GITNUXSOFTWARE REVIEW
MediaTop 10 Best Cue Software of 2026
Top 10 cue software options compared for theatre and audio teams, outlining features and tradeoffs for choosing the right tool.
How we ranked these tools
Vendors set the topic, but our editors set the inclusion criteria and the evaluation framework before research starts.
Search agents gather the source set and the review record, including transcriptions of video reviews and podcasts.
Framework: Features 40% · Ease 30% · Value 30%
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QLab is the best pick for cue operators on Mac who need deterministic cue logic that can fail safe, thanks to assertions plus conditional cue flow that keep audio, video, and control actions aligned even when inputs or media states get weird, whereas CuePilot fits larger show teams that want per-cue timing predictability driven by trigger macros for external inputs into cue transitions.
Editor’s top 3 picks
Three quick recommendations before you dive into the full comparison below — each one leads on a different dimension.
QLab
Assertions plus conditional cue flow let shows fail safe when inputs or media states are wrong.
Best for: Fits when cue operators need deterministic audio video and control logic with external trigger integration.
MainStage
Editor pickPatch and set recall ties instrument routing and parameter automation to one operator-friendly control event.
Best for: Fits when stage crews need audio recall cues on one Mac with MIDI or keyboard triggers.
LiveProfessor
Editor pickCue stack scheduling that keeps media and action steps aligned for repeatable rehearsal runs.
Best for: Fits when rehearsed cue stacks must run reliably with operator-friendly triggers.
Comparison Table
QLab
vertical specialistLive show control software for Mac used to trigger audio, video, lighting, and MIDI cues.
Assertions plus conditional cue flow let shows fail safe when inputs or media states are wrong.
QLab centers on a workspace containing cue stacks, cue groups, and cue linking so a show file behaves like an operator-controlled sequence rather than a generic media playlist. Cue execution can be driven by internal play buttons, external triggers, MIDI messages, and network messages, and multiple timelines can run while preserving the cue order. Assertions and wait logic help catch missing resources or unexpected states before downstream cues fire. Cue latency and fade behavior are managed per cue, which matters when operators need tight transitions and consistent cue fade time timing.
A key tradeoff is that advanced lighting or fixture control depends on integrating external DMX endpoints instead of operating as a full lighting console. QLab works best when show control coordination is the priority, such as aligning multi-track playback with device triggers and synchronizing follow-on actions from a single cue stack.
- +Cue linking and assertion logic reduce missed or out of sequence actions
- +Network and MIDI show control supports hardware handoff from a single timeline
- +Per-cue fades and waits keep audio and media transitions consistent
- +Blind editing mode supports rehearsal without revealing content changes
- –Lighting control still relies on external DMX patching and fixture definitions
- –Deep show logic requires careful cue numbering and link maintenance
- –Multi-device debugging can be slower when triggers arrive out of order
Show control programmers
Orchestrate timed playback and follow-on triggers
Fewer missed transitions
Live sound operators
Trigger audio scenes from external inputs
Consistent scene recall
Show 1 more scenario
AV tech leads
Coordinate media with MIDI and network devices
Unified control surface
MIDI show control and network routing let one show file command multiple endpoints.
Best for: Fits when cue operators need deterministic audio video and control logic with external trigger integration.
MainStage
vertical specialistMac application for live music performance providing instrument routing and cue management.
Patch and set recall ties instrument routing and parameter automation to one operator-friendly control event.
MainStage organizes show content as patches and sets that can be switched by footswitch, keyboard, or MIDI notes. It can trigger multiple actions per control event, including parameter changes and playback of audio files, so a single go action can update instruments and effects together. Automation is handled through show configuration and mapping layers rather than through an external cue scripting engine.
A key tradeoff is that MainStage prioritizes audio-centric workflows and local control inputs over deep lighting or networked device control. It works best when cues represent instrument states for a band or production, and the main goal is consistent audio recall during a rehearsal-to-show handoff.
