GITNUXSOFTWARE ADVICE
Video Games And ConsolesTop 10 Best Midi Conversion Software of 2026
Ranked roundup of midi conversion software for audio producers, covering Melodyne, Cubase, Logic Pro and technical tradeoffs for MIDI workflows.
How we ranked these tools
Core product claims cross-referenced against official documentation, changelogs, and independent technical reviews.
Analyzed video reviews and hundreds of written evaluations to capture real-world user experiences with each tool.
AI persona simulations modeled how different user types would experience each tool across common use cases and workflows.
Final rankings reviewed and approved by our editorial team with authority to override AI-generated scores based on domain expertise.
Score: Features 40% · Ease 30% · Value 30%
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Melodyne is the best pick if you need converted note data that you can precisely edit for pitch and timing before MIDI re-synthesis, whereas Cubase fits when you want DAW-grade, rule-based event cleanup on monophonic sources.
Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
Melodyne
Polyphonic pitch and timing display that enables per-note corrections before MIDI export.
Built for fits when converted note data must be edited per pitch and timing before MIDI re-synthesis..
Cubase
Editor pickLogical Editor lets rule stacks transform imported MIDI events with targeted conditions across notes and controllers.
Built for fits when MIDI conversion needs DAW-grade editing and rule-based event cleanup..
Logic Pro
Editor pickInstrument track rendering of edited MIDI keeps tempo, automation, and playback timing consistent for bounce-ready audio.
Built for fits when MIDI sources need session-aligned editing and audio-ready output in one DAW workflow..
Comparison Table
Melodyne
audio editing and transcriptionPitch and timing editing software that can detect notes from audio and export the analysis as MIDI.
Polyphonic pitch and timing display that enables per-note corrections before MIDI export.
Melodyne’s workflow centers on analyzing incoming audio, then showing detected notes on a graphical pitch view that supports per-note timing and intonation edits. The conversion pipeline can handle both polyphonic passages and more monophonic material, which makes it suitable for turning vocals, guitars, or instrument recordings into controllable note events. MIDI output can be used for re-synth rendering in a DAW by sending the generated note data to VST instruments.
A key tradeoff is that conversion quality depends on audio clarity, because heavy pitch drift, dense chords, and noisy recordings can reduce note event accuracy and increase manual cleanup. Melodyne fits best when audio already contains usable note structure, such as lead vocals, monophonic lines, or arpeggiated parts needing MIDI-driven editing.
- +Pitch-focused note editing keeps transcription and correction in one workflow
- +Polyphonic analysis supports multiple simultaneously held notes
- +Note-level timing changes translate directly into generated MIDI events
- +Works well for re-synth rendering after audio-to-note conversion
- –Dense chords can require significant manual note cleanup
- –Complex controller or articulation mapping needs extra DAW-side work
- –Audio artifacts can cause missed or fragmented note detection
- –Batch and headless conversion pipelines are not the primary workflow
Song producers and arrangers
Turn vocal takes into playable MIDI
Faster re-voicing in synths
DAW-driven sound designers
Re-synthesize guitar riffs from recordings
New timbres from existing timing
Show 1 more scenario
Post-production editors
Create controllable MIDI for overlays
Repeatable editing across sessions
Extract melodic parts from performances to drive additional harmonic or rhythmic layers.
Best for: Fits when converted note data must be edited per pitch and timing before MIDI re-synthesis.
Cubase
DAWMusic production software with VariAudio and MIDI extraction features for converting monophonic audio into editable notes.
Logical Editor lets rule stacks transform imported MIDI events with targeted conditions across notes and controllers.
Cubase supports practical MIDI conversion work by letting imported MIDI events be edited with its event list and piano roll toolchain. Batch-style transformation is handled through repeatable MIDI processing steps, with the Logical Editor enabling rules that target notes, controller messages, and specific event properties. Output validation is easier than in tools that only render once because the MIDI result can be auditioned immediately in the same project using VST instrument playback and per-track routing.
A key tradeoff is that Cubase’s strongest MIDI conversion control is tied to DAW project workflows rather than a dedicated headless conversion engine, which can slow throughput for large unattended conversions. Cubase fits situations where conversion needs iterative refinement, such as cleaning a performance export for timing jitter reduction while preserving expressive velocity changes.
