaming workflows.
StreamYard
SMBBrowser-based live video studio for mixing camera feeds, screen shares, and guest participants into a single broadcast.
Guest-to-studio link onboarding with operator-controlled scene layout reduces the need for manual source management.
StreamYard is a browser-based live production tool that focuses on multi-guest on-camera workflows with layout automation. It provides a program and preview workflow for streaming destinations, with built-in moderation for guest audio and video sources.
The session model centers on web-managed studios where presenters join via links, and the output is generated from configured scenes and overlays. Compared with vision mixing tools built around SDI or deck control, StreamYard emphasizes fast setup for remote shows and operator-ready studio layouts.
- +Browser studio links reduce setup time for remote guests
- +Live layout switching supports consistent program framing
- +Built-in audio controls help keep guest levels stable
- +Scene overlays and lower-third style elements are quick to update
- –Limited deep hardware I/O compared with SDI-first mixers
- –Advanced tally, GPI closure, and external control integration is constrained
- –Macro automation and programmable logic are less extensive than pro mixers
- –Multi-bus routing depth is thinner for complex M/E workflows
Best for: Fits when remote presenters need predictable studio layouts and fast scene control for streamed output.
Restream Studio
SMBCloud-based live production studio with multi-camera layout mixing, graphics overlays, and multistream delivery.
Restream graph integration ties inputs and streaming destinations directly into the live mixing workflow.
Restream Studio centers on vision-mixing for live streams built around Restream’s ingest and destination workflow. It provides program and preview routing with scene-like switching, overlays, and audio handling aimed at browser-friendly operation.
The mix focus is on managing sources for broadcast output rather than deep hardware control surfaces. Automation and integration are strongest around Restream’s streaming graph and destination handling, which fits remote production setups.
- +Scene switching with overlays supports fast live rundown changes
- +Browser-first controls reduce friction for remote operators
- +Audio routing stays consistent across streaming destinations
- +Integrates cleanly with Restream ingest and output routing
- –Depth of pro broadcast keys and buses is limited versus vMix-class tools
- –Hardware control surfaces and GPI style closures lack full parity
- –Live graphics extensibility is thinner than dedicated graphics engines
- –Advanced orchestration and automation hooks require ecosystem dependence
Best for: Fits when remote teams need repeatable live mixing with minimal hardware control depth.
CasparCG
enterpriseOpen-source broadcast graphics and video playout server capable of real-time compositing and mixing for professional workflows.
Template and clip commands let external automation drive graphics and playback with deterministic timing across channels.
CasparCG mixes video and graphics by sending play and control commands to the CasparCG server over its messaging interface. It can render templates, run layered keyers, and coordinate multiple channels for live playout.
The core distinction is its command-driven integration model that treats each clip or layer as an externally controllable object. Automation and orchestration are typically done by an external control surface that talks directly to CasparCG.
- +Command-based playout control supports automation and external orchestration
- +Layering and keying enable repeatable graphic workflows across channels
- +Template-driven graphics reduce manual operator work for recurring inserts
- +Multi-channel operation supports program and preview distribution patterns
- –Operational setup relies on correct configuration of channels and services
- –High-tempo show control depends on external systems for robust routing
Best for: Fits when production teams need command-driven graphic playout and show sequencing from external controllers.
Millumin
vertical specialistCreative software for live audiovisual performance with multi-layer video mixing, mapping, and interactive controls.
Scene graph style compositing driven by a timeline that keeps program layout and motion graphics synchronized.
Millumin targets live vision mixing crews that need a timeline-first workflow and a graphics engine built for real-time playback. It combines video playback, keying, and layout control in a node-like mixing scene model, with automation hooks for repeatable shows.
The software supports multi-screen outputs and operator-friendly previewing so the program and preview bus can be managed during rehearsals. For integration, it offers extensibility through scripting, device control, and the broader ecosystem around media transport and hardware control surfaces.
- +Timeline and scene layering support repeatable playback sequences for live shows
- +Scene-level keying and compositing controls reduce dependency on external mixers
- +Real-time layout editing helps operators adjust multiviewer layouts quickly
- +Scripting and external control inputs support show-specific automation routines
- –Live ingest and routing integrations can require careful upstream planning
- –Hardware control surface mapping needs setup time for each show configuration
- –Large multi-operator workflows may hit limits without disciplined operator roles
- –Advanced broadcast-style processing often needs external tools in the pipeline
Best for: Fits when live graphics teams need timeline-driven scenes with compositing control and repeatable automation.
Conclusion
After evaluating 10 music and audio, Streamlabs Desktop stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right vision mixing software
Vision mixing software turns a mixed program and preview workflow into a controllable production surface for live shows, remote guests, and graphics-driven transitions. This guide covers Streamlabs Desktop, Ecamm Live, Switcher Studio, vMix Call, OBS Studio, YoloLiv Instream, StreamYard, Restream Studio, CasparCG, and Millumin.