- +Cue actions switch instrument and effects chains with minimal setup friction
- +MIDI and keyboard triggering supports hardware control for live performance
- +Audio playback and parameter automation stay inside a single Mac project
- +Logic compatibility supports reuse of sound design work
- –Lighting and DMX patching workflows are not a native focus
- –Networked OSC style control needs external routing and glue logic
- –Complex multi-operator governance and audit trails are limited
Live sound musicians
Switch effects and instruments for songs
Consistent, fast state changes
Theater musicians
Trigger scene-specific audio states
Lower manual patch switching
Show 1 more scenario
Small production teams
Run audio show control from a laptop
Tighter operator-to-console workflow
MIDI-driven go actions coordinate playback and sound parameter changes onstage.
Best for: Fits when stage crews need audio recall cues on one Mac with MIDI or keyboard triggers.
LiveProfessor
vertical specialistSoftware for hosting VST plugins and routing audio for live performance cueing.
Cue stack scheduling that keeps media and action steps aligned for repeatable rehearsal runs.
LiveProfessor focuses on cue-driven show workflows for teaching, rehearsal, and small event productions where scripted timing matters. The tool centers on cue stacks with editor-side scheduling, plus operator controls that trigger grouped actions with consistent timing.
It supports media playback tied to cue steps and provides automation hooks so show logic can stay consistent between rehearsals and live runs. Compared with desktop editor ecosystems, LiveProfessor prioritizes cue list authoring and run-time control depth over full timeline editing flexibility.
- +Cue stack authoring keeps show logic readable during rehearsal edits
- +Group triggers support consistent operator go button mapping across cues
- +Timing controls help maintain predictable cue-to-action sequencing
- +Media playback can be synchronized to cue steps without manual re-sync
- –Advanced show control features can require external routing for I O tasks
- –Complex branching logic needs careful cue part planning to avoid gaps
- –Live authoring updates can be slower when many cues need retiming
- –Deep fixture-level control workflows depend on supported output paths
School theatre directors
Run cue stacks during rehearsals
Fewer timing mismatches in rehearsal
Workshop event stage managers
Trigger media per cue step
Predictable show transitions
Best for: Fits when rehearsed cue stacks must run reliably with operator-friendly triggers.
CuePilot
enterpriseMulti-camera live production software for planning, cueing, and automating shots and graphics.
Trigger macros that bind external inputs to cue transitions with configurable wait and fade behavior.
CuePilot maps timeline-based cues to external playback and control actions, with per-cue timing controls for fades and go behavior. It centers on a cue list workflow that can drive media transport, DMX outputs, and other show I/O from a single controller UI.
- +Per-cue timing controls make fade and go behavior predictable under load
- +Trigger macros connect external inputs to cue transitions without editing show code
- +Cue grouping and cue palettes reduce scroll time during rehearsals and show runs
- +Integrated routing for DMX output supports fixture profile based playback changes
- –Complex cue stack setups can require careful configuration discipline
- –Advanced external control setups can be slower to iterate without a test workflow
- –Large media cue sequences can feel restrictive when cueing depends on tight sync
- –Deep customization of cue numbering schemes may require manual conventions
Lighting programmers
Drive DMX from cue timeline
Consistent cue transitions
AV playback operators
Control media transport from cues
Centralized show operation
Show 1 more scenario
Show control integrators
Advance cues via OSC messages
Faster live cue changes
Programmable triggers move cues forward using OSC or button inputs during performances.
Best for: Fits when show teams need a single cue list controller that drives media and DMX with repeatable timing.
QLab
vertical specialistCue-based software for live show control with audio, video, lighting, and network playback.
Blind editing mode lets operators rehearse and run cues while keeping edit fields hidden and protected.
QLab’s core workflow is building a QLab workspace of cues organized into cue stacks that can run in order or in response to triggers. Each cue can drive media playback and control actions while supporting cue fade time settings and timing waits, which helps align audio and visuals across the show. QLab also supports MIDI show control and OSC messaging for external transport commands and parameter changes, which simplifies integration with lighting consoles and third-party automation. Operator-focused features include blind editing mode and a Go model that maps to a cue number scheme for safe running.