- +Logical Editor rules enable precise, repeatable MIDI event transformations
- +Hyper-editor style MIDI editing supports fine correction of timing and expression
- +Project-based audition makes conversion QA faster than file-only tools
- +Extensive controller and note event handling supports detailed remapping
- –Headless or CLI-first conversion throughput is not the primary workflow
- –Complex Logical Editor rule sets take time to design and test
- –Large batch conversions require manual project orchestration steps
- –Conversion results depend on correct routing and instrument assumptions
Producers cleaning performance MIDI
Tighten timing while preserving velocity nuances
More playable, performance-faithful MIDI
MIDI supervisors for scoring
Normalize controller data for orchestral libraries
Consistent articulation behavior
Show 1 more scenario
Sound designers using soundfonts
Convert GM2-ish files to usable mappings
Faster cue preparation
Route program changes and controller assignments so playback works with the chosen instrument setup.
Best for: Fits when MIDI conversion needs DAW-grade editing and rule-based event cleanup.
Logic Pro
DAWMac music production software that converts drum, melodic, and polyphonic audio passages into MIDI regions.
Instrument track rendering of edited MIDI keeps tempo, automation, and playback timing consistent for bounce-ready audio.
Logic Pro handles MIDI-to-MIDI conversion by importing standard MIDI files and then using the Piano Roll and event editing to fix timing, controller data, and note expression. The workflow supports note quantization, velocity editing, and controller assignment so the output can be re-recorded or exported as a corrected MIDI file with session-aligned timing. For MIDI-to-audio rendering, Logic uses its instrument track engine to turn the edited MIDI into audio with DAW playback and automation that stays synchronized to the project tempo map.
A key tradeoff is that Logic does not provide a dedicated headless or batch conversion pipeline for unattended throughput, so repeated offline conversions need manual steps or additional automation outside the DAW. Logic fits best when a handful of MIDI sources must be normalized, mapped to instrument behavior, and then rendered to audio or bounced with the same arrangement and controller automation.
- +Piano Roll and event editing support quick timing and controller corrections
- +Instrument track rendering keeps MIDI and DAW automation aligned during audio export
- +Quantization and velocity tools enable fast normalization before export
- +Rich environment for iterating MIDI mappings with audition in the session
- –Not built for headless batch conversion across many files
- –Deep MIDI event editing takes time for users used to simpler converters
- –SysEx-focused workflows depend on what Logic surfaces in its editing views
- –Large MIDI files can feel slower to scrub and edit than dedicated editors
Producers converting loops
Normalize imported MIDI for instrument playback
Faster MIDI-to-audio iteration
Film and scoring editors
Fix expressive performance controllers
Cleaner cue playback and reuse
Show 2 more scenarios
Sound designers
Create repeatable mappings
Consistent expressive control
Transform controller assignments to match instrument responses, then export corrected MIDI for reuse.
Mix engineers
Re-author MIDI for better timing
Tighter groove and rhythm
Correct timing jitter with quantization and fine event edits before bouncing audio stems.
Best for: Fits when MIDI sources need session-aligned editing and audio-ready output in one DAW workflow.
AudioScore Ultimate
desktop transcriptionTranscription software that converts up to multiple notes or instruments from audio and CD tracks into MIDI and notation.
Score-grade audio-to-MIDI transcription that produces note events designed for notation-level pitch and timing review.
AudioScore Ultimate is a MIDI conversion workflow built around audio-to-MIDI transcription that targets playable MIDI event output with score-grade timing. It processes audio input to generate a structured MIDI representation, then supports downstream edits in a DAW for note ranges, articulation-like performance signals, and controller data.
AudioScore Ultimate is most distinct for how it turns polyphonic performances into editable MIDI you can quantize and refine rather than just estimate. It also includes score-oriented export paths that fit users who need both MIDI and notation outputs.
- +Audio-to-MIDI transcription generates DAW-editable note events for complex performances
- +Notation-oriented output helps validate pitch and timing before MIDI polishing
- +Workflow supports tempo extraction so exported MIDI aligns with a usable grid
- +Batch conversion supports high-throughput audio-to-MIDI processing
- –MIDI controller reconstruction depends on performance clarity and tracking quality
- –Polyphonic transcription often needs post-editing for tight timing and duplicate notes
- –Large sessions can require careful file organization to avoid conversion confusion
- –Instrument mapping still needs manual attention when instrument timbres vary
Best for: Fits when audio producers need repeatable audio-to-MIDI transcription and score-validated MIDI for DAW editing.
