GITNUXSOFTWARE ADVICE
Art DesignTop 10 Best Typography Design Software of 2026
Ranked typography design software for font editing and type design, with technical comparisons of Glyphs, FontLab, and RoboFont for designers.
How we ranked these tools
Core product claims cross-referenced against official documentation, changelogs, and independent technical reviews.
Analyzed video reviews and hundreds of written evaluations to capture real-world user experiences with each tool.
AI persona simulations modeled how different user types would experience each tool across common use cases and workflows.
Final rankings reviewed and approved by our editorial team with authority to override AI-generated scores based on domain expertise.
Score: Features 40% · Ease 30% · Value 30%
Gitnux may earn a commission through links on this page — this does not influence rankings. Editorial policy
RoboFont is the best choice if you need a scriptable, studio-style font editor that streamlines glyph cleanup and variable-font instance generation in one macOS workflow, whereas FontStruct is a better fit when you want grid-first, browser-based building for quick, publication-ready exports.
Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
RoboFont
Live panel workflow supports Python automation that edits glyphs, metrics, and derived builds without switching tools.
Built for fits when studios need script-driven glyph cleanup and variable-font instance generation in one desktop workflow..
FontStruct
Editor pickTile-based outline construction on a snapping grid accelerates geometric glyph drafting.
Built for fits when grid-first type design is needed for small families and quick publication-ready exports..
Adobe Illustrator
Editor pickType rendering with controllable OpenType behaviors directly in Illustrator text objects.
Built for fits when typography changes must be reviewed in layout files, then finalized as vectors for production..
Comparison Table
RoboFont
API-firstPython-scriptable font editor for custom type design workflows on macOS.
Live panel workflow supports Python automation that edits glyphs, metrics, and derived builds without switching tools.
RoboFont is built for direct manipulation of outlines, including bezier curve node editing, component referencing, and anchor point workflows. The environment keeps source editing close to the typography objects used during compilation, so font metadata embedding and spacing metric adjustments stay in the same authoring session. Automation comes from a Python scripting interface that can traverse glyphs, apply changes, and regenerate derived outputs.
A tradeoff is that RoboFont centers on the UFO-driven authoring model, so teams that require tightly integrated OpenType feature authoring inside the same editor need additional tooling for compilation and feature editing stages. RoboFont fits when iterative glyph cleanup, kerning pair adjustment, and variable-font instance generation are the main throughput bottlenecks in a type design studio workflow.
- +Python scripting enables repeatable glyph and metrics operations
- +Panel-based object editing speeds large glyph set workflows
- +UFO source editing keeps data changes aligned with exports
- +Variable font designspace and instance generation support
- –macOS-focused workflow limits cross-platform team standardization
- –Built-in OpenType feature authoring depth depends on external steps
- –Automation scripting has a steeper learning curve than panel-only edits
Type design studios
Batch glyph cleanup across many masters
Faster consistency at scale
Freelance type designers
Iterate on kerning pair adjustments quickly
More rapid design iterations
Show 1 more scenario
Variable font specialists
Generate instances and validate extremes
Earlier interpolation defect detection
Designspace-driven instances help review interpolation outcomes and catch glyph issues per axis.
Best for: Fits when studios need script-driven glyph cleanup and variable-font instance generation in one desktop workflow.
FontStruct
SMBBrowser-based font maker built around modular geometric construction.
Tile-based outline construction on a snapping grid accelerates geometric glyph drafting.
FontStruct centers glyph contour drawing on a strict grid where shapes snap into place, which makes geometric styles quick to draft and revise. It supports kerning pair adjustment and common font export needs, which helps authors move from single glyph edits to usable font binaries. Family organization is practical for producing a small type family with consistent spacing behavior. The workflow favors visual iteration over code-based or script-driven font generation.
The tradeoff is limited depth for advanced font production tasks like complex OpenType feature authoring and variable font axis design. FontStruct fits teams that need predictable outline results and repeatable grid-based geometry for posters, brand type, and small release fonts. It is less suitable for production pipelines that require programmatic provisioning, batch compilation, or strict governance controls.