The differences show up in how each tool models scenes, how it automates transitions, and how far routing and external control can go in a real broadcast flow. Streamlabs Desktop leads with scene-first overlay and transition authoring built around Streamlabs scenes and alert-driven streaming polish. vMix Call is positioned for guest call ingest routed into vMix program and preview for immediate mixing with standard effects.
Vision Mixing Software for Live Program and Preview Control with Scenes, Keys, and Automation
Vision mixing software manages a live program output and a preview bus by combining sources, overlays, keying, and transitions under a repeatable scene workflow. Streamlabs Desktop centers on layered overlays and fast transitions authored around Streamlabs scenes, with chroma and luma-style keying designed for overlay compositing.
Some products also focus on show automation that triggers actions linked to scene changes, such as Ecamm Live macros that run scene-linked actions across graphics and playback without scripting. Other tools emphasize control surfaces and workflow shape, like Switcher Studio scene recall for quick program changes using mobile-friendly control, and OBS Studio replay buffer capture for instant retroactive recording from the mixed output. The net effect is that each tool either keeps the workflow scene-centric for a single operator or shifts complexity to governance and external orchestration for larger production setups.
Vision mixing feature map for scenes, effects, and automation control
Vision mixing software succeeds or fails based on how it models a program and preview workflow as scenes with transitions, keying, and per-source filters. The strongest options keep operators fast during live rundown changes and keep outputs consistent when switching between overlays, guest feeds, and prerecorded elements.
The next set of criteria focuses on automation triggers, routing depth, and integration surfaces. Tools differ sharply on whether automation stays inside scene control or moves outward into external controllers and device-style governance for production rooms.
Scene authoring that matches the operator workflow
Streamlabs Desktop uses a scene-first editor with layered overlays and fast transitions authored around Streamlabs scenes. Millumin uses a timeline-driven scene graph that keeps motion graphics synchronized with repeatable playback sequences.
Automation depth tied to scene changes
Ecamm Live macro automation triggers scene-linked actions across graphics and playback without scripting. CasparCG uses template and clip commands so external automation can drive graphics and playout with deterministic timing across channels.
Guest ingest routed into program and preview
vMix Call links guest streams into vMix program and preview so mixing can include guests inside the scene control flow. StreamYard focuses on guest studio links so remote presenters can produce predictable studio layouts with live layout switching.
Output recording and instant retroactive capture
OBS Studio includes a Replay Buffer that records the mixed output so instant retroactive recording is possible without rebuilding scenes. Streamlabs Desktop prioritizes live scene automation for streaming shows rather than focusing its standout capability on retroactive capture.
Remote production control tied to camera and output states
YoloLiv Instream couples camera source state with show switching and streaming output control in one workflow. Restream Studio connects live inputs and streaming destinations directly into the mixing workflow for remote teams with minimal hardware control depth.
External control and deterministic graphic playout sequencing
CasparCG is command-driven and supports external orchestration using template and clip commands. Streamlabs Desktop emphasizes overlay and transition authoring centered on Streamlabs scenes and alert-driven streaming polish.
Mobile switching and scene recall for live rundown execution
Switcher Studio pairs scene recall with mobile-first control so operators can change program quickly during scripted segments. StreamYard also supports fast scene control but depends more on browser studio link onboarding than mobile switching for scripted rundown speed.
How to choose based on automation philosophy and control depth
The decision starts with whether the show should be driven primarily by internal scene control or by external command and orchestration. Some tools keep transitions, overlays, and guest ingest inside the same scene workflow while others treat the mixer as a command receiver and place sequencing logic outside the software.
The second decision is throughput of live operations. The right choice reduces operator bottlenecks by matching the control surface and automation style to the crew size, remote workflow shape, and how many concurrent sources must stay stable while switching.
Pick internal scene control if one operator runs the show
Choose Streamlabs Desktop when a single operator needs scene-first overlay and transition authoring with built-in chroma and luma-style keying for overlay compositing. Choose Switcher Studio when mobile scene recall must reduce operator bottlenecks during scripted segments.
Pick macro-driven automation when transitions need repeatable triggers
Choose Ecamm Live when macro automation must trigger scene-linked actions across graphics and playback without scripting. Use this path when repeatable show segments depend on consistent timing between scene changes and triggered overlays.
Pick external command-driven playout when orchestration lives off-platform
Choose CasparCG when an external controller must drive template and clip commands with deterministic timing across channels. Use this path when external systems own rundown sequencing and the mixer is expected to execute commands reliably.
Pick guest-centric routing when remote participants must be mixed quickly
Choose vMix Call when guest call audio and video must enter vMix routing so program and preview can include guests inside scene control. Choose StreamYard when predictable studio layout and guest onboarding via browser studio links matters more than pro-style routing depth.