Ableton Live
DAWDAW with built-in conversion tools that turn harmony, melody, and drums from audio clips into MIDI.
Max for Live MIDI devices can implement custom transformation chains inside the same session, then render to audio.
Ableton Live converts MIDI into performance-ready patterns by pairing piano-roll editing, MIDI effects, and export-ready audio rendering inside one session. MIDI mapping workflows cover channel routing, program change and bank handling for instrument patches, and velocity editing for note dynamics before rendering.
For audio-to-MIDI, Live supports transcription workflows through third-party Max for Live tools and audio-to-MIDI style feature sets, but it is less standardized than dedicated transcription products. Offline conversion is typically achieved by rendering tracks to audio after MIDI transformations, rather than running a headless batch converter.
- +MIDI effects chain converts note, CC, and timing before audio rendering
- +Expression and automation can be baked into exported audio takes
- +Instrument routing and patch changes stay editable in-session
- +Max for Live extends MIDI conversion logic with custom transformations
- –Headless batch MIDI conversion is not a core workflow
- –Audio-to-MIDI quality depends heavily on chosen Max tools and settings
- –Large MIDI file parsing and normalization tools require manual cleanup
- –High throughput offline conversion depends on project setup and device load
Best for: Fits when MIDI-to-audio conversion needs tight DAW editing, routing, and export-ready takes.
Bear Audio Audio to MIDI Converter
web utilityBrowser-based converter that turns uploaded audio files into MIDI without installing desktop software.
Batch audio-to-MIDI conversion that outputs multiple MIDI files in a single run for quick dataset creation.
Bear Audio Audio to MIDI Converter turns recorded audio into MIDI note and performance data using an audio-to-MIDI transcription workflow. It focuses on producing usable MIDI files for DAW editing rather than providing sound rendering or instrument playback.
The converter supports batch processing for multiple files, and it exports standard MIDI output suitable for SMF import in common DAWs. Tempo handling centers on extracting timing from the source so the generated MIDI aligns to the audio duration.
- +Fast audio-to-MIDI conversion for creating starting MIDI from recordings
- +Batch mode supports converting multiple audio files in one workflow
- +DAW-friendly MIDI export output designed for rapid editing
- +Straightforward controls for transcription results without deep MIDI programming
- –Limited refinement tools for advanced controller mapping compared with DAW-native workflows
- –Transcription accuracy drops on dense polyphonic material and heavy overlap
- –Quantization control is coarse, which can leave timing cleanup work
- –No documented API or automation hooks for unattended pipeline runs
Best for: Fits when audio-to-MIDI conversion is needed as a fast starting point for DAW editing, not for full automation pipelines.
Samplab
SMBSamplab converts audio into MIDI and lets users edit detected notes in a piano-roll workflow.
Offline MIDI-to-audio conversion workflow that ties each render to a configured instrument setup for repeatable batch output.
Samplab focuses on turning MIDI into playable audio by driving instrument rendering workflows from MIDI files rather than editing MIDI event data in a DAW. The core capability is MIDI-to-audio conversion using a selectable instrument setup, with batch-style processing for large collections of files. The workflow is geared toward offline rendering so tempo changes and note timing in the MIDI are reflected in the generated audio output.
- +MIDI-to-audio rendering is organized around instrument selection per conversion run
- +Batch processing supports converting many MIDI files without manual DAW sessions
- +Offline rendering avoids interactive latency and supports consistent output generation
- +Workflow stays centered on files and exports, which suits pipeline automation
- –MIDI event editing and transformation depth is limited compared with MIDI processors
- –Advanced controller mapping workflows require careful MIDI preparation upstream
- –Real-time auditioning inside a DAW is not the primary interaction model
- –Large projects can depend on consistent instrument configuration across runs
Best for: Fits when batches of MIDI need consistent offline audio renders for production, demos, or review exports.
WIDI Recognition System
vertical specialistWIDI Recognition System transcribes audio and polyphonic recordings into MIDI files.