- +Cue linking and follow-on triggers support reactive show state transitions
- +MIDI show control and OSC inputs enable external transport and parameter drives
- +Blind editing mode supports safer live rehearsals and operator handoffs
- +Per-cue fade time controls help synchronize audio and scene changes
- –Advanced setups can require meticulous cue stack and trigger design
- –Large-scale fixture programming depends on correct DMX patching and routing
- –External timeline sync usually needs deliberate timebase and latency checks
- –Version-to-version project migration can be tedious for heavily customized files
Stage managers and operators
Run cues from a hardware controller
Consistent cue timing under pressure
Automation engineers
Control lighting and media via OSC
Unified control across devices
Show 2 more scenarios
Touring production teams
Synchronize audio with external playback
Tighter synchronization during transitions
Cue waits and linking keep show progression aligned to external events and scene recall timing.
Small venues with mixed workflows
Combine media playback and control macros
Fewer systems to operate
A single QLab workspace runs multi-track playback and follow-on cue actions from operator Go commands.
Best for: Fits when touring crews need timed cue stacks with MIDI and OSC control, plus rehearsal-safe editing workflows.
Linux Show Player
API-firstOpen-source cue player for audio, video, and command execution in live shows.
Plugin-driven output and control integration for stage devices under a Linux show runtime model.
Linux Show Player is a cueing application built for running show files and executing timed cue stacks on Linux systems. It supports show control through device output plugins and common stage I O patterns, which makes it suitable for driving lighting, media, and other peripherals from a single operator workflow.
- +Linux-native runtime behavior designed for consistent cue execution
- +Plugin-based I O output supports multiple device control paths
- +Cue playback model keeps on-stage operation centered on cue navigation
- +Works well for teams that version and deploy show files
- –Authoring workflow relies on external show preparation rather than tight in-app editing
- –Advanced routing like multi-protocol outputs depends on plugin configuration discipline
- –Limited built-in authoring tooling for complex scenes compared with timeline editors
- –Debugging cue latency and synchronization often requires system-level inspection
Community theatre crews
Run show files on Linux
Reliable performance timing
Venue AV technicians
Drive lighting and media outputs
Single-operator show control
Best for: Fits when Linux operators need reliable cue execution from deployed show files.
Soundplant
SMBComputer keyboard-triggered audio playback software for sound cues and live events.
Trigger-to-sound execution with low-friction configuration designed for live sound playback cues.
Soundplant is a cueing tool built around audio-triggered events rather than a show file or scene graph. It maps input actions to sound playback with a cue-style workflow that favors immediate rehearsal and rapid iteration.
- +Fast cue triggering with keyboard and MIDI-ready workflows
- +Straightforward per-sound mapping from trigger to playback
- +Works well for rehearsal where operators need instant feedback
- +File-based distribution of audio assets supports offline cue building
- –Limited native integration for OSC routing and DMX lighting control
- –No timecode chase or show timeline sequencing for synchronized cues
- –Cue logic and macros are less suited for complex dependency graphs
- –Administration controls like audit trails and RBAC are not a native focus
Podcast producers
Trigger intro and reaction sounds
Faster cue execution
Event sound operators
Launch announcements and transitions
Compact live audio control
Show 1 more scenario
Game and experiential teams
Cue effects during interactive activity
Quick access to effects
Sound designers trigger prepared audio assets in response to performance actions.
Best for: Fits when audio-driven shows need quick trigger-to-sound mapping without a timeline.
Sound Show
vertical specialistSound Show runs audio cues with playlists, fades, hotkeys, MIDI control, and theatrical playback features.
Cue linking with follow-on trigger chains built inside the show file reduces manual re-triggering during rehearsals.
Sound Show turns a cue sheet into a controllable show flow with timeline-based cue stacks and a web interface for go button operation. It supports MIDI show control and OSC routing for external trigger input, plus per-cue timing controls like fade and wait to shape cue latency behavior. The core workflow centers on a show file that maps cues to playback actions, so operators can rehearse and run through cue numbering schemes without rebuilding scenes each time.
- +Web-based cue control that supports fast go and stop workflows
- +MIDI show control and OSC routing for external triggering
- +Per-cue timing controls like wait and fade
- +Cue linking supports follow-on trigger behavior across steps
- –Limited admin and governance tooling for multi-operator deployments
- –I/O routing matrix depth is less granular than DMX-first cue stacks
- –External event handling needs careful cue wait tuning
- –Large cue lists can feel slow to navigate in the editor
Podcast hosts
Run cue numbers during recording
Timely cue playback
Small event producers
Shape cue latency with fades
Smoother transitions
Show 1 more scenario
Stage audio operators
Trigger media from timeline cues
Fewer scene rebuilds
Cue stack playback maps cue numbers to external actions using a show file workflow.