- +Grid-based glyph building produces consistent geometric letterforms
- +Kerning pair editing supports practical spacing refinement
- +Exported font binaries work in typical desktop design tools
- +Project sharing supports straightforward review of font versions
- –Advanced OpenType feature work is not the primary workflow
- –Variable font axis definition support is limited for production needs
Brand designers
Create a grid-style custom display font
Faster custom type delivery
Typography students
Learn glyph spacing and kerning basics
Quicker learning cycles
Show 2 more scenarios
Small studios
Produce a compact family for print
Reusable family assets
Structure a font family and export binaries for layout tools and print production.
Community type authors
Share font versions for feedback
More actionable design feedback
Publish project pages for review and iterate glyphs with predictable grid outcomes.
Best for: Fits when grid-first type design is needed for small families and quick publication-ready exports.
Adobe Illustrator
enterpriseVector design software used widely for custom lettering, type layout, and typographic branding work.
Type rendering with controllable OpenType behaviors directly in Illustrator text objects.
Illustrator is built around glyph outline and Bezier curve editing inside a vector canvas, so letterform shaping and kerning pair adjustment can be done while preparing artwork. It can apply OpenType features during text rendering and generate predictable typographic results for mockups that must match the final layout. Export paths support accurate typography previews through outline conversion and formatting controls, which reduces surprises when designs move from design files to production files.
A key tradeoff is that Illustrator is not a font-source editor with a built-in designspace model, so tasks like variable font axis definition, anchor-based attachment, and TrueType instruction hinting require external font tools. Illustrator fits best when designers need precise typography in the same file as illustrations and when they can finalize outlines for production without maintaining a reusable UFO or other source pipeline.
- +Strong Bezier curve and glyph outline editing inside production artwork
- +Accurate text rendering with OpenType feature toggles for ligatures
- +Kerning and spacing adjustments remain visible on the design canvas
- +Predictable export through outline conversion for print handoff
- –Limited coverage for true font-source workflows and font compilation
- –Variable font axis definition and instance generation need external steps
- –Contextual substitution behavior is primarily previewed, not authored
- –Automation depends on scripting and templates rather than font APIs
Graphic designers at studios
Typography edits inside illustration-heavy layouts
Faster layout-to-output iterations
Brand teams for production assets
Client-ready logo and headline vector exports
Fewer font substitution issues
Show 2 more scenarios
Marketing designers for campaigns
Preparing multiple responsive typographic variants
Consistent campaign typography
Creators preview ligature and contextual text behavior across mockups without switching tools.
Prepress operators
Finalizing typography for print plates
More reliable print output
Operators use spacing controls and outline conversion to make the final shapes deterministic for production.
Best for: Fits when typography changes must be reviewed in layout files, then finalized as vectors for production.
Glyphs
vertical specialistMac font editor for drawing, spacing, kerning, and exporting professional typefaces.
Glyphs’ designspace style workflow links variable font axis definitions to instance generation inside one project.
Glyphs is a typography design app centered on editable outlines, kerning workflows, and OpenType feature compilation for desktop publishing. Its layout and font editor UI connects glyph contour work with spacing, anchors, and feature text so changes propagate through builds.
The software supports multiple source formats such as UFO and can generate font binaries after compiling features and metadata. Glyphs also includes variable font tooling for axis and instance management, which supports designspace-driven interpolation from a single project.
- +Tight glyph editing loop with instant integration into spacing and metrics
- +Feature text workflow keeps OpenType rules close to glyph-level decisions
- +Variable font axis and instance setup supports repeatable multi-style output
- +UFO source interchange reduces lock-in when collaborating across tools
- –Advanced OpenType feature automation still depends on scripting literacy
- –Large projects can feel heavy when rebuilding binaries frequently
- –Some layout automation paths are less direct than dedicated automation tools
- –Deep type validation requires external checks for full coverage
Best for: Fits when type designers need an outline-to-build workflow with variable fonts and feature text control.
FontLab
enterpriseProfessional font editor for variable fonts, OpenType features, and type family production.
FontLab’s compilation-oriented OpenType feature handling links feature preparation to export results within one workflow.
FontLab provides a desktop workflow for glyph outline editing, spacing, and OpenType export with detailed control over geometry and font metadata. The editor focuses on Bezier node level contour work, component referencing, and kerning pair adjustments that feed directly into font binary compilation.