Audio-to-MIDI transcription that turns performed recordings into DAW-editable MIDI sequences with usable timing and velocity.
WIDI Recognition System focuses on audio-to-MIDI transcription that targets workable musical parts rather than only event-level conversion. The workflow centers on recognition of notes and performance parameters from an audio source, then outputting MIDI suitable for editing in a DAW.
Exported MIDI can carry timing and dynamics so that quantization passes in a DAW refine rather than rebuild performances. Compared with purely MIDI-to-audio renderers, WIDI’s core capability is deriving a usable MIDI data stream from recordings for faster composition, arrangement, and notation work.
- +Transcribes audio performances into editable MIDI sequences
- +Outputs timing and velocity so DAW quantization needs less rework
- +Supports practical workflows for part extraction and arrangement rebuilding
- +Produces MIDI data that works well for downstream notation or scoring
- –Accuracy drops with dense polyphony and overlapping instruments
- –Channel-level routing and patch assignment often need manual follow-up
- –Batch throughput depends on project setup consistency
- –Humanization and expression nuance can require additional MIDI editing
Best for: Fits when recordings need faster MIDI drafts for arranging, notation, or rehearsal edits with DAW cleanup passes.
Klangio Transcription Studio
vertical specialistKlangio Transcription Studio transcribes uploaded audio into editable notes and MIDI files.
Audio transcription that outputs DAW-ready MIDI with usable phrasing for later quantization and instrument mapping.
Klangio Transcription Studio converts audio performances into MIDI so producers can edit notes, timing, and expression in a DAW workflow. It targets both note extraction and MIDI event generation, with handling for polyphonic material as part of the conversion pipeline.
The tool focuses on producing usable MIDI files for downstream instrument mapping and arrangement work instead of rendering final audio from VST instruments. Conversion runs as an offline-style transcription flow that outputs an edited MIDI result ready for further MIDI processing.
- +Audio-to-MIDI output reduces manual note entry for performances
- +Exports MIDI that fits DAW piano roll and event-list editing workflows
- +Handles polyphonic input well enough for typical musical arrangements
- +Supports batch-style processing for multiple files in one work queue
- –MIDI velocity and controller mapping often needs post-editing
- –Note boundaries and timing can drift on dense mixes without tuning
- –Limited control over MIDI event filtering and transformation logic
- –Sync to external MIDI timecode and clock workflows is not a primary focus
Best for: Fits when audio-to-MIDI transcription is needed for DAW editing, not for fully automated orchestration and sound rendering.
IntelliScore
vertical specialistIntelliScore converts WAV, MP3, and other audio files into MIDI and musical notation.
Audio-to-MIDI transcription that focuses on turning performance timing and dynamics into editable MIDI event streams.
IntelliScore targets MIDI-to-audio rendering and audio-to-MIDI transcription workflows where conversion accuracy and controllable mapping matter. The tool’s core job is turning input audio into MIDI events with timing and performance nuance, then routing those MIDI events into sound sources for playback or export.
IntelliScore emphasizes practical MIDI file handling such as parsing and normalization steps used before and after conversion. It is also positioned for batch-style processing so producers can convert multiple takes without manual re-editing for every file.
- +Batch-oriented conversion supports multi-file production workflows
- +Produces MIDI events suitable for DAW piano-roll editing
- +Maps detected performance dynamics into velocity and expression-ready events
- +Handles common MIDI file parsing for downstream editing
- –Transcription accuracy can drop on dense mixes with overlapping sources
- –Advanced MIDI mapping controls require extra tuning per project
- –Timing jitter may remain after conversion for highly percussive audio
- –Export workflow can require additional DAW steps for full fidelity
Best for: Fits when producers need repeatable audio-to-MIDI drafts that land quickly in a DAW for cleanup.
Conclusion
After evaluating 10 video games and consoles, Melodyne stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right midi conversion software
Midi conversion software turns MIDI note and controller data into audio renders or translates audio performances into DAW-editable MIDI. This guide covers Melodyne, Cubase, Logic Pro, AudioScore Ultimate, Ableton Live, Bear Audio Audio to MIDI Converter, Samplab, WIDI Recognition System, Klangio Transcription Studio, and IntelliScore.