Pick remote show control that couples source state and outputs
Choose YoloLiv Instream when remote production control must couple camera source state with show switching and streaming output control. Choose Restream Studio when minimal hardware control depth is acceptable and remote mixing repeatability matters more than deep multi-bus keying.
Pick timeline-driven compositing when graphics teams own motion synchronization
Choose Millumin when timeline and scene layering must keep program layout and motion graphics synchronized for repeatable live sequences. Use OBS Studio when the show demands flexible scene graphs and timed transitions plus Replay Buffer capture for instant retroactive recording.
Who vision mixing software is built for in live and remote workflows
These tools fit different staffing models and production workflows. Some are built around a single operator driving scenes and transitions while others support external orchestration or remote operations with tighter coupling to inputs and outputs.
The selection below matches common live production roles to concrete capabilities shown in the tool set.
Single-operator streaming shows with layered overlays
Streamlabs Desktop fits operators who need scene-first overlay compositing with chroma and luma-style keying and fast transition execution without leaving the scene workflow.
Live streams that require repeatable show segments without coding
Ecamm Live fits teams that rely on macro automation to trigger scene-linked actions across graphics and playback without scripting.
Small teams running scripted segments with mobile scene recall
Switcher Studio fits crews that must change program quickly while staying on a mobile control surface with scene recall for graphics and transitions.
Remote guests that must be routed into the mixer for immediate mixing
vMix Call fits shows where guest call ingest needs to appear in vMix program and preview so scenes can control how guests are presented.
Graphics-driven live shows that treat timeline as the source of truth
Millumin fits graphics teams that need a timeline-driven scene graph so motion graphics and scene layout stay synchronized for repeatable sequences.
Common vision mixing software pitfalls that break live execution
Most live failures happen when software control scope does not match the show’s operational model. The same scene tools that feel fast in rehearsals can stall during high change rates if automation and routing are mismatched to the number of sources and operators.
These pitfalls focus on concrete limits shown by the tool set and on workflow mismatches that cause rework during live runs.
Assuming deep governance features exist in tools built for single-operator control
vMix Call does not treat RBAC and audit logs as native governance concepts, so multi-user authorization workflows can require external discipline. Streamlabs Desktop also limits extensibility for complex external control of mixer states compared with pro multi-bus systems.
Building a show automation plan that assumes freeform remote control for participants
vMix Call routes remote participant streams into the vMix routing flow but remote participant control depends on call setup rather than freeform automation. StreamYard simplifies guest studio layout and switching but constrains deep external control integration and hardware I/O.
Overloading a single tool when the show needs deterministic external orchestration
Ecamm Live macro automation is strong for scene-linked triggers but scaling to large multi-user control rooms is limited. CasparCG offers command-driven playout for deterministic external orchestration, so placing sequencing logic inside the mixer can be the wrong architecture.
Ignoring state management complexity when using flexible multi-scene workflows
OBS Studio supports per-source filters and timed transitions, but state management across scenes can become complex at scale. Streamlabs Desktop stays more scene-first for overlay compositing, which reduces the chance of cross-scene state drift for simpler shows.
Planning timeline-driven graphics without accounting for upstream ingest and routing dependencies
Millumin’s live ingest and routing integrations can require careful upstream planning so sources must be stable before performance. Switcher Studio also depends on compatible ingest and routing configuration for source integration.
How We Selected and Ranked These Tools
We evaluated Streamlabs Desktop, Ecamm Live, Switcher Studio, vMix Call, OBS Studio, YoloLiv Instream, StreamYard, Restream Studio, CasparCG, and Millumin by prioritizing features at 40%, ease and value at 30% each. We compared how each tool drives program and preview workflows through scene control, including transitions, layered overlays, and keying behaviors stated in the product cards.
We measured automation and integration depth by focusing on whether macros run inside scene changes, whether guest ingest enters program and preview routing, and whether external command control is deterministic. We ranked Streamlabs Desktop highest because its scene-first overlay and transition authoring matches live streaming operation, it includes chroma and luma-style keying built for overlay compositing, and it supports alert-driven streaming polish with top overall and feature scores.
Frequently Asked Questions About vision mixing software
How do vMix and Resolume Arena style workflows differ from StreamYard for program and preview control?
Which tools support remote guest ingest as a first-class input into the program mix?
How does OBS Studio handle replay and instant retroactive recording compared with vMix?
When does encoder workflows fit better with OBS Studio versus Switcher Studio or Restream Studio?
What breaks if automation needs to trigger scene-linked actions beyond basic overlays in Streamlabs Desktop or Ecamm Live?
Which tools offer extensibility for control integrations through scripting or programmable interfaces?
How do command-driven graphics playout workflows in CasparCG integrate with external control surfaces?
When is RBAC-style admin control a deciding factor, and how do these tools compare?
Where does data migration become practical when switching from one live mixing setup to another, and what changes between OBS Studio and vMix?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
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