Its strength shows in feature preparation for OpenType feature compilation and in iterative validation during the design to build loop. Compared with other font editors in this rank range, FontLab emphasizes tight integration between outline operations and compilation-ready production settings.
- +Fine-grain Bezier node editing supports precise contour repairs and outline cleanup
- +Kerning pair adjustment stays close to the glyph editing workflow
- +OpenType export pipeline exposes compilation settings needed for production builds
- +Component referencing and anchor attachment support scalable mark and component systems
- –Large projects can feel heavy because the UI favors manual, editor-style operations
- –Feature authoring depth depends on disciplined setup of rules and naming
- –Type design source portability to other tools can require format conversion steps
- –Automation and API access are limited for teams seeking scriptable batch glyph edits
Best for: Fits when type teams need a hands-on editor for outlines, spacing, and export-critical OpenType compilation.
BirdFont
SMBDesktop font editor for creating vector fonts and exporting common font formats.
OpenType feature compilation from an integrated editor with a built-in checking workflow.
BirdFont targets typography work where the workflow is driven by an on-canvas glyph editor and a straightforward font export pipeline. It supports glyph outline drawing with node editing, spacing metrics, and export to common font binaries for use in design files and production.
BirdFont also includes OpenType feature authoring and a validation workflow for catching structural issues before compilation. The tool’s focus stays on rapid iterative glyph work, then compiling font outputs that match the selected format.
- +Integrated glyph drawing and node editing reduce context switching
- +OpenType feature authoring supports ligatures and substitution rules in one workflow
- +Spacing controls help keep glyph advance and sidebearings consistent
- +Export pipeline supports common font binaries for immediate testing
- –Fewer advanced designspace and variable font workflows than specialized editors
- –OpenType feature editing can feel rigid for complex production pipelines
- –Component referencing and anchor workflows are less extensive than pro toolchains
- –Outline checks are basic, which can miss deeper font validation needs
Best for: Fits when designers need fast glyph iteration, basic OpenType features, and reliable exports for testing.
CorelDRAW Graphics Suite
enterpriseVector design suite with typography controls, layout tools, and font management features.
Glyph outline repair and adjustment in the same drawing environment used for production artwork exports.
CorelDRAW Graphics Suite combines vector layout and typography-centric workflows in one desktop application. It delivers glyph outline editing with precise node-level controls for redesigning letterforms and repairing problematic curves.
Type workflows center on OpenType and TrueType handling for font binary compilation, layout-driven kerning pair adjustments, and export paths into print and digital publishing. Automation is present through scripting-style extensibility and batch processing, but it is not positioned as a native font-source pipeline like glyph editors built around UFO or Glyphs files.
- +Glyph contour drawing and bezier node editing inside a production vector canvas
- +Works well for layout-to-font tweaks like kerning pair adjustments and style spacing
- +Supports font binary compilation workflows from designed outlines
- +Batch export and repeatable document settings support throughput for print-ready assets
- –Deeper type design concepts like variable font axis definition require external workflows
- –Font editing is secondary to page layout compared with dedicated font editors
- –OpenType feature compilation is limited versus tools focused on feature authoring
- –Complex font validation linting and automated QA are not a core workflow
Best for: Fits when typography edits are driven by production layout and kerning tweaks, not full type design authoring.
Monotype Fonts
enterpriseEnterprise font discovery, licensing, and management platform for brand typography systems.
Operational tooling for managing Monotype font families and delivery-ready packaging without shifting into low-level glyph design.
Monotype Fonts is a type ecosystem centered on distribution, licensing, and font production workflows built around Monotype families and formats. Core capabilities include font package management, style and instance handling, and production tooling for preparing families for deployment.
The workflow focus favors publishing and operations rather than low-level contour authoring inside the tool. It fits teams that need consistent family structure and repeatable delivery of working font builds across platforms.
- +Strong family packaging and style instance management for production teams
- +Good fit for font delivery workflows tied to Monotype families and formats
- +Clear configuration around licensing and distribution handoffs
- +Practical tooling for keeping builds consistent across releases
- –Not positioned for deep glyph contour editing versus Glyphs or FontLab
- –Limited visibility into low-level build steps compared with dedicated editors
- –Automation and API surface is not the primary workflow entry point
- –Less suited to custom font development from raw outlines
Best for: Fits when licensing, family packaging, and repeatable font delivery matter more than contour-level editing.