Best for: Fits when teams need web-driven cue playback with MIDI or OSC triggers and predictable per-cue timing.
Soundboard Studio
SMBSoundboard Studio plays organized audio cues with hotkeys, fades, playlists, and multi-output routing.
Trigger-to-action mapping that supports MIDI and network-driven cue activation from outside the operator workspace.
Soundboard Studio targets cue-based show control where an operator needs a live button grid for triggering media, scenes, and automation without building a full custom system. It centers on an operator workspace with cue stack style sequencing and trigger-driven playback behavior for performances.
- +Live cue layout designed around quick operator triggering and stateful playback
- +External trigger support for MIDI and network message driven cue starts
- +Cue sequencing supports waits and fades for more controlled transitions
- +Project organization makes it easier to keep a show file readable mid-run
- –Limited built-in show programming depth versus cue stacks with full scripting
- –Network control requires careful mapping to match device timing expectations
- –Fine-grained per-output customization can feel constrained for complex rigs
- –Workflow depends on external time coordination rather than timecode chase features
Live event operators
Trigger a button grid of cues
Predictable cue transitions
Network-controlled AV teams
Drive cues via MIDI or messages
More flexible show control
Best for: Fits when a small show team needs a quick cue interface with external triggers and controlled fades.
Stage Traxx 3
SMBSetlist and backing track software with cue support for live performers.
Scene based cue parts with explicit cue wait time and cue fade timing provide consistent stage transitions from the cue stack.
Stage Traxx 3 targets cue-driven show control for live events that need tighter stage-state management than basic MIDI or keyboard cue lists. It provides a cue list workflow with scene-based playback, layered audio or media triggering, and configurable I O routing for external control signals.
- +Cue stack editing supports chained cue parts with predictable follow-on behavior
- +Cue timing controls include wait time and fade timing for staged transitions
- +External I O routing supports building repeatable trigger and control workflows
- +Go button mapping enables consistent operator interaction across show sections
- –Complex I O routing can slow setup for smaller teams with simple signal needs
- –Deep media and external device workflows require configuration discipline to avoid drift
- –Large shows increase editing friction when managing many linked cues
- –Advanced behavior depends on understanding cue dependencies more than on templates
Concert sound engineers
Manage chained stage state cues
Tighter stage cue timing
Theatre technical directors
Layer media and audio triggers
More controlled cue parts
Show 1 more scenario
Touring production crews
Operate cue stack style sequencing
Faster show adjustments
Granular cue part controls and follow-on triggers help keep show edits manageable.
Best for: Fits when operators need a cue list workflow with explicit timing, follow-on triggers, and external I O routing for stage control.
Conclusion
After evaluating 10 cue software, QLab stands out as our overall top pick — it scored highest across our combined criteria of features, ease of use, and value, which is why it sits at #1 in the rankings above.
Use the comparison table and detailed reviews above to validate the fit against your own requirements before committing to a tool.
How to Choose the Right Cue Software
Cue software coordinates cue lists and show files so operators can trigger media and control actions with consistent timing. This roundup covers QLab, MainStage, LiveProfessor, CuePilot, Stage Traxx 3, Soundplant, Linux Show Player, Sound Show, and Soundboard Studio.
Each tool review focuses on how cue stacks, triggers, and external control inputs behave in real stage workflows. The guide also compares integration depth across MIDI show control, OSC routing, and DMX lighting control where each product supports them.
Cue Software that runs cue stacks, links triggers, and synchronizes stage actions
Cue software is the operator-facing system that executes cue stacks, applies cue fade time and cue wait time, and advances show state when an external trigger fires. QLab is designed around blind editing mode for rehearsal safety while still supporting cue linking and follow-on triggers for reactive transitions.
Cue software also determines how cue execution connects to external transport and device control through MIDI and OSC inputs, and how much configuration discipline is required for routing. MainStage anchors audio recall around patch and set recall tied to operator control events, while its lighting and DMX patching workflow support depends on external routing glue rather than a native lighting-first model.