The standout split is between pitch-first MIDI editing like Melodyne and DAW-native event transformation like Cubase’s Logical Editor. Several tools also focus on batch conversion and offline rendering, including Bear Audio Audio to MIDI Converter and Samplab.
Midi Conversion Software That Either Edits MIDI Events or Transcribes Audio to DAW-Editable MIDI
Midi conversion software typically supports two workflows: MIDI-to-audio rendering and audio-to-MIDI transcription. Melodyne targets per-note pitch and timing display so corrected note data can be exported as MIDI-ready material for further editing.
Cubase frames conversion outcomes around rule-based MIDI event transformation in its Logical Editor, which applies targeted conditions across notes and controllers after import. Logic Pro then keeps the converted MIDI aligned with tempo and automation during instrument track rendering for bounce-ready audio.
Across the lineup, score-oriented transcription like AudioScore Ultimate and batch-first transcription tools like Bear Audio Audio to MIDI Converter differ in how they handle dense material, controller reconstruction, and post-editing workload in a DAW timeline.
Conversion control, transcription fidelity, and export alignment
Midi conversion software succeeds when it turns note and controller timing into editable events or into audio renders that stay aligned to the session tempo and automation. Melodyne wins this category when per-note pitch and timing display drives corrections before MIDI export for polyphonic material.
Per-note correction before MIDI export
Melodyne shows polyphonic pitch and timing per note so corrected note data can be exported as MIDI-ready material. This approach suits workflows where pitch-first cleanup must happen before any MIDI re-synthesis.
Rule-based MIDI event transformation in the DAW
Cubase’s Logical Editor applies rule stacks that transform imported MIDI events with targeted conditions across notes and controllers. This supports repeatable MIDI event cleanup without rebuilding the session manually.
DAW-aligned MIDI to audio rendering
Logic Pro renders edited MIDI on instrument tracks while keeping tempo and automation playback timing consistent for bounce-ready audio. This fits sessions that require conversion and audio export in one DAW workflow.
Score-oriented audio-to-MIDI transcription
AudioScore Ultimate generates note events designed for notation-level pitch and timing review so producers can validate dense performances before polishing MIDI. Output quality is driven by performance clarity and tracking quality since controller reconstruction depends on what the audio reveals.
Offline batch rendering tied to instrument setup
Samplab converts many MIDI files to audio in offline runs while linking each render to a configured instrument setup for repeatable batch output. This reduces manual DAW session overhead when the goal is consistent production renders.
Choose the conversion workflow that matches the editing depth needed
The main decision is whether the workflow must edit MIDI events at a per-note level or must produce audio renders aligned to the session playback. Melodyne and Cubase prioritize MIDI editability, while Logic Pro and Samplab prioritize audio-ready output tied to DAW timing or instrument setup.
Pick per-note pitch and timing correction when MIDI must be re-exported clean
Choose Melodyne when converted note data requires per pitch and timing edits before MIDI export. This workflow is built around polyphonic analysis and per-note corrections that translate into MIDI-ready material for later editing.
Pick DAW-grade rule transformations when conversion requires repeatable cleanup logic
Choose Cubase when conversion needs rule-based transformations that target specific note and controller conditions. The Logical Editor rule design takes time, but it enables repeatable event transformations instead of manual cleanup.
Pick instrument-track rendering when audio export must preserve session alignment
Choose Logic Pro when the workflow must keep MIDI and DAW automation aligned through instrument track rendering for bounce-ready audio. This approach is not focused on headless batch conversion across many files, so it fits session-based conversion.
Pick audio-to-MIDI transcription for notation-grade review or fast drafting
Choose AudioScore Ultimate when audio-to-MIDI transcription must land in DAW events that support notation-level pitch and timing validation. Choose Bear Audio Audio to MIDI Converter when batch audio-to-MIDI output is needed quickly as a starting point for DAW editing rather than full controller refinement automation.
Pick offline MIDI-to-audio batch output when instrument consistency outweighs MIDI editing depth
Choose Samplab when the primary goal is offline MIDI-to-audio conversion that keeps each render tied to a configured instrument setup. MIDI event transformation depth and advanced controller mapping workflows are limited compared with MIDI-focused processors.