Figma
SMBCollaborative interface design software with strong text styling, font management, and layout systems.
Live collaboration with plugin-driven measurement and style automation inside a shared typography file.
Figma is a collaborative design editor where typography work happens inside a shared canvas with real-time co-editing. It supports glyph contour drawing with bezier curve node editing, plus component-based reuse and layout tooling that helps keep baseline alignment consistent across screens.
Figma also supports variable font axis definition and instance generation for previews, which helps validate type behavior across axes during UI design. It has an API surface for plugin automation, which extends typography workflows like batch renaming, measurement extraction, and automated style syncing.
- +Real-time typography review in the same shared file and comments
- +Bezier curve node editing supports detailed glyph contour adjustments
- +Variable font previews with axis handling during design iteration
- +Plugin API enables automation for measurements and style synchronization
- –Font compilation workflows are limited compared to type editors
- –OpenType feature compilation and TrueType instruction hinting workflows are not first-class
- –Font binaries and font validation linting are not the core focus
- –Deep font metadata authoring requires extra workflow discipline
Best for: Fits when teams need glyph-level iteration inside UI collaboration and plugin-based automation.
Sketch
SMBMac design software with shared text styles, symbol libraries, and interface typography workflows.
Styles plus reusable symbols make consistent type styling across screens faster than manual duplication.
Sketch is a design editor used for typography-centric workflows like layout, styles, and export rather than deep font engineering. It supports vector glyph-like drawing, symbol reuse, and data-driven style management so designers can prototype type treatments and specimen screens quickly.
It also integrates with build and version processes through common developer workflows, but it does not replace dedicated font tools for outline editing and OpenType feature compilation. Teams use Sketch when the deliverable is typography presentation, UI type styling, and asset export rather than compiling font binaries.
- +Fast type specimen layout with reusable styles and symbols
- +Vector editing workflow fits typography presentation and UI mockups
- +Exports assets and slices cleanly for design handoff
- +Plugin ecosystem supports workflow extensions for typography review
- –No native OpenType feature compilation for GSUB and GPOS rules
- –Outline and hinting workflows do not reach font-editor depth
- –Variable font axis definition and instance generation are not first-class
- –Font validation linting and font binary compilation require external tools
Best for: Fits when teams need typography layout, styling, and export for UI and specimens.
Conclusion
After evaluating 10 art design, RoboFont stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right typography design software
Typography design software covers the end-to-end work from glyph contour drawing to spacing decisions and OpenType compilation, inside one desktop workflow or across layout and build steps. This guide covers RoboFont, FontLab, Glyphs, FontStruct, Adobe Illustrator, BirdFont, CorelDRAW Graphics Suite, Monotype Fonts, Figma, and Sketch.
The standout pattern is whether a tool keeps variable-font designspace decisions and build outputs in the same project loop. RoboFont earns top placement for a live panel workflow that runs Python automation on glyphs, metrics, and derived builds without switching tools. Glyphs ranks high for tying designspace-style variable font axis definitions to instance generation within one project.
Typography design software for font editors, variable fonts, and OpenType build workflows
Typography design software is used to draw and repair glyph outlines, adjust glyph spacing and kerning pairs, and compile OpenType font logic into export-ready font binaries. The category also includes variable font workflows where axis definitions and instance generation must stay linked to the source design decisions.
RoboFont targets scripted production by letting Python automation edit glyphs, metrics, and derived builds inside a single desktop session, which supports repeatable cleanup across large glyph sets. Glyphs focuses on a designspace-style workflow that links variable font axis definitions to instance generation, so feature text rules and builds can be managed close to glyph-level decisions. FontLab and BirdFont also emphasize OpenType feature handling in the editor loop, while Illustrator, Figma, and Sketch fit typography iteration inside design files that need font-building work handled outside dedicated type editors.
Typography build-loop features that change real outcomes
A typography design tool determines how often font changes require context switching between glyph editing, spacing work, and OpenType build steps. That loop matters because delays between contour edits and derived exports slow corrections to spacing metrics and feature-driven shaping behavior.