Cue control mechanics that determine show reliability
Cue software succeeds or fails based on how cue execution handles branching, timing, and operator safety during rehearsal and live runs. The most differentiating features show up where external triggers meet cue logic, where cue fade and wait parameters behave consistently, and where operators can edit without breaking show state.
Rehearsal-safe editing with protected cue fields
QLab’s blind editing mode lets operators rehearse and run cue stacks while keeping edit fields hidden and protected. This directly reduces accidental changes to cue timing and trigger configuration during live rehearsals.
Assertions and conditional cue flow for fail-safe logic
QLab’s assertions plus conditional cue flow enforce fail-safe behavior when inputs or media states are wrong. This reduces missed actions caused by stale playback states or incorrect external input conditions.
Patch and recall binding for operator-friendly audio control
MainStage ties instrument routing and parameter automation to one operator-friendly control event through patch and set recall. This makes rapid recall cues practical on a single Mac driven by MIDI or keyboard triggers.
Deterministic cue stack scheduling for repeatable runs
LiveProfessor provides cue stack scheduling that keeps media and action steps aligned for repeatable rehearsal runs. Group triggers also support consistent operator go button mapping across cues.
Trigger macros with configurable wait and fade behavior
CuePilot’s trigger macros bind external inputs to cue transitions with configurable wait and fade behavior. Per-cue timing controls make fade and go behavior more predictable under load.
Scene-based cue parts with explicit wait and fade timing
Stage Traxx 3 centers scene based cue parts that include explicit cue wait time and cue fade timing for consistent transitions. Chained cue parts keep follow-on behavior predictable during stage operations.
Low-friction trigger-to-sound execution without a chase timeline
Soundplant executes trigger-to-sound actions with low-friction per-sound mapping designed for live audio playback cues. Its model emphasizes quick trigger execution instead of synchronized timecode chase and full timeline sequencing.
How to choose Cue Software based on trigger philosophy and control depth
Cue software choices split into two execution philosophies. Some tools treat cue stacks as the primary show object with guarded editing and conditional logic. Other tools prioritize trigger-to-action mapping or operator recall events with less emphasis on complex show branching.
The decision also depends on where show state and safety controls live. The right fit depends on whether the workflow needs assertions, conditional flow, or rehearsal-safe editing rather than only basic play and stop behavior.
Pick the show object that operators will edit and run
If cue stacks and cue links must be rehearsed safely without accidental changes, QLab’s blind editing mode supports protected cue editing during runs. If operators work best with instrument routing and parameter recall events on one workstation, MainStage’s patch and set recall model matches that control style.
Match external input handling to required safety and determinism
If cue execution must stop or reroute when media state or external inputs are wrong, QLab’s assertions and conditional cue flow add fail-safe behavior. If repeatability depends more on structured cue stack scheduling and consistent go mapping, LiveProfessor’s cue stack scheduling and group triggers focus on reliable rehearsal runs.
Choose macro-driven transitions versus scene and part timing controls
If external triggers must bind directly to cue transitions with predictable wait and fade settings, CuePilot’s trigger macros provide configurable timing for each transition. If the show workflow is built around stage scenes with explicit cue wait time and cue fade timing, Stage Traxx 3’s scene based cue parts better match that operator model.
Decide whether the runtime needs timecode chase and timeline sequencing
If the show requires synchronized cue timing beyond simple trigger-to-sound behavior, QLab’s cue stack workflow supports that timeline sequencing style with cue linking and follow-on triggers. If the show only needs quick trigger-to-sound execution without a chase timeline, Soundplant’s per-sound mapping is built for that simpler execution path.
Plan for platform constraints and integration glue around lighting
If lighting control must coexist with DMX patching and routing accuracy, QLab’s lighting control still relies on correct DMX patching and routing rather than internal lighting authoring. If the stage environment uses a Linux runtime model, Linux Show Player focuses on deployed show execution via plugin-driven output and control integration rather than tight in-app editing.
Who Cue Software buyers should target
Cue software fits teams that coordinate timed cue lists with external inputs and device control actions. The right category choice depends on whether the team values rehearsal-safe editing, conditional fail-safe logic, or trigger-to-action speed for audio and performance. These tools differ most in how they treat cue state changes and how much show logic they support inside the show file rather than in external glue logic.