Who should use which conversion approach
Midi conversion software fits teams and solo producers who must move between captured performances and DAW-editable material. The lineup splits between pitch-first MIDI correction, DAW-native MIDI transformation, and audio-focused transcription or offline rendering.
Producers correcting polyphonic performances before exporting MIDI
Melodyne fits when pitch and timing corrections must happen per note before MIDI export. Polyphonic analysis supports multiple simultaneously held notes, which reduces the need for heavy re-editing later.
DAW users building repeatable conversion cleanup workflows
Cubase fits when conversion needs rule-based transformations with targeted conditions across notes and controllers. The Logical Editor supports a repeatable event cleanup approach that scales across similar files.
Audio-focused producers who need bounce-ready renders aligned to a session
Logic Pro fits when edited MIDI must be rendered through instrument tracks while keeping tempo and automation timing consistent for export. The workflow keeps MIDI and DAW automation aligned during audio rendering.
Audio-to-MIDI users who want notation-level validation
AudioScore Ultimate fits when transcription output must support score-grade pitch and timing review before MIDI polishing. The tool prioritizes transcription into DAW-editable note events suitable for review.
Studios generating consistent offline audio from large MIDI batches
Samplab fits when many MIDI files must be rendered offline into audio with consistent instrument selection per conversion run. Batch processing converts multiple MIDI files without manual DAW sessions.
Common failure modes in MIDI conversion workflows
Midi conversion fails most often when expectations for automation depth do not match the tool’s conversion model. Tools built for interactive correction or DAW editing will not behave like headless conversion pipelines by default.
Treating DAW editing tools as headless batch converters
Cubase and Logic Pro support conversion and MIDI event editing, but neither is built around CLI-first throughput for converting many files headlessly. Workflow design should keep conversion inside the DAW session instead of assuming queue processing.
Underestimating dense chord cleanup workload after transcription
Melodyne can require significant manual note cleanup on dense chords because per-note corrections must still reconcile ambiguous pitch and timing. Audio-to-MIDI tools like AudioScore Ultimate also need post-editing when polyphonic transcription outputs duplicate notes or controller reconstruction falls short.
Expecting controller and articulation reconstruction to match performance detail automatically
AudioScore Ultimate rebuilds MIDI controllers based on performance clarity and tracking quality, which means controller reconstruction can depend on how clearly the audio separates events. Audio-to-MIDI tools like WIDI Recognition System also require manual follow-up for patch assignment and channel routing.
Choosing batch output speed over refinement tools when accuracy matters
Bear Audio Audio to MIDI Converter prioritizes fast batch audio-to-MIDI output, so it provides limited refinement tools for advanced controller mapping compared with DAW-native workflows. Users needing detailed controller-level fidelity should plan for DAW-side cleanup rather than expecting fully polished event streams.
How We Selected and Ranked These Tools
We evaluated Melodyne, Cubase, Logic Pro, AudioScore Ultimate, Ableton Live, Bear Audio Audio to MIDI Converter, Samplab, WIDI Recognition System, Klangio Transcription Studio, and IntelliScore across conversion output quality and correction workflow efficiency. Features carried 40% of the score, ease and value each carried 30% so interactive correction and post-editing workload influenced ranking strongly.
Melodyne set the top result because polyphonic pitch and timing display enables per-note corrections before MIDI export without pushing the work into later cleanup steps. The remaining tools ranked based on how their conversion workflow fits DAW editing or offline rendering instead of raw transcription alone.
Frequently Asked Questions About midi conversion software
What format details matter when converting MIDI files into DAW-ready data?
How do Melodyne and AudioScore Ultimate differ for polyphonic audio-to-MIDI transcription?
Which tool handles rule-based MIDI cleanup and transformations most directly after import?
When is a project-based DAW workflow preferable to headless batch conversion for MIDI-to-audio?
What breaks if a converter ignores tempo map extraction for audio-to-MIDI transcription?
How do WIDI Recognition System and Klangio Transcription Studio handle note segmentation for editing in a DAW?
Where does MIDI round-trip fidelity typically fall short for audio-to-MIDI workflows?
How do batch converters like Bear Audio Audio to MIDI Converter differ from transcription-focused editors?
What integration and extensibility options exist for MIDI conversion workflows inside Ableton Live and Logic Pro?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
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