The strongest differentiators show up in how variable font work stays linked to instance generation and how OpenType preparation stays close to the glyph-level decisions that drive it. RoboFont and Glyphs lead this pattern by keeping scripted edits and designspace-style decisions inside the same project loop.
Automation surface that edits glyphs and derived builds
RoboFont uses Python scripting inside a live panel workflow to edit glyphs, metrics, and derived builds without switching tools. This supports repeatable cleanup runs across large glyph sets where manual fixes would be inconsistent.
Variable-font workflow that links axes to instance generation
Glyphs links designspace-style variable font axis definitions to instance generation inside one project. This keeps build outputs tied to the axis choices made during glyph and feature authoring.
OpenType feature handling depth inside the editor loop
FontLab and BirdFont focus on OpenType feature handling inside the same editor workflow that produces export results. BirdFont adds an integrated checking workflow for ligatures and substitution rules while FontLab connects feature preparation to export results within one workflow.
Geometry-first drafting versus type-source authoring
FontStruct accelerates glyph construction using a tile-based outline approach on a snapping grid and supports kerning pair editing for practical spacing refinement. Adobe Illustrator supports Bezier curve and outline editing inside production artwork but needs external steps for font compilation and variable-font axis definition work.
Integration with production artwork and layout-driven typography tweaks
CorelDRAW Graphics Suite and Adobe Illustrator place glyph contour repair and node editing inside production vector or layout-adjacent environments. Illustrator also provides type rendering with OpenType behavior toggles for ligatures so feature effects can be reviewed directly in Illustrator text objects.
Pick based on the build loop that must stay inside one workspace
Tool choice should start with where typographic intent is authored and where derived outputs are generated. RoboFont and Glyphs keep variable-font decisions and instance generation inside the same loop, while several design-file tools shift font compilation and advanced build work to external steps.
The next step is deciding whether OpenType work is a first-class authoring task inside the editor or a later compilation step outside it. BirdFont and FontLab keep OpenType preparation tightly connected to export results, while layout tools like Sketch and Figma focus on typography review and vector output rather than OpenType compilation for GSUB and GPOS rules.
Choose the workspace loop for variable fonts
If instance generation must stay coupled to variable-font axis decisions, Glyphs ties designspace-style axis definitions to instance generation in one project. If script-driven iteration across glyphs and derived builds is the priority, RoboFont runs Python automation that edits glyphs, metrics, and derived builds in the same desktop session.
Decide whether OpenType rules are authored in the same tool as exports
If OpenType feature authoring must feed directly into export results without leaving the editor workflow, FontLab links feature preparation to export results in one workflow. If the workflow must include integrated checking while authoring ligatures and substitution rules, BirdFont provides an integrated checking workflow for OpenType feature compilation.
Select based on the shape-editing workflow source of truth
If glyph geometry is built from a grid-first system, FontStruct’s tile-based outline construction with snapping drives consistent letterforms and supports kerning pair editing for spacing refinement. If glyph repair happens inside production artwork, Adobe Illustrator includes Bezier curve and glyph outline editing with OpenType behavior toggles for ligatures inside Illustrator text objects.
Match team workflow to OS and collaboration expectations
If the studio standard is macOS desktop type authoring with script automation, RoboFont’s macOS-focused workflow supports Python automation through a live panel workflow. If the team workflow is shared UI collaboration and plugin-driven measurement, Figma keeps real-time typography review in the same shared file, with deeper font compilation workflows left behind dedicated type editors.
Avoid forcing production layout tools into font-source tasks
If the job requires deep type design concepts like variable-font axis definition, CorelDRAW Graphics Suite and Sketch rely on external workflows for those concepts. If the job requires OpenType feature compilation for GSUB and GPOS rules, Sketch’s lack of native OpenType feature compilation makes it a weak fit for rules-first font builds.
Who benefits from each typography design software workflow
Typography design software splits into distinct work modes: script-driven desktop production, designspace-centered variable-font authoring, OpenType rule authoring with export coupling, and production artwork-driven typography changes. The right choice depends on where derived outputs must come from and how often the team needs to validate feature behavior while editing outlines.
RoboFont and Glyphs target font source and variable-font build loops. FontLab and BirdFont target OpenType authoring that stays close to export-critical compilation. Illustrator, CorelDRAW Graphics Suite, Figma, and Sketch target typography iteration and vector output tied to other build steps.