Touring and production teams running reactive cue stacks
QLab supports rehearsal-safe blind editing while still enabling cue linking and follow-on triggers for reactive show transitions. Its MIDI show control and OSC inputs support external transport and parameter drives from a single show workflow.
Stage and audio teams driving recall cues with MIDI and keyboards
MainStage fits operators who need instrument and effects chain recall bound to operator control events. Its MIDI and keyboard triggering supports hardware control for live performance on one Mac.
Rehearsal-focused operators who need repeatable cue stack timing
LiveProfessor aligns media and action steps through cue stack scheduling and keeps group triggers consistent for operator go button mapping. This reduces variance across rehearsal runs when operators press the same cue groups.
Small show teams that prioritize quick trigger-to-sound mapping
Soundplant targets low-friction trigger-to-sound execution using keyboard and MIDI-ready workflows. Its design supports fast per-sound mapping without a timecode chase model.
Common Cue Software pitfalls that break live reliability
Cue software mistakes usually happen at the boundary between external input events and cue state. Most failures show up as out of sequence actions, missing trigger conditions, or cue timing behavior that differs from rehearsal. The most effective countermeasures depend on each tool’s native logic model, including blind editing, conditional flow, and cue part timing controls.
Editing cue stack timing or trigger mappings during rehearsals without protected editing controls
QLab’s blind editing mode is designed to prevent accidental edits to cue fields while still allowing operators to run and rehearse cue stacks.
Assuming external inputs will always be valid without adding fail-safe logic
QLab’s assertions plus conditional cue flow reduce missed or out of sequence actions by enforcing media and input preconditions before cue actions run.
Underestimating DMX patching and routing as a separate reliability requirement
QLab and other tools that rely on external DMX patching can still fail if DMX patching and routing are incorrect, even when cue logic is correct.
Building complex branching logic without a coherent cue numbering and link maintenance plan
QLab can handle deep show logic through cue linking and link maintenance, but deep logic needs careful cue numbering and link maintenance to avoid gaps.
Treating trigger-to-action control as a substitute for synchronized sequencing needs
Soundplant supports trigger-to-sound execution but lacks timecode chase and synchronized timeline sequencing features, so synchronized cue stacks still require a cue stack-first workflow such as QLab.
How We Selected and Ranked These Tools
We evaluated cue execution features first, with a 40% weight on whether each tool handles cue stacks, cue linking, follow-on triggers, and timing behaviors like cue fade and cue wait. We weighted ease and value at 30% each by scoring how quickly operators can author cue flows that remain consistent under rehearsal edits.
QLab placed highest because it pairs blind editing mode with cue linking and follow-on triggers, and it adds assertions plus conditional cue flow for fail-safe behavior when external inputs or media states are wrong. The runner-up set distinguished itself through narrower strengths such as MainStage’s patch and set recall model and CuePilot’s trigger macros with configurable wait and fade behavior.
Frequently Asked Questions About Cue Software
Which cue software is best when a show needs cue-by-cue deterministic execution with external triggers?
How does QLab handle rehearsals where operators must run cues without exposing edit fields?
When does QLab’s assertions and conditional cue flow matter for live shows?
Where does CuePilot fall short compared with QLab’s general cue-stack capabilities?
How do Linux Show Player and QLab differ in how show execution is prepared and run?
Which tool uses a cue stack model with explicit timing controls like cue wait time and cue fade timing as core operator mechanics?
What breaks if MIDI and OSC trigger expectations do not match the cueing tool’s routing model?
How do MainStage and QLab differ for stage-state recall when cues drive audio processing?
Which cue software provides a trigger-to-action mapping workflow suitable for a button grid operator surface?
Tools reviewed
Primary sources checked during evaluation.
Referenced in the comparison table and product reviews above.
Funding and competing interests
This study was co-funded by several of the vendors assessed in it. No single vendor funded it. Funders could propose the market studied.
They had no role in selecting vendors, setting or weighting criteria, analysing data or drawing conclusions, and they received the same factual-accuracy check as every other vendor assessed.
Market definition, inclusion rules and criteria weights were fixed by an editor before research began and did not change afterwards. Editorial process →
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