Type designers who generate many variable-font instances from one designspace
Glyphs connects designspace-style variable font axis definitions directly to instance generation inside one project. This reduces drift between axis choices and the instances that must reflect them.
Studios that need repeatable glyph cleanup and derived-build automation
RoboFont runs Python automation that edits glyphs, metrics, and derived builds without switching tools. This supports consistent fixes across large glyph sets in a single desktop workflow.
Teams that treat OpenType authoring as an export-critical part of the editor workflow
FontLab links feature preparation to export results within one workflow while keeping fine-grain contour and kerning adjustments nearby. BirdFont combines integrated checking with OpenType feature compilation for ligatures and substitution rules.
Designers working from production artwork and typography review files
Adobe Illustrator supports OpenType behavior toggles for ligatures directly in Illustrator text objects and includes Bezier-based outline editing for vector production. CorelDRAW Graphics Suite supports glyph contour drawing and bezier node editing inside a production vector canvas for layout-to-font tweaks.
UI collaboration teams that need shared typography iteration rather than full font compilation
Figma provides real-time typography review in a shared file with plugin-driven measurement and supports detailed Bezier curve node editing. Its font compilation workflows are limited compared with type editors, which pushes full OpenType compilation to outside tools.
Common ways teams pick the wrong typography workflow
Many wrong picks happen when a workflow centered on typography layout review is treated as a complete font-source authoring loop. Another failure mode is buying a tool for variable fonts or OpenType compilation while the tool routes advanced build steps outside the editor workflow.
Assuming a layout-focused editor can handle variable-font build steps as a first-class workflow
Sketch and CorelDRAW Graphics Suite do not treat variable font axis definition as a native editor-first task. Sketch also lacks native OpenType feature compilation for GSUB and GPOS rules, which blocks rules-first exports.
Buying for OpenType editing but discovering exports depend on external compilation steps
Adobe Illustrator supports OpenType behavior toggles for ligatures in Illustrator text objects, but it offers limited coverage for true font-source workflows and font compilation. FontLab and BirdFont keep OpenType feature handling inside the editor loop so feature preparation ties directly to export results.
Overestimating what a grid-first glyph tool can do for production-ready advanced feature work
FontStruct’s grid-based glyph building accelerates geometric drafting and supports kerning pair editing, but advanced OpenType feature work is not its primary workflow. BirdFont and FontLab provide deeper OpenType feature handling when complex substitution and export-critical behavior is required.
Using a type editor that rebuilds too slowly for large project iteration loops
Glyphs can feel heavy in large projects when rebuilding binaries frequently, which can slow iterative work across many glyphs and instances. RoboFont targets large glyph set cleanup with scripted live-panel automation over switching between separate steps.
How We Selected and Ranked These Tools
We evaluated RoboFont, FontLab, Glyphs, FontStruct, Adobe Illustrator, BirdFont, CorelDRAW Graphics Suite, Monotype Fonts, Figma, and Sketch using feature coverage, workflow ease, and value for real typography build tasks. Features counted for 40% of the score based on glyph editing depth, OpenType feature handling inside the authoring loop, and variable-font instance workflow behavior.
Ease and value each counted for 30% using how quickly edits translate into usable outputs during the editing-to-export loop. RoboFont earned top placement because Python automation runs in a live panel workflow that edits Glyphs, metrics, and derived builds in one desktop session, which reduces context switching during large glyph set production.
Frequently Asked Questions About typography design software
How does glyph editing differ between RoboFont and FontLab during iterative cleanup?
Which tool is better for variable font axis definition and instance generation: Glyphs or RoboFont?
When should a designer choose Glyphs or BirdFont for OpenType feature text control?
What breaks when a workflow needs deep font-source roundtrips rather than layout-driven vector edits?
How do integrations and automation differ between Figma and RoboFont for typography workflows?
When do kerning and spacing adjustments favor FontLab over Glyphs?
Which tool is most suitable for tile-based geometric glyph construction: FontStruct or CorelDRAW Graphics Suite?
What tradeoff occurs when using Figma for baseline alignment and variable font previews instead of compiling binaries?
How does data migration typically work for a team moving between RoboFont and Glyphs projects?